23 ideas
| 18543 | Do aesthetic reasons count as reasons, if they are rejectable without contradiction? [Scruton] |
| Full Idea: The judgement of beauty makes a claim about its object, and can be supported by reasons. But the reasons do not compel the judgement and can be rejected without contradiction. So are they reasons or aren't they? | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
| A reaction: I suspect that what he is really referring to is evidence rather than reasons. |
| 18542 | Defining truth presupposes that there can be a true definition [Scruton] |
| Full Idea: How can you define truth, without already assuming the distinction between a true definition and a false one? | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
| A reaction: Don't say we have to accept truth as yet another primitive! Philosophers are out of business if all the basic concepts are primitive. The axiomatic approach to truth is an alternative - by specifying how the primitive should be used. |
| 22227 | For Sartre there is only being for-itself, or being in-itself (which is beyond experience) [Sartre, by Daigle] |
| Full Idea: The two most fundamental modes of being in Sartre's ontology are being in-itself, and being for-itself. ...The in-itself lies beyond our experience of it. | |
| From: report of Jean-Paul Sartre (Being and Nothingness [1943]) by Christine Daigle - Jean-Paul Sartre 2.2 | |
| A reaction: This appears to be Kant's ding-an-sich, paired with Heidegger's Dasein. If those are the only options, then reality is either subjective or unknown, which seems to make Sartre an idealist, but he asserted that phenomena vindicate the in-itself. |
| 20743 | Appearances do not hide the essence; appearances are the essence [Sartre] |
| Full Idea: We reject the dualism of appearance and essence. The appearance does not hide the essence, it reveals it; it is the essence. | |
| From: Jean-Paul Sartre (Being and Nothingness [1943], p.4-5), quoted by Kevin Aho - Existentialism: an introduction 2 'Phenomenology' | |
| A reaction: This idea, expressed in the language of Hegel and Husserl, strikes me as the same as the analytic phenomenalism of Mill and Ayer. Hence I take it to be wrong. |
| 6151 | Sartre says consciousness is just directedness towards external objects [Sartre, by Rowlands] |
| Full Idea: Sartre defends a view of consciousness as nothing but a directedness towards objects, insisting that these objects are transcendent with respect to that consciousness; hence Sartre is one of the first genuine externalists. | |
| From: report of Jean-Paul Sartre (Being and Nothingness [1943]) by Mark Rowlands - Externalism Ch.1 | |
| A reaction: An ancestor here is, I think, Schopenhauer (Idea 4166). The idea is attractive, as we are brought up with idea that we have a thing called 'consciousness', but if you removed its contents there would literally be nothing left. |
| 6164 | Sartre rejects mental content, and the idea that the mind has hidden inner features [Sartre, by Rowlands] |
| Full Idea: Sartre's attack on the idea that consciousness has contents is an attack on the idea that the mental possesses features that are hidden, inner and constituted or revealed by the individual's inwardly directed awareness. | |
| From: report of Jean-Paul Sartre (Being and Nothingness [1943]) by Mark Rowlands - Externalism Ch.5 | |
| A reaction: This is part of the move towards 'externalism' about the mind. The notion of 'content' implies a container. It seems slightly ridiculous, though, to try to say that the mind just 'is the world'. How is reasoning possible, and the relation of ideas? |
| 18546 | The pleasure taken in beauty also aims at understanding and valuing [Scruton] |
| Full Idea: Like the pleasure in friendship, the pleasure in beauty is curious: it aims to understand its object, and to value what it finds. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
| A reaction: At least he is trying to pin down the way in which aesthetic pleasure is phenomenologically different from other kinds of pleasure. |
| 18550 | Art gives us imaginary worlds which we can view impartially [Scruton] |
| Full Idea: One aim of art is to present imaginary worlds, towards which we can adopt, as part of the integral aesthetic attitude, a posture of impartial concern. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 5) | |
| A reaction: It connects to the pleasure of watching people when they don't know they are being watched (such as watching the street from a restaurant window). Scruton's suggestion makes art resemble examples in philosophy. Cf the Frege-Geach problem in ethics. |
| 18544 | Maybe 'beauty' is too loaded, and we should talk of fittingness or harmony [Scruton] |
| Full Idea: Maybe we can understand the 'beauty' of a building better if we describe it in another and less loaded way, as a form of fittingness or harmony. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
| A reaction: Almost everyone accepts the word 'beauty' for some things, such as a beautiful face, or goal, or steak. I remember a female interviewer writing that, reluctantly, the only appropriate word she could find for Nureyev's face was 'beautiful'. |
| 18553 | Beauty shows us what we should want in order to achieve human fulfilment [Scruton] |
| Full Idea: Beauty speaks to us of human fulfilment: not of things that we want, but of things that we ought to want, because human nature requires them. Such, at least, is my belief. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 7) | |
| A reaction: I'm not sure how this works with a beautiful natural landscape. And what should I see that I ought to desire after viewing a great Rembrandt self-portrait? That I don't want to end up looking as bleak as that? Hm. Lofty words. |
| 18556 | Beauty is rationally founded, inviting meaning, comparison and self-reflection [Scruton] |
| Full Idea: Beauty is rationally founded; it challenges us to find meaning in its object, to make critical comparisons, and to examine our own lives and emotions in the light of what we find. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 9) | |
| A reaction: This is the Kantian tradition, and I'm not finding it very persuasive. It seems to place the value of beauty in what we do with it afterwards, and he seems to make beauty a necessary stepping stone to virtue. I see beauty as more sui generis. |
| 18548 | Natural beauty reassures us that the world is where we belong [Scruton] |
| Full Idea: The experience of natural beauty is not a sense of 'how nice!' or 'how pleasant!' It contains a reassurance that this world is a right and fitting place to be - a home in which our human powers and prospects find confirmation. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 2) | |
| A reaction: To call it a 'reassurance' and 'confirmation' sounds like theism, anthropomorphism, or the pathetic fallacy. That said, this is certainly a heart-warming idea, and hence must contain a grain of truth. |
| 18551 | Croce says art makes inarticulate intuitions conscious; rival views say the audience is the main concern [Scruton] |
| Full Idea: The Croce model is of an inarticulate inner state (an 'intuition') becoming articulate and conscious through artistic expression. The rival model is fitting thing together so as to create links which resonate in the audience's feelings. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 5) | |
| A reaction: The first model tells you nothing about how the artist imagines the audience reacting. The second model tells you nothing about what matters personally to the artist. A good theory must do both! |
| 7074 | Man is a useless passion [Sartre] |
| Full Idea: Man is a useless passion. | |
| From: Jean-Paul Sartre (Being and Nothingness [1943], IV.2.III) | |
| A reaction: Memorable and neat. Since all of existence is ultimately 'useless', that part of it is not a revelation. The notion that we are essentially a 'passion' chimes nicely with David Hume's view, against the enlightenment rational view, and against Aristotle. |
| 6687 | Man is the desire to be God [Sartre] |
| Full Idea: Man fundamentally is the desire to be God. | |
| From: Jean-Paul Sartre (Being and Nothingness [1943], p.556?), quoted by Gordon Graham - Eight Theories of Ethics Ch.5 | |
| A reaction: It is better to see man (as seen all the way through the European tradition) as caught between the self-images of being an angel and being a 'quintessence of dust' (Hamlet). |
| 22228 | Sartre's freedom is not for whimsical action, but taking responsibility for our own values [Sartre, by Daigle] |
| Full Idea: Readers often confuse Sartre's notion of freedom with the freedom of acting whimsically ....but since there is no God, we must create our own values. Freedom is not merely a licence to act whimsically.; it entails responsibility. | |
| From: report of Jean-Paul Sartre (Being and Nothingness [1943]) by Christine Daigle - Jean-Paul Sartre 2.3 | |
| A reaction: The idea that we create our values comes from Nietzsche. Did Sartre want everyone to behave like an übermensch? How can you form a society from individuals who create private values, even if they (somehow) take responsibility for them? |
| 18541 | Beauty (unlike truth and goodness) is questionable as an ultimate value [Scruton] |
| Full Idea: The status of beauty as an ultimate value is questionable, in the way that the status of truth and goodness are not. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
| A reaction: We suspect that a love of beauty may be a bit parochial, where it is hard to conceive of living creatures anywhere in the cosmos who don't value the other two. |
| 22233 | Love is the demand to be loved [Sartre] |
| Full Idea: Love is the demand to be loved. | |
| From: Jean-Paul Sartre (Being and Nothingness [1943], p.488), quoted by Christine Daigle - Jean-Paul Sartre 2.5 | |
| A reaction: Is that all love is? Hard to imagine someone loving another person without hoping that the other person will reciprocate. You need high self-esteem to 'demand' it. Low self-esteem merely hopes for it. He says the other person may feel the same. |
| 7903 | The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna] |
| Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom. | |
| From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88) | |
| A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate'). |
| 20755 | Fear concerns the world, but 'anguish' comes from confronting my self [Sartre] |
| Full Idea: Anguish is distinguished from fear in that fear is fear of being in the world whereas anguish is anguish before myself. | |
| From: Jean-Paul Sartre (Being and Nothingness [1943], p.65), quoted by Kevin Aho - Existentialism: an introduction 5 'Radical' | |
| A reaction: I'm guessing that the anguish comes from the horror of the infinite choices available to me. Once you've made major life choices with full commitment (such as marriage), does that mean that existentialism becomes irrelevant? |
| 20760 | Sincerity is not authenticity, because it only commits to one particular identity [Sartre, by Aho] |
| Full Idea: Being sincere [in Sartre] has nothing to do with authenticity because, in committing ourselves to a particular identity, we strip away the possibility of transcendence by reducing ourselves to a thing. | |
| From: report of Jean-Paul Sartre (Being and Nothingness [1943]) by Kevin Aho - Existentialism: an introduction 6 'Bad' | |
| A reaction: I take this to mean that sincerity says genuinely what role you are playing (such as a waiter), but authenticity is recognition that you don't have to play that role. I think. |
| 22231 | We flee from the anguish of freedom by seeing ourselves objectively, as determined [Sartre] |
| Full Idea: We are always ready to take refuge in a belief in determinism if this freedom weighs upon us or if we need an excuse. Thus we flee from anguish by attempting to apprehend ourselves from without as an Other or a thing. | |
| From: Jean-Paul Sartre (Being and Nothingness [1943], p.82), quoted by Christine Daigle - Jean-Paul Sartre 2.4 | |
| A reaction: I would have thought we blame social pressures, or biological pressures, rather than metaphysical determinism, but it amounts to the same thing. If we are not free then probably nothing else is. |
| 18554 | Prostitution is wrong because it hardens the soul, since soul and body are one [Scruton] |
| Full Idea: The condemnation of prostitution was not just puritan bigotry; it was a recognition of a profound truth, that you and your body are not two things but one, and by selling the body you harden your soul. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 7) | |
| A reaction: No one, I imagine, who condones or even enthuses about prostitution would hope that their own daughter followed the profession, so there is something wrong with it. But must an enthusiastic and cheerful prostitute necessarily have a hard soul? |