12 ideas
| 15842 | An ad hominem refutation is reasonable, if it uses the opponent's assumptions [Harte,V] |
| Full Idea: Judicious use of an opponent's assumptions is quite capable of producing a perfectly reasonable ad hominem refutation of the opponent's thesis. | |
| From: Verity Harte (Plato on Parts and Wholes [2002], 1.6) |
| 15841 | Mereology began as a nominalist revolt against the commitments of set theory [Harte,V] |
| Full Idea: Historically, the evolution of mereology was associated with the desire to find alternatives to set theory for those with nomimalist qualms about the commitment to abstract objects like sets. | |
| From: Verity Harte (Plato on Parts and Wholes [2002], 1.2) | |
| A reaction: Goodman, for example. It is interesting to note that the hardline nominalist Quine, pal of Goodman, eventually accepted set theory. It is difficult to account for things by merely naming their parts. |
| 15858 | Traditionally, the four elements are just what persists through change [Harte,V] |
| Full Idea: Earth, air, fire and water, viewed as elements, are, by tradition, the leading candidates for being the things that persist through change. | |
| From: Verity Harte (Plato on Parts and Wholes [2002], 4.4) | |
| A reaction: Physics still offers us things that persist through change, as conservation laws. |
| 15848 | Mereology treats constitution as a criterion of identity, as shown in the axiom of extensionality [Harte,V] |
| Full Idea: Mereologists do suppose that constitution is a criterion of identity. This view is enshrined in the Mereological axiom of extensionality; that objects with the same parts are identical. | |
| From: Verity Harte (Plato on Parts and Wholes [2002], 3.1) | |
| A reaction: A helpful explanation of why classical mereology is a very confused view of the world. It is at least obvious that a long wall and a house are different things, even if built of identical bricks. |
| 15837 | What exactly is a 'sum', and what exactly is 'composition'? [Harte,V] |
| Full Idea: The difficulty with the claim that a whole is (just) the sum of its parts is what are we to understand by 'the sum'? ...If we say wholes are 'composites' of parts, how are we to understand the relation of composition? | |
| From: Verity Harte (Plato on Parts and Wholes [2002], 1.1) |
| 15839 | If something is 'more than' the sum of its parts, is the extra thing another part, or not? [Harte,V] |
| Full Idea: Holism inherits all the difficulties associated with the term 'sum' and adds one of its own, when it says a whole is 'more than' the sum of its parts. This seems to say it has something extra? Is this something extra a part? | |
| From: Verity Harte (Plato on Parts and Wholes [2002], 1.1) | |
| A reaction: [compressed] Most people take the claim that a thing is more than the sum of its parts as metaphorical, I would think (except perhaps emergentists about the mind, and they are wrong). |
| 15838 | The problem with the term 'sum' is that it is singular [Harte,V] |
| Full Idea: For my money, the real problem with the term 'sum' is that it is singular. | |
| From: Verity Harte (Plato on Parts and Wholes [2002], 1.1) | |
| A reaction: Her point is that the surface grammar makes you accept a unity here, with no account of what unifies it, or even whether there is a unity. Does classical mereology have a concept (as the rest of us do) of 'disunity'? |
| 23903 | When we admire a work, we see ourselves as its creator [Weil] |
| Full Idea: It is impossible to admire a work of art without thinking oneself, in a way, its creator and without, in a sense, becoming so. | |
| From: Simone Weil (Letters [1940], 1940-03c) | |
| A reaction: This rings true for me. You almost see yourself making the brush strokes, or writing the phrase, or penning the chords. It is engagment which is essential for artistic experience. So all art lovers want to be artists? |
| 7903 | The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna] |
| Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom. | |
| From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88) | |
| A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate'). |
| 23901 | Relationships depend on equality, so unequal treatment kills them [Weil] |
| Full Idea: I conceive human relations solely on the plane of equality; therefore, so soon as someone begins to treat me as an inferior, human relations between us become impossible in my eyes. | |
| From: Simone Weil (Letters [1940], 1936-03) | |
| A reaction: Love that. This is precisely where equality starts. I fear that the problem is that people who don't treat others as equals don't want relationships with them, which particularly occurs in a competitive or hierarchical culture. |
| 23904 | The cruelty of the Old Testament put me off Christianity [Weil] |
| Full Idea: I have always been kept away from Christianity by its ranking the Old Testament stories, so full of pitiless cruelty, as sacred texts. | |
| From: Simone Weil (Letters [1940], 1941-01) | |
| A reaction: After 1938 she was a devout and intense Christian, but of a highly individual and platonist kind. Her religion is dominated by love and beauty. |
| 23902 | I attach little importance to immortality, which is an undecidable fact, and irrelevant to us [Weil] |
| Full Idea: You attach great importance to the reasoning about immortality. I myself attach little. It is a factual question, which cannot be decided in advance by any reasoning. And what does it matter to us? | |
| From: Simone Weil (Letters [1940], 1937-04c) | |
| A reaction: I love 'what does it matter to us?'. The idea that our future bliss or misery depends on how we live now is an utterly wicked fiction, which derails attempts to live a proper life. |