Combining Texts

All the ideas for 'Mahaprajnaparamitashastra', 'Aesthetics' and 'The Mystery of Consciousness'

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18 ideas

7. Existence / C. Structure of Existence / 2. Reduction
Reduction is either by elimination, or by explanation [Searle]
     Full Idea: One sense of 'reduction' is eliminative, in getting rid of a phenomenon by showing that it is really something else (as the earth's rotation eliminates 'sunsets'), but another sense does not get rid of it (as in the explanation of solidity by molecules).
     From: John Searle (The Mystery of Consciousness [1997], Ch.2)
     A reaction: These are bad analogies. You can't 'eliminate' a sunset - you just accept that the event is relative to a viewpoint. If we are discussing ontology, we will not admit the existence of sunsets, but we won't have an ontological category of 'solidity' either.
Eliminative reduction needs a gap between appearance and reality, as in sunsets [Searle]
     Full Idea: Eliminative reductions require a distinction between reality and appearance; for example, the sun appears to set but the reality is that the earth rotates.
     From: John Searle (The Mystery of Consciousness [1997], Concl 2.10)
     A reaction: A bad analogy. You don't 'eliminate' sunsets. It is just 'Galilean' relativity - you thought it was your train moving, then you discover it was the other one. You don't eliminate hallucinations when you show that they don't correspond to reality.
8. Modes of Existence / B. Properties / 3. Types of Properties
A property is 'emergent' if it is caused by elements of a system, when the elements lack the property [Searle]
     Full Idea: An emergent property of a system is causally explained by elements of the system, but it is not a property of the elements, and cannot be explained by a summation of their properties. The behaviour of H2O explains liquidity, but molecules aren't liquid.
     From: John Searle (The Mystery of Consciousness [1997], Ch.1)
     A reaction: The genie is 'emergent' from the lamp, and so (in Searle's meaning) is the lamp's solidity. I agree that the mind is 'emergent' in Searle's very weak sense, if that only means that one neuron can't be conscious, but lots together can.
15. Nature of Minds / A. Nature of Mind / 5. Unity of Mind
Explanation of how we unify our mental stimuli into a single experience is the 'binding problem' [Searle]
     Full Idea: The 'binding problem' is how to explain how the brain binds all our different stimuli into a single unified experience of an object.
     From: John Searle (The Mystery of Consciousness [1997], Ch.2)
     A reaction: This may be the best way of expressing what philosophers call (after Chalmers) the 'Hard Question'. Large objects are held together by gravity, and small objects by electro-magnetism. We don't see a 'binding problem' in the function of a leaf.
15. Nature of Minds / B. Features of Minds / 1. Consciousness / a. Consciousness
A system is either conscious or it isn't, though the intensity varies a lot [Searle]
     Full Idea: A system is either conscious or it isn't, but within the field of consciousness there are states of intensity ranging from drowsiness to full awareness.
     From: John Searle (The Mystery of Consciousness [1997], Ch.1)
     A reaction: I think this all-or-nothing view is the last vestiges of Cartesian dualism, and is quite wrong. Heaps of neuroscience (about blindsight, subliminal awareness, neurosis etc.) says we will never understand the mind if we think it is only the conscious part.
Consciousness has a first-person ontology, which only exists from a subjective viewpoint [Searle]
     Full Idea: Consciousness has a first-person or subjective ontology, by which I mean that conscious states only exist when experienced by a subject and they exist only from the first-person point of view of that subject.
     From: John Searle (The Mystery of Consciousness [1997], Ch.5 App)
     A reaction: I think this is nonsense, and I don't think Searle believes it. He ruthlessly attacks so-called 'eliminativists', but the definition he gives here would make him an eliminativist about other minds. There is no such thing as 'first-person' ontology.
There isn't one consciousness (information-processing) which can be investigated, and another (phenomenal) which can't [Searle]
     Full Idea: There are not two kinds of consciousness, an information-processing consciousness that is amenable to scientific investigation and a phenomenal, what-it-subjectively-feels-like form of consciousness that will forever remain mysterious.
     From: John Searle (The Mystery of Consciousness [1997], Concl.1)
     A reaction: Fodor appears to be the main target of this remark. The view that we can explain intentionality but not qualia is currently very fashionable. I am sympathetic to Searle here. Consciousness isn't an epiphenomenon, it is essential to all thought.
15. Nature of Minds / B. Features of Minds / 5. Qualia / a. Nature of qualia
The use of 'qualia' seems to imply that consciousness and qualia are separate [Searle]
     Full Idea: I am hesitant to use the word 'quale/qualia', because it gives the impression that there are two separate phenomena, consciousness and qualia.
     From: John Searle (The Mystery of Consciousness [1997], Ch.1)
     A reaction: He is trying to resist going back to 'sense-data', sitting uneasily between reality and our experience of it. Personally I am quite happy with qualia as an aspect of consciousness - just as I am happy with consciousness as an 'aspect' of brain.
17. Mind and Body / C. Functionalism / 7. Chinese Room
I now think syntax is not in the physics, but in the eye of the beholder [Searle]
     Full Idea: It seems to me now that syntax is not intrinsic to the physics of the system, but is in the eye of the beholder.
     From: John Searle (The Mystery of Consciousness [1997], Ch.1)
     A reaction: This seems right, in that whether strung beads are a toy or an abacus depends on the user. It doesn't follow that the 'beholder' stands outside the physics. A beholder is another physical system, of a particular type of high complexity.
17. Mind and Body / D. Property Dualism / 1. Reductionism critique
Consciousness has a first-person ontology, so it cannot be reduced without omitting something [Searle]
     Full Idea: Consciousness has a first-person or subjective ontology and so cannot be reduced to anything that has third-person or objective ontology. If you try to reduce or eliminate one in favour of the other you leave something out.
     From: John Searle (The Mystery of Consciousness [1997], Concl 2.10)
     A reaction: Misconceived. There is no such thing as 'first-person' ontology, though there are subjective viewpoints, but then a camera has a viewpoint which is lost if you eliminate it. If consciousness is physical events, that leaves viewpoints untouched.
17. Mind and Body / D. Property Dualism / 4. Emergentism
There is non-event causation between mind and brain, as between a table and its solidity [Searle]
     Full Idea: The solidity of a table is explained causally by the behaviour of the molecules of which it is composed, but the solidity is not an extra event, it is just a feature of the table. This non-event causation models the relationship of mind and brain.
     From: John Searle (The Mystery of Consciousness [1997], Ch.1)
     A reaction: He calls it 'non-event' causation, while referring to the 'behaviour of molecules'. Ask a physicist what a 'feature' is. Better to think of it as one process 'emerging' as another process at the macro-level.
17. Mind and Body / E. Mind as Physical / 1. Physical Mind
The pattern of molecules in the sea is much more complex than the complexity of brain neurons [Searle]
     Full Idea: The pattern of molecules in the ocean is vastly more complex than any pattern of neurons in my brain.
     From: John Searle (The Mystery of Consciousness [1997], Concl 2.6)
     A reaction: A nice warning for anyone foolish enough to pin their explanatory hopes simply on 'complexity', but we would not be so foolish. A subtler account of complexity (e.g. by Edelman and Tononi) might make brains much more complex than oceans.
17. Mind and Body / E. Mind as Physical / 7. Anti-Physicalism / a. Physicalism critique
If tree rings contain information about age, then age contains information about rings [Searle]
     Full Idea: You could say that tree-rings contain information about the age of a tree, but you could as well say that the age of a tree in years contains information about the number of rings in a tree stump. ..'Information' is not a real causal feature of the world.
     From: John Searle (The Mystery of Consciousness [1997], Concl 2.5)
     A reaction: A nice point for fans of 'information' to ponder. However, you cannot deny the causal connection between the age and the rings. Information has a subjective aspect, but you cannot, for example, eliminate the role of DNA in making organisms.
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Aesthetics presupposes a distinctive sort of experience, and a unified essence for art [Gardner]
     Full Idea: Aesthetics traditionally has two presuppositions: the first is that there is a distinctive form of experience which is common to the appreciation of art and natural beauty; the second is that art has an essence or some sort of underlying unity.
     From: Sebastian Gardner (Aesthetics [1995], Intro)
     A reaction: Both must come up for discussion. I think the biggest problem for the first one is the place of sexual attraction, or even fancying a prawn sandwich. The second has been weakened by Marcel Duchamp's urinal, and modern fringe arts.
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
Art works originate in the artist's mind, and appreciation is re-creating this mental object [Gardner]
     Full Idea: A strong tradition in aesthetics (the 'idealist' view) regards works of art as existing originally in the artist's mind, and the appreciation of art as a matter of re-creating the artist's mental object.
     From: Sebastian Gardner (Aesthetics [1995], 2.2)
     A reaction: He mentions Collingwood and Croce. Against this is the view (Idea 7268) that what goes on in the artist's mind is just irrelevant. Freud is important here, suggesting that the artist doesn't quite know what he or she is doing.
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner]
     Full Idea: The aesthetic objectivist faces the difficulty of accounting for the fact that pleasure is not in the object, and is necessary for, and not just a contingent accompaniment to, aesthetic response.
     From: Sebastian Gardner (Aesthetics [1995], 1.2.3)
     A reaction: The objectivist has to claim, not utterly implausibly, that if you don't get pleasure from certain works, then you 'ought' to. You can ignore a good work, but to deny that it gives pleasure is a failing in you.
22. Metaethics / B. Value / 1. Nature of Value / d. Subjective value
Aesthetic judgements necessarily require first-hand experience, unlike moral judgements [Gardner]
     Full Idea: I am not within my rights to declare an object beautiful until I have seen it myself, ..unlike moral judgement, which (arguably) does not presuppose either a felt response or personal acquaintance.
     From: Sebastian Gardner (Aesthetics [1995], 1.1)
     A reaction: Particularists might argue that moral judgements also require exposure to the actual situation, if they are to be authentic and authoritative. We can also discuss principles of aesthetics in the absence of examples.
23. Ethics / C. Virtue Theory / 3. Virtues / a. Virtues
The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna]
     Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom.
     From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88)
     A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate').