Combining Texts

All the ideas for 'Mahaprajnaparamitashastra', 'Representation in Music' and 'On Referring'

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12 ideas

5. Theory of Logic / E. Structures of Logic / 1. Logical Form
There are no rules for the exact logic of ordinary language, because that doesn't exist [Strawson,P]
     Full Idea: Neither Aristotelian nor Russellian rules give the exact logic of any expression of ordinary language; for ordinary language has no exact logic.
     From: Peter F. Strawson (On Referring [1950], §5)
     A reaction: This seems to imply that it is impossible to find precise logical forms, because of the pragmatic element in language, but I don't see why. Even more extreme modern pragmatics (where meaning is shifted) doesn't rule out precise underlying propositions.
5. Theory of Logic / F. Referring in Logic / 2. Descriptions / c. Theory of definite descriptions
'The present King of France is bald' presupposes existence, rather than stating it [Strawson,P, by Grayling]
     Full Idea: Strawson argues that in saying 'the present King of France is bald' one is not stating that a present King of France exists, but presupposing or assuming that it does.
     From: report of Peter F. Strawson (On Referring [1950]) by A.C. Grayling - Russell Ch.2
     A reaction: We have the notion of a leading question, such as 'when did you stop beating your wife?' But is a presupposition not simply an implied claim, as Russell said it was?
Russell asks when 'The King of France is wise' would be a true assertion [Strawson,P]
     Full Idea: The way in which Russell arrived at his analysis was by asking himself what would be the circumstances in which we would say that anyone who uttered the sentence 'The King of France is wise' had made a true assertion.
     From: Peter F. Strawson (On Referring [1950], §1)
     A reaction: This seems to connect Russell's theory of definite descriptions with the truth conditions theory of meaning which is associated (initially) with Frege. Truth will require some reference to what actually exists.
19. Language / A. Nature of Meaning / 6. Meaning as Use
The meaning of an expression or sentence is general directions for its use, to refer or to assert [Strawson,P]
     Full Idea: To give the meaning of an expression is to give general directions for its use to refer to or mention particular objects or persons; in like manner, sentences are for use to make true or false assertions.
     From: Peter F. Strawson (On Referring [1950], §2)
     A reaction: The influence of Wittgenstein? I don't like it. The general idea that you can say what something is by giving directions for its use is what I think of as the Functional Fallacy: confusing the role of x with its inherent nature. Shirt as goalpost.
19. Language / B. Reference / 3. Direct Reference / c. Social reference
Reference is mainly a social phenomenon [Strawson,P, by Sainsbury]
     Full Idea: Strawson's early work gave a new direction to the study of reference by stressing that it is a social phenomenon.
     From: report of Peter F. Strawson (On Referring [1950]) by Mark Sainsbury - The Essence of Reference 18.2
     A reaction: The question is whether speakers refer, or sentences, or expressions, or propositions. The modern consensus seems to be that some parts of language are inherently referring, but speakers combine such tools with context. Sounds right.
19. Language / B. Reference / 4. Descriptive Reference / b. Reference by description
If an expression can refer to anything, it may still instrinsically refer, but relative to a context [Bach on Strawson,P]
     Full Idea: Strawson claimed that virtually any expression that can be used to refer to one thing in one context can be used to refer to something else in another context. Maybe expressions still refer, but only relative to a context.
     From: comment on Peter F. Strawson (On Referring [1950]) by Kent Bach - What Does It Take to Refer? 22.2
     A reaction: If there is complete freedom, then Bach's criticism doesn't sound plausible. If something is semantically referential, that should impose pretty tight restrictions on speakers. Why distinguish names as intrinsically referential, and descriptions as not?
19. Language / B. Reference / 5. Speaker's Reference
Expressions don't refer; people use expressions to refer [Strawson,P]
     Full Idea: 'Mentioning', or 'referring', is not something an expression does; it is something that someone can use an expression to do.
     From: Peter F. Strawson (On Referring [1950], §2)
     A reaction: That can't be whole story, because I might make a mistake when referring, so that I used the expression to refer to x, but unfortunately the words themselves referred to y. The power of language exceeds the intentions of speakers.
If an utterance fails to refer then it is a pseudo-use, though a speaker may think they assert something [Strawson,P]
     Full Idea: If an utterance is not talking about anything, then the speaker's use is not a genuine one, but a spurious or pseudo-use; he is not making either a true or a false assertion, though he may think he is.
     From: Peter F. Strawson (On Referring [1950], §2)
     A reaction: This is Strawson's verdict on 'The present King of France is bald'. His view puts speculative statements in no man's land. What do we make of 'Elvis lives' or 'phlogiston explains fire'?
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Reference without predication is the characteristic of expression [Scruton]
     Full Idea: Characteristic of expression is the presence of 'reference' without predication.
     From: Roger Scruton (Representation in Music [1976], p.71)
     A reaction: This echoes (in linguistic terms) Kant's thought that art is 'purposive without purpose'. The remark is comfortable in an essay on music, but it gets more tricky when the topic is literature, or even representational painting.
21. Aesthetics / B. Nature of Art / 5. Art as Language
If music refers to love, it contains no predication, so it is expression, not language [Scruton]
     Full Idea: If a passage carries a reference to love, we are not told what it says about love. And to speak of language with 'reference' but no predication is simply to misuse the word. We leave the realm of representation and enter that of expression.
     From: Roger Scruton (Representation in Music [1976], p.63-4)
     A reaction: This is a beautifully simple objection to the idea (associated with Nelson Goodman) that art is a language. Though what an 'expression' of something amounts to I am not quite sure.
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
Music is not representational, since thoughts about a subject are never essential to it [Scruton]
     Full Idea: Music is not representational, since thoughts about a subject are never essential to the understanding of music.
     From: Roger Scruton (Representation in Music [1976], p.74)
     A reaction: I would not have thought that many people thought music was representational, but Scruton particularly mentions passages in opera that seem to pick up aspects of the story. Do even bell sounds not represent bells?
23. Ethics / C. Virtue Theory / 3. Virtues / a. Virtues
The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna]
     Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom.
     From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88)
     A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate').