3 ideas
| 21929 | Derrida focuses on ambiguity, but talks of 'dissemination', not traditional multiple meanings [Derrida] |
| Full Idea: Derrida affirms something like an 'ambiguity of meaning'. But he explicitly contrasts the word he uses to characterize the phenomenon at issue, what he calls 'dissemination', with the traditional concept of 'polysemia' - multiple meanings. | |
| From: Jacques Derrida (Of Grammatology [1967]), quoted by Simon Glendinning - Derrida: A Very Short Introduction 2 'After' | |
| A reaction: The point, I presume, is that there is vagueness and elision to the meanings, rather than a list of options, such as bank/bank. Context (sense-making paths) is crucial for Derrida. Can the analytic apparatus for the logic of vagueness be brought to bear? |
| 23832 | We both desire what is beautiful, and want it to remain as it is [Weil] |
| Full Idea: Everything beautiful is the object of desire but one desires that it be not otherwise, that it be unchanged, that it be exactly what it is. | |
| From: Simone Weil (Prerequisite to Dignity of Labour [1941], p.268) | |
| A reaction: This seems to be mostly true, though I don't think it reveals the essence of beauty. I might love a particular landscape, but want to plant a carefully place tree within it. Or change one or two words in a great poem. |
| 7903 | The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna] |
| Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom. | |
| From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88) | |
| A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate'). |