Combining Texts

All the ideas for 'Mahaprajnaparamitashastra', 'Public Text and Common Reader' and 'The Problem of the Essential Indexical'

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12 ideas

11. Knowledge Aims / A. Knowledge / 4. Belief / b. Elements of beliefs
Indexicals are a problem for beliefs being just subject-proposition relations [Perry]
     Full Idea: The essential indexical is a problem for the view that belief is a relation between subjects and propositions conceived as bearers of truth and falsity.
     From: John Perry (The Problem of the Essential Indexical [1979], 'Intro')
     A reaction: My immediate reaction would be that it depends on how you conceive of 'propositions'. If they are objective, you have a problem. I take them to be subjective events in brains, and the indexical meaning to be evident within the proposition.
19. Language / C. Assigning Meanings / 9. Indexical Semantics
If we replace 'I' in sentences about me, they are different beliefs and explanations of behaviour [Perry]
     Full Idea: If I leave a trail of sugar, and realise 'that I am making a mess', ...when we replace the word 'I' with other designations of me, we no longer have an explanation of my behaviour, or an attribution of the same belief, so it is an 'essential indexical'.
     From: John Perry (The Problem of the Essential Indexical [1979], 'Intro')
     A reaction: [compressed] A famous observation of Perry's, which leads him to challenge traditional accounts of belief and of propositions. I don't think I see a problem, if we have a thoroughly non-linguistic account of essentially unambiguous propositions.
Indexicals individuate certain belief states, helping in explanation and prediction [Perry]
     Full Idea: We use sentences with indexicals or relativized propositions to individuate belief states, for the purposes of classifying believers in ways useful for explanation and prediction.
     From: John Perry (The Problem of the Essential Indexical [1979], 'Obvious')
     A reaction: He goes on to apparently connect this with some sort of moral integrity involved in 'owning up' to the fact that the person in question is you (who has spilled the sugar etc.).
19. Language / D. Propositions / 6. Propositions Critique
Indexicals reveal big problems with the traditional idea of a proposition [Perry]
     Full Idea: The problem of the essential indexical reveals that something is badly wrong with the traditional doctrine of propositions.
     From: John Perry (The Problem of the Essential Indexical [1979], 'Prob')
     A reaction: See the reaction to 12149. The traditional view of propositions, or at least Russell's view, seems to be that they are same as facts, which strikes me as daft. I take propositions to be brain events, probably expressed in mentalese.
21. Aesthetics / A. Aesthetic Experience / 3. Taste
Literary meaning emerges in comparisons, and tradition shows which comparisons are relevant [Scruton]
     Full Idea: We must discover the meanings that emerge when works of literature are experience in relation to each other. ...The importance of tradition is that it denotes - ideally, at least - the class of relevant comparisons.
     From: Roger Scruton (Public Text and Common Reader [1982], p.27)
     A reaction: This is a nice attempt to explain why we all agree that a thorough education in an art is an essential prerequisite for good taste. Some people (e.g. among the young) seem to have natural good taste. How does that happen?
21. Aesthetics / B. Nature of Art / 5. Art as Language
In literature, word replacement changes literary meaning [Scruton]
     Full Idea: In literary contexts semantically equivalent words cannot replace each other without loss of literary meaning.
     From: Roger Scruton (Public Text and Common Reader [1982], p.25)
     A reaction: The notion of 'literary meaning' is not a standard one, and is questionable whether 'meaning' is the right word, given that a shift in word in a poem is as much to do with sound as with connotations.
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Without intentions we can't perceive sculpture, but that is not the whole story [Scruton]
     Full Idea: A person for whom it made no difference whether a sculpture was carved by wind and rain or by human hand would be unable to interpret or perceive sculptures - even though the interpretation of sculpture is not the reading of an intention.
     From: Roger Scruton (Public Text and Common Reader [1982], p.15)
     A reaction: Scruton compares it to the role of intention in language, where there is objective meaning, even though intention is basic to speech.
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
In aesthetic interest, even what is true is treated as though it were not [Scruton]
     Full Idea: In aesthetic interest, even what is true is treated as though it were not.
     From: Roger Scruton (Public Text and Common Reader [1982], p.18)
     A reaction: A nice aphorism. I always feel uncomfortable reading novels about real people, although the historical Macbeth doesn't bother me much. Novels are too close to reality. Macbeth didn't speak blank verse.
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
We can be objective about conventions, but love of art is needed to understand its traditions [Scruton]
     Full Idea: An historian can elucidate convention while having no feeling for the art that exploits it; whereas an understanding of tradition is reserved for those with the critical insight which comes from the love of art, both past and present.
     From: Roger Scruton (Public Text and Common Reader [1982], p.24)
     A reaction: This aesthetic observation is obviously close to Scruton's well-known conservatism in politics. I am doubtful whether the notion of 'tradition' can stand up to close examination, though we all know roughly what he means.
23. Ethics / C. Virtue Theory / 3. Virtues / a. Virtues
The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna]
     Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom.
     From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88)
     A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate').
27. Natural Reality / D. Time / 2. Passage of Time / c. Tenses and time
Tense is essential for thought and action [Perry, by Le Poidevin]
     Full Idea: Tense plays a crucial role in thought and action.
     From: report of John Perry (The Problem of the Essential Indexical [1979]) by Robin Le Poidevin - Past, Present and Future of Debate about Tense 3 a
     A reaction: This is important, because much of our metaphysics is dominated by a detached 'scientific' description of reality, which is given a rather passive character. If processes take centre stage, which they should, then our own processes are part of it.
Actual tensed sentences cannot be tenseless, because they can cite their own context [Perry, by Le Poidevin]
     Full Idea: In the new tenseless theory, no tensed token sentence can be equivalent to a tenseless token, because the former, unlike the latter, draws attention to the context in which it is tokened.
     From: report of John Perry (The Problem of the Essential Indexical [1979]) by Robin Le Poidevin - Past, Present and Future of Debate about Tense 3 a
     A reaction: So the problem about indexicals was worrying fans of the tenseless B-series view of time (and so it should). I'm inclined to translate sentences containing indexicals into their actual propositions, which tend to avoid them. 'Time/person of utterance'.