17 ideas
| 13030 | Extensionality: ∀x ∀y (∀z (z ∈ x ↔ z ∈ y) → x = y) [Kunen] |
| Full Idea: Axiom of Extensionality: ∀x ∀y (∀z (z ∈ x ↔ z ∈ y) → x = y). That is, a set is determined by its members. If every z in one set is also in the other set, then the two sets are the same. | |
| From: Kenneth Kunen (Set Theory [1980], §1.5) |
| 13032 | Pairing: ∀x ∀y ∃z (x ∈ z ∧ y ∈ z) [Kunen] |
| Full Idea: Axiom of Pairing: ∀x ∀y ∃z (x ∈ z ∧ y ∈ z). Any pair of entities must form a set. | |
| From: Kenneth Kunen (Set Theory [1980], §1.6) | |
| A reaction: Repeated applications of this can build the hierarchy of sets. |
| 13033 | Union: ∀F ∃A ∀Y ∀x (x ∈ Y ∧ Y ∈ F → x ∈ A) [Kunen] |
| Full Idea: Axiom of Union: ∀F ∃A ∀Y ∀x (x ∈ Y ∧ Y ∈ F → x ∈ A). That is, the union of a set (all the members of the members of the set) must also be a set. | |
| From: Kenneth Kunen (Set Theory [1980], §1.6) |
| 13037 | Infinity: ∃x (0 ∈ x ∧ ∀y ∈ x (S(y) ∈ x) [Kunen] |
| Full Idea: Axiom of Infinity: ∃x (0 ∈ x ∧ ∀y ∈ x (S(y) ∈ x). That is, there is a set which contains zero and all of its successors, hence all the natural numbers. The principal of induction rests on this axiom. | |
| From: Kenneth Kunen (Set Theory [1980], §1.7) |
| 13038 | Power Set: ∀x ∃y ∀z(z ⊂ x → z ∈ y) [Kunen] |
| Full Idea: Power Set Axiom: ∀x ∃y ∀z(z ⊂ x → z ∈ y). That is, there is a set y which contains all of the subsets of a given set. Hence we define P(x) = {z : z ⊂ x}. | |
| From: Kenneth Kunen (Set Theory [1980], §1.10) |
| 13034 | Replacement: ∀x∈A ∃!y φ(x,y) → ∃Y ∀X∈A ∃y∈Y φ(x,y) [Kunen] |
| Full Idea: Axiom of Replacement Scheme: ∀x ∈ A ∃!y φ(x,y) → ∃Y ∀X ∈ A ∃y ∈ Y φ(x,y). That is, any function from a set A will produce another set Y. | |
| From: Kenneth Kunen (Set Theory [1980], §1.6) |
| 13039 | Foundation:∀x(∃y(y∈x) → ∃y(y∈x ∧ ¬∃z(z∈x ∧ z∈y))) [Kunen] |
| Full Idea: Axiom of Foundation: ∀x (∃y(y ∈ x) → ∃y(y ∈ x ∧ ¬∃z(z ∈ x ∧ z ∈ y))). Aka the 'Axiom of Regularity'. Combined with Choice, it means there are no downward infinite chains. | |
| From: Kenneth Kunen (Set Theory [1980], §3.4) |
| 13036 | Choice: ∀A ∃R (R well-orders A) [Kunen] |
| Full Idea: Axiom of Choice: ∀A ∃R (R well-orders A). That is, for every set, there must exist another set which imposes a well-ordering on it. There are many equivalent versions. It is not needed in elementary parts of set theory. | |
| From: Kenneth Kunen (Set Theory [1980], §1.6) |
| 13029 | Set Existence: ∃x (x = x) [Kunen] |
| Full Idea: Axiom of Set Existence: ∃x (x = x). This says our universe is non-void. Under most developments of formal logic, this is derivable from the logical axioms and thus redundant, but we do so for emphasis. | |
| From: Kenneth Kunen (Set Theory [1980], §1.5) |
| 13031 | Comprehension: ∃y ∀x (x ∈ y ↔ x ∈ z ∧ φ) [Kunen] |
| Full Idea: Comprehension Scheme: for each formula φ without y free, the universal closure of this is an axiom: ∃y ∀x (x ∈ y ↔ x ∈ z ∧ φ). That is, there must be a set y if it can be defined by the formula φ. | |
| From: Kenneth Kunen (Set Theory [1980], §1.5) | |
| A reaction: Unrestricted comprehension leads to Russell's paradox, so restricting it in some way (e.g. by the Axiom of Specification) is essential. |
| 13040 | Constructibility: V = L (all sets are constructible) [Kunen] |
| Full Idea: Axiom of Constructability: this is the statement V = L (i.e. ∀x ∃α(x ∈ L(α)). That is, the universe of well-founded von Neumann sets is the same as the universe of sets which are actually constructible. A possible axiom. | |
| From: Kenneth Kunen (Set Theory [1980], §6.3) |
| 22709 | We should first decide what are the great works of art, with aesthetic theory following from that [Murdoch] |
| Full Idea: Our aesthetic must stand to be judged by great works of art which we know to be such independently. …So let us start by saying that Shakespeare is the greatest of all artists, and let our aesthetic be the philosophical justification of this judgement. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.205) | |
| A reaction: She offers this view in specific contradiction of Tolstoy, which says we should first have a theory, and then judge accordingly. I take Murdoch to be entirely right, but it means that our aesthetic theory will shift over time. |
| 22715 | Great art proves the absurdity of art for art's sake [Murdoch] |
| Full Idea: The work of the great artists shows up 'art-for-art's-sake' as a flimsy frivolous doctrine. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.218) | |
| A reaction: She keeps referring to tragedy (as the greatest art), but it is hard to see how we learn love and morality from a great pot or a great abstract painting. Wilde makes the doctrine frivolous, but I think it contains a degree of truth. Music. |
| 22714 | Because art is love, it improves us morally [Murdoch] |
| Full Idea: It is of course a fact that if art is love then art improves us morally, but this is, as it were, accidental. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.218) | |
| A reaction: Is an enhancement of one's love necessarily a moral improvement? Love is a fine feeling, but how does it motivate? Has no wickedness ever been perpetrated in the name of love? 'All's fair in love and war'. |
| 22712 | Art and morals are essentially the same, and are both identical with love [Murdoch] |
| Full Idea: Art and morals are (with certain provisos) one. Their essence is the same. The essence of both of them is love. Love is the perception of individuals. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.215) | |
| A reaction: The idea that art, morals and love are all just a single thing seems unhelpful. What about satire? What about duty without love? What about pure abstract painting? What about Stravinsky's highly formal view of his music? |
| 22713 | Love is realising something other than oneself is real [Murdoch] |
| Full Idea: Love is the extremely difficult realisation that something other than oneself is real. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.215) | |
| A reaction: I suspect that this is a necessary condition for love, but not the thing itself. The realisation she describes may not be love. You would attain her realisation if you shared a prison cell with a terrifying psychopath. |
| 7903 | The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna] |
| Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom. | |
| From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88) | |
| A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate'). |