10 ideas
| 22384 | A 'double effect' is a foreseen but not desired side-effect, which may be forgivable [Foot] |
| Full Idea: 'Double effect' refers to action having an effect aimed at, and also one foreseen but in now way desired. The 'doctrine' is that it is sometimes permissible to bring about by oblique intention what one may not directly intend. | |
| From: Philippa Foot (Abortion and the Doctrine of Double Effect [1967], p.20) | |
| A reaction: Presumably this can only be justified by a trade-off. The unfortunate side effect must be rated as a price worth paying. If the side effect is not foreseen, that is presumably either understandable, or wickedly negligent. No clear rule is possible. |
| 22385 | The doctrine of double effect can excuse an outcome because it wasn't directly intended [Foot] |
| Full Idea: Supporters of double effect say that sometimes it makes a difference to the permissibility of an action involving harm to others that this harm, although foreseen, is not part of the agent's intention. | |
| From: Philippa Foot (Abortion and the Doctrine of Double Effect [1967], p.22) | |
| A reaction: The obvious major case is the direction of wartime bombing raids. Controversial, because how can someone foresee a side effect and yet claim to have no intention to cause it? Isn't it wickedly self-deluding? |
| 22386 | Double effect says foreseeing you will kill someone is not the same as intending it [Foot] |
| Full Idea: The doctrine of double effect offers us a way out [of the trolley problem], insisting that it is one thing to steer towards someone foreseeing that you will kill him, and another to aim at his death as part of your plan. | |
| From: Philippa Foot (Abortion and the Doctrine of Double Effect [1967], p.23) | |
| A reaction: [She has just created her famous Trolley Problem]. Utilitarians must constantly rely on the doctrine of double effect, as they calculate their trade-offs. |
| 22387 | Without double effect, bad men can make us do evil by threatening something worse [Foot] |
| Full Idea: Rejection of the doctrine of double effect puts us hopelessly in the power of bad men. Anyone who wants us to do something we think is wrong has only to threaten that otherwise he himself will do something we think worse. | |
| From: Philippa Foot (Abortion and the Doctrine of Double Effect [1967], p.25) | |
| A reaction: Her example is they will torture five if you don't torture one. Bernard Williams's famous Jim and the Indians is they will shoot twenty if you don't shoot one. Williams aims it at utilitarian calculations. Double effect is highly relevant. |
| 22388 | Double effect seems to rely on a distinction between what we do and what we allow [Foot] |
| Full Idea: The strength of the doctrine of double effect seems to lie in the distinction it makes between what we do (equated with direct intention) and what we allow (thought of as obliquely intended). | |
| From: Philippa Foot (Abortion and the Doctrine of Double Effect [1967], p.25) | |
| A reaction: She objects (nicely), saying her trolley driver 'does' the side-effect killing, and someone might 'allow' an obvious criminal death. There is also an intermediate class of 'brought about', where you set up a killing, but don't do it. |
| 12167 | Reference without predication is the characteristic of expression [Scruton] |
| Full Idea: Characteristic of expression is the presence of 'reference' without predication. | |
| From: Roger Scruton (Representation in Music [1976], p.71) | |
| A reaction: This echoes (in linguistic terms) Kant's thought that art is 'purposive without purpose'. The remark is comfortable in an essay on music, but it gets more tricky when the topic is literature, or even representational painting. |
| 12166 | If music refers to love, it contains no predication, so it is expression, not language [Scruton] |
| Full Idea: If a passage carries a reference to love, we are not told what it says about love. And to speak of language with 'reference' but no predication is simply to misuse the word. We leave the realm of representation and enter that of expression. | |
| From: Roger Scruton (Representation in Music [1976], p.63-4) | |
| A reaction: This is a beautifully simple objection to the idea (associated with Nelson Goodman) that art is a language. Though what an 'expression' of something amounts to I am not quite sure. |
| 12168 | Music is not representational, since thoughts about a subject are never essential to it [Scruton] |
| Full Idea: Music is not representational, since thoughts about a subject are never essential to the understanding of music. | |
| From: Roger Scruton (Representation in Music [1976], p.74) | |
| A reaction: I would not have thought that many people thought music was representational, but Scruton particularly mentions passages in opera that seem to pick up aspects of the story. Do even bell sounds not represent bells? |
| 7903 | The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna] |
| Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom. | |
| From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88) | |
| A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate'). |
| 22383 | Abortion is puzzling because we do and don't want the unborn child to have rights [Foot] |
| Full Idea: One reason why most of us feel puzzled about the problem of abortion is that we want, and do not want, to allow to the unborn child the rights that belong to adults and children. | |
| From: Philippa Foot (Abortion and the Doctrine of Double Effect [1967], p.19) | |
| A reaction: We also do and don't want children to have the same rights as adults. Rights should accrue with development and maturity, it seems. No one thinks sperm and egg have rights. Why stop at 'adult'? Superior adults deserve more rights! |