7 ideas
| 1394 | Can the mental elements of a 'bundle' exist on their own? [Carruthers] |
| Full Idea: If the mind is merely a bundle of states and events, it must be logically possible for the various elements of the bundle to exist on their own. | |
| From: Peter Carruthers (Introducing Persons [1986], 2.iii (A)) | |
| A reaction: Depends how literally you take the bundle metaphor, and how much you are worried about 'logical' possibility (which only seems to mean imaginable). The answers to these questions do not have to be all-or-nothing. |
| 1395 | Why would a thought be a member of one bundle rather than another? [Carruthers] |
| Full Idea: What makes it true that a particular thought or experience is a member of one bundle rather than another? | |
| From: Peter Carruthers (Introducing Persons [1986], 2.iii (B)) | |
| A reaction: I'm not sure if you can answer this nice question without mentioning values. The mental events in are in my bundle because they matter to me (because they are related to my body, for which I am responsible). Compare picking my possessions out of a pile. |
| 1396 | We identify persons before identifying conscious states [Carruthers] |
| Full Idea: We can have no conception of the particularity of conscious states prior to, and independently of, a conception of a particularity of persons. | |
| From: Peter Carruthers (Introducing Persons [1986], 2.iii (C)) | |
| A reaction: agrees with Butler |
| 12167 | Reference without predication is the characteristic of expression [Scruton] |
| Full Idea: Characteristic of expression is the presence of 'reference' without predication. | |
| From: Roger Scruton (Representation in Music [1976], p.71) | |
| A reaction: This echoes (in linguistic terms) Kant's thought that art is 'purposive without purpose'. The remark is comfortable in an essay on music, but it gets more tricky when the topic is literature, or even representational painting. |
| 12166 | If music refers to love, it contains no predication, so it is expression, not language [Scruton] |
| Full Idea: If a passage carries a reference to love, we are not told what it says about love. And to speak of language with 'reference' but no predication is simply to misuse the word. We leave the realm of representation and enter that of expression. | |
| From: Roger Scruton (Representation in Music [1976], p.63-4) | |
| A reaction: This is a beautifully simple objection to the idea (associated with Nelson Goodman) that art is a language. Though what an 'expression' of something amounts to I am not quite sure. |
| 12168 | Music is not representational, since thoughts about a subject are never essential to it [Scruton] |
| Full Idea: Music is not representational, since thoughts about a subject are never essential to the understanding of music. | |
| From: Roger Scruton (Representation in Music [1976], p.74) | |
| A reaction: I would not have thought that many people thought music was representational, but Scruton particularly mentions passages in opera that seem to pick up aspects of the story. Do even bell sounds not represent bells? |
| 7903 | The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna] |
| Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom. | |
| From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88) | |
| A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate'). |