5 ideas
| 8502 | Realism doesn't explain 'a is F' any further by saying it is 'a has F-ness' [Devitt] |
| Full Idea: Realists feel that the one-place predication 'a is F' leaves something unexplained, yet all that is offered is a two-place predication (a relational statement). There is an equal problem about 'a having F-ness'. | |
| From: Michael Devitt ('Ostrich Nominalism' or 'Mirage Realism'? [1980], p.97) | |
| A reaction: I think this is a key argument on the nominalist side - the denial that the theory of universals actually makes any progress at all in giving an explanation of what is going on around here. Platonist have the problem of 'partaking'. |
| 8503 | The particular/universal distinction is unhelpful clutter; we should accept 'a is F' as basic [Devitt] |
| Full Idea: Talk of 'particulars' and 'universals' clutters the landscape without adding to our understanding. We should rest with the basic fact that a is F. | |
| From: Michael Devitt ('Ostrich Nominalism' or 'Mirage Realism'? [1980], p.98) | |
| A reaction: Ramsey was first to challenge the basic distinction. I find the approach of Quine and Devitt unsatisfactory. We abandon explanation when it is totally hopeless, but that is usually in the face of complexity. Properties are difficult but simple. |
| 8501 | Quineans take predication about objects as basic, not reference to properties they may have [Devitt] |
| Full Idea: For 'a and b have the same property, F-ness' the Quinean Nominalist has a paraphrase to hand: 'a and b are both F'. ..In denying that this object need have properties, the Quinean is not denying that it really is F. | |
| From: Michael Devitt ('Ostrich Nominalism' or 'Mirage Realism'? [1980], p.95) | |
| A reaction: The question that remains is why 'F' is used of both a and b. We don't call a and b 'a', because they are different. Quine falls back on resemblance. I suspect Quineans of hiding behind the semantics. |
| 20441 | An ordinary object can be a work of art, but only if some theory of art supports it [Danto] |
| Full Idea: What in the end makes the difference between a Brillo box and a work of art consisting of a Brillo box is a certain theory of art. It is the theory that takes it up into the world of art, and keeps it from collapsing into the real object which it is. | |
| From: Arthur C. Danto (The Artworld [1964], p.581), quoted by Sondra Bacharach - Arthur C. Danto | |
| A reaction: It is hard to describe Duchamp's original claim that the urinal was an artwork as a 'theory'. It is a mere rebellious assertion. |
| 7903 | The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna] |
| Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom. | |
| From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88) | |
| A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate'). |