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All the ideas for 'Mahaprajnaparamitashastra', 'Assertion' and 'works'

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9 ideas

1. Philosophy / C. History of Philosophy / 4. Later European Philosophy / c. Eighteenth century philosophy
22070 Irony is consciousness of abundant chaos [Schlegel,F]
     Full Idea: Irony is the clear conscousness of eternal agility, of an infinitely abundant chaos.
     From: Friedrich Schlegel (works [1798], Vol 2 p.263), quoted by Ernst Behler - Early German Romanticism p.81
     A reaction: [1800, in Athenaum] The interest here is irony as a reaction to chaos, which has made systematic thought impossible. Do romantics necessarily see reality as beyond our grasp, even if not chaotic? This must be situational, not verbal irony.
1. Philosophy / E. Nature of Metaphysics / 3. Metaphysical Systems
22069 Plato has no system. Philosophy is the progression of a mind and development of thoughts [Schlegel,F]
     Full Idea: Plato had no system, but only a philosophy. The philosophy of a human being is the history, the becoming, the progression of his mind, the gradual formation and development of his thoughts.
     From: Friedrich Schlegel (works [1798], Vol.11 p.118), quoted by Ernst Behler - Early German Romanticism
     A reaction: [1804] Looks like the first sign of rebellion against the idea of having a 'system' in philosophy, making it a key idea of romanticism. Systems are classical? This looks like an early opposition of a historical dimension to static systems. Big idea.
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / b. Transcendental idealism
22068 Poetry is transcendental when it connects the ideal to the real [Schlegel,F]
     Full Idea: There is a kind of poetry whose essence lies in the relation between the ideal and the real, and which therefore, by analogy with philosophical jargon, should be called transcendental poetry.
     From: Friedrich Schlegel (works [1798], Vol 2 p.204), quoted by Ernst Behler - Early German Romanticism p.78
     A reaction: I think the basic idea is that the imaginative creation of poetry has the power to bridge the gap between the transcendental (presupposed) ideal in Fichte, and nature (which Fichte seems to have excluded from his system).
19. Language / F. Communication / 2. Assertion
18052 An assertion aims to add to the content of a context [Stalnaker, by Magidor]
     Full Idea: Stalnaker starts with the general thesis that the role of a successful assertion of s is to update the context by adding to it the content of s.
     From: report of Robert C. Stalnaker (Assertion [1978]) by Ofra Magidor - Category Mistakes 5.3.2
     A reaction: This is to be compared with criteria of meaningfulness, such as verificationism, and with Grice's rules of conversational implicature. Presumably if you assert what the context presupposes, you fail to assert, without being meaningless.
19. Language / F. Communication / 5. Pragmatics / b. Implicature
14718 An assertion is an attempt to rule out certain possibilities, narrowing things down for good planning [Stalnaker, by Schroeter]
     Full Idea: Stalnaker's guiding idea is that in making an assertion the speaker is trying to get the audience to rule out certain possibilities. ....If all goes well, further planning will proceed on the basis of a smaller and more accurate range of possibilities.
     From: report of Robert C. Stalnaker (Assertion [1978]) by Laura Schroeter - Two-Dimensional Semantics
     A reaction: This sounds intuitively rather plausible, and is a nice original thought. This is what we pay clever chaps like Stalnaker to come up with. It seems to imply some notion of verisimilitude (qv. under 'truth'), depending on how much narrowing happens.
21. Aesthetics / B. Nature of Art / 8. The Arts / b. Literature
22030 For poets free choice is supreme [Schlegel,F]
     Full Idea: Romantic poetry recognises as its first commandment that the free choice [Wilkür] of the poet can tolerate no law above itself.
     From: Friedrich Schlegel (works [1798], Frag 116 p.32), quoted by Terry Pinkard - German Philosophy 1760-1860 06
     A reaction: This leads to Shelley's 'poets are the unacknowledged legislators of the race'. We should also take it as a response to Kant's categorical imperative, which leads to the Gauguin Problem (wickedness justified by the art it leads to).
22. Metaethics / B. Value / 2. Values / g. Love
22071 True love is ironic, in the contrast between finite limitations and the infinity of love [Schlegel,F]
     Full Idea: True irony is the irony of love. It arises from the feeling of finitude and one's own limitation, and the apparent contradiction of these feelings with the concept of infinity inherent in all true love.
     From: Friedrich Schlegel (works [1798], Vol.10 p.357), quoted by Ernst Behler - Early German Romanticism
     A reaction: [c.1827] This is more about idealist philosophy and its yearning for the Absolute than it is about the actual nature of love. Love is the door to the Absolute. The irony is our inability to pass through it.
23. Ethics / C. Virtue Theory / 3. Virtues / a. Virtues
7903 The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna]
     Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom.
     From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88)
     A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate').
23. Ethics / F. Existentialism / 3. Angst
22029 Irony is the response to conflicts of involvement and attachment [Schlegel,F, by Pinkard]
     Full Idea: Irony is thus the appropriate stance to feeling that is both inescapably committed and inescapably detached at the same time.
     From: report of Friedrich Schlegel (works [1798]) by Terry Pinkard - German Philosophy 1760-1860 06
     A reaction: This is the epitome of romanticism, which carries over into the dilemmas of existentialism. Striking the right balance between caring and not caring seems to me to be the main focus of modern British people.