7 ideas
| 20949 | Study the use of words, not their origins [Herder] |
| Full Idea: Not how an expression can be etymologically derived and determined analytically, but how it is used is the question. Origin and use are often very different. | |
| From: Johann Gottfried Herder (works [1784], p.153), quoted by Andrew Bowie - Introduction to German Philosophy 2 'Herder' | |
| A reaction: This doesn't quite say that meaning is use, and is basically an attack on the Etymological Fallacy (that origin gives meaning), but it is a strikingly modern view of language. |
| 12167 | Reference without predication is the characteristic of expression [Scruton] |
| Full Idea: Characteristic of expression is the presence of 'reference' without predication. | |
| From: Roger Scruton (Representation in Music [1976], p.71) | |
| A reaction: This echoes (in linguistic terms) Kant's thought that art is 'purposive without purpose'. The remark is comfortable in an essay on music, but it gets more tricky when the topic is literature, or even representational painting. |
| 12166 | If music refers to love, it contains no predication, so it is expression, not language [Scruton] |
| Full Idea: If a passage carries a reference to love, we are not told what it says about love. And to speak of language with 'reference' but no predication is simply to misuse the word. We leave the realm of representation and enter that of expression. | |
| From: Roger Scruton (Representation in Music [1976], p.63-4) | |
| A reaction: This is a beautifully simple objection to the idea (associated with Nelson Goodman) that art is a language. Though what an 'expression' of something amounts to I am not quite sure. |
| 12168 | Music is not representational, since thoughts about a subject are never essential to it [Scruton] |
| Full Idea: Music is not representational, since thoughts about a subject are never essential to the understanding of music. | |
| From: Roger Scruton (Representation in Music [1976], p.74) | |
| A reaction: I would not have thought that many people thought music was representational, but Scruton particularly mentions passages in opera that seem to pick up aspects of the story. Do even bell sounds not represent bells? |
| 7669 | We cannot attain all the ideals of every culture, so there cannot be a perfect life [Herder, by Berlin] |
| Full Idea: For Herder, we cannot attain to the highest ideals of all the centuries and all the places at once, and since we cannot do that, the whole notion of the perfect life collapses. | |
| From: report of Johann Gottfried Herder (works [1784]) by Isaiah Berlin - The Roots of Romanticism Ch.3 | |
| A reaction: Herder seems to be the father of modern cultural relativism. The idea is hard to challenge, but the ideals of some cultures should be ignored, if they diminish rather than enhance the good life for all. |
| 7903 | The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna] |
| Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom. | |
| From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88) | |
| A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate'). |
| 7668 | Herder invented the idea of being rooted in (or cut off from) a home or a group [Herder, by Berlin] |
| Full Idea: The whole notion of being at home, or being cut off from one's natural roots, the whole idea of roots, the whole idea of belonging to a group, a sect, a movement, was largely invented by Herder. | |
| From: report of Johann Gottfried Herder (works [1784], Ch.3) by Isaiah Berlin - The Roots of Romanticism | |
| A reaction: Hm. Broad generalisations are an awful temptation in the history of ideas. As a corrective to this, trying reading the two Anglo-Saxon poems 'The Wanderer' and 'The Seafarer'. Very Germanic, I suppose. Interesting, though. Leads to Hegel's politics. |