8 ideas
| 22330 | Grice said patterns of use are often semantically irrelevant, because it is a pragmatic matter [Grice, by Glock] |
| Full Idea: The slogan that meaning is use came under scrutiny by Grice's theory of conversational implicature. He said patterns of use shown in analysis were often semantically irrelevant, snce they are due not meanings of expressions but to pragmatic principles. | |
| From: report of H. Paul Grice (Some Models for Implicature [1967]) by Hans-Johann Glock - What is Analytic Philosophy? 2.8 | |
| A reaction: I think the simplest objection is that words only have use because they have a meaning; The most interesting part of pragmatics is what you DON'T say in conversation. |
| 18045 | Grice's maxim of quality says do not assert what you believe to be false [Grice, by Magidor] |
| Full Idea: Grice's maxim of quality says one ought not to assert what one believes to be false. | |
| From: report of H. Paul Grice (Some Models for Implicature [1967]) by Ofra Magidor - Category Mistakes 5.2 | |
| A reaction: The obvious exception is irony, where are truth is asserted, but the listener is supposed to spot that you are not really asserting it. |
| 18044 | Grice's maxim of manner requires one to be as brief as possible [Grice, by Magidor] |
| Full Idea: Grice's maxim of manner requires one to be as brief as possible. | |
| From: report of H. Paul Grice (Some Models for Implicature [1967]) by Ofra Magidor - Category Mistakes 5.2 | |
| A reaction: An alternative maxim of conversation is that there should not be long silences between contributions - which would probably result if the contributions are all curtly abbreviated. |
| 18046 | Grice's maxim of quantity says be sufficiently informative [Grice, by Magidor] |
| Full Idea: Grice's maxim of quantity says 'make your contributions as informative as required'. | |
| From: report of H. Paul Grice (Some Models for Implicature [1967]) by Ofra Magidor - Category Mistakes 5.2 | |
| A reaction: Is the 'requirement' of informative for the speaker or for the listener? It is easy to image situations where, one way or the other, the two people don't agree about informativenss. |
| 20420 | The emotion expressed is non-conscious, but feels oppressive until expression relieves it [Collingwood] |
| Full Idea: The emotion expressed is one of whose nature the person feeling it is no longer conscious. As unexpressed, he feels it in a helpless and oppressed way; as expressed, the oppression has vanished. His mind is somehow lightened and eased. | |
| From: R.G. Collingwood (The Principles of Art [1938], p.110), quoted by Gary Kemp - Croce and Collingwood 1 | |
| A reaction: It sounds like the regular smoking of cigarettes. This is Collingwood answer the doubts I felt about Idea 20419. I would have thought the desire of Picasso was to create another painting, but not to express yet another new oppressive feeling. |
| 20421 | Art exists ideally, purely as experiences in the mind of the perceiver [Collingwood, by Kemp] |
| Full Idea: For Collingwood (and Croce) the work of art is an ideal object; …they are things that exist only in the mind, that is, only when one perceives. …The physical work exists to make this experience available. | |
| From: report of R.G. Collingwood (The Principles of Art [1938]) by Gary Kemp - Croce and Collingwood 2 | |
| A reaction: This means that the paintings in a gallery cease to be works of art when the gallery is shut, which sounds odd. I suppose 'work of art' is ambiguous, between the experience (right) and the facilitator of the experience (wrong). |
| 20406 | Art clarifies the artist's mind and feelings, thus leading to self-knowledge [Collingwood, by Davies,S] |
| Full Idea: Collingwood suggests art should be thought of not as product or artifact but as an act or process of expression through which the artist clarifies her initially vague emotions and states of mind. As such, it is a source of self-knowledge. | |
| From: report of R.G. Collingwood (The Principles of Art [1938], Ch.6) by Stephen Davies - The Philosophy of Art (2nd ed) 8.4 | |
| A reaction: I might believe this of writing novels, but not much else. |
| 7903 | The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna] |
| Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom. | |
| From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88) | |
| A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate'). |