13 ideas
| 1635 | Mathematics reduces to set theory (which is a bit vague and unobvious), but not to logic proper [Quine] |
| Full Idea: Mathematics reduces only to set theory, and not to logic proper… but set theory cannot claim the same firmness and obviousness as logic. | |
| From: Willard Quine (Epistemology Naturalized [1968], p.69-70) |
| 7627 | You can't reduce epistemology to psychology, because that presupposes epistemology [Maund on Quine] |
| Full Idea: There is something seriously misguided about Quine's project of reducing epistemology to psychology, since psychology, like any of the natural sciences, presupposes an epistemology. | |
| From: comment on Willard Quine (Epistemology Naturalized [1968]) by Barry Maund - Perception Ch.1 | |
| A reaction: I wonder if epistemology presupposes psychology? Belief, for example, is a category of folk psychology, which could be challenged. There is a quiet battle going on between philosophy and science. |
| 8871 | We should abandon a search for justification or foundations, and focus on how knowledge is acquired [Quine, by Davidson] |
| Full Idea: Quine is suggesting that philosophy should abandon the attempt to provide a foundation for knowledge, or otherwise justify it, and should instead give an account of how knowledge is acquired. | |
| From: report of Willard Quine (Epistemology Naturalized [1968]) by Donald Davidson - Epistemology Externalized p.193 | |
| A reaction: If you are going to explain how 'knowledge' is acquired, you'd better know what knowledge is. My suspicion is that Quine would be quite happy (in the pragmatist tradition) to just focus on belief, and forget about knowledge entirely. |
| 8826 | If we abandon justification and normativity in epistemology, we must also abandon knowledge [Kim on Quine] |
| Full Idea: Quine asks us to set aside the entire framework of justification-centered epistemology, ..and repudiate normativity. ..But then knowledge itself drops out of epistemology, for our concept of knowledge is inseparably tied to that of justification. | |
| From: comment on Willard Quine (Epistemology Naturalized [1968]) by Jaegwon Kim - What is 'naturalized epistemology'? p.305 | |
| A reaction: Presumably this would not bother Quine, who wants to hand so-called 'epistemology' over to the psychologists. A psychological account of belief seems plausible. Presumably false beliefs could only be pragmatically characterised. |
| 8827 | Without normativity, naturalized epistemology isn't even about beliefs [Kim on Quine] |
| Full Idea: If normativity is wholly excluded from naturalized epistemology it cannot even be thought of as being about beliefs. | |
| From: comment on Willard Quine (Epistemology Naturalized [1968]) by Jaegwon Kim - What is 'naturalized epistemology'? p.306 | |
| A reaction: And if it doesn't refer to beliefs, it certainly doesn't refer to knowledge. One might try to subsume normativity under evolutionary pragmatic 'drives', or something. Quine's project would then become wildly speculative, and hence boring. |
| 8899 | Epistemology is a part of psychology, studying how our theories relate to our evidence [Quine] |
| Full Idea: Epistemology falls into place as a chapter of psychology, and hence of natural science. ..We study meagre input and torrential output, to see how evidence relates to theory, and in what ways one's theory of nature transcends any available evidence. | |
| From: Willard Quine (Epistemology Naturalized [1968], p.83) | |
| A reaction: It depends what you are interested in. If you just want to know what makes humans tick, then Quine is your man, but if you want to know things in general, and want to know how to get it right, then the normative side of epistemology is unavoidable. |
| 8898 | Inculcations of meanings of words rests ultimately on sensory evidence [Quine] |
| Full Idea: All inculcation of meanings of words must rest ultimately on sensory evidence. | |
| From: Willard Quine (Epistemology Naturalized [1968], p.75) | |
| A reaction: This betrays Quine's behaviourist tendencies, and rules out introspection, definitions and inferences. Quine's conclusion is fairly total scepticism about meaning, but that is not surprising, given his external and meaningless starting point. |
| 8900 | In observation sentences, we could substitute community acceptance for analyticity [Quine] |
| Full Idea: Perhaps the controversial notion of analyticity can be dispensed with, in our definition of observation sentences, in favour of the straightforward attitude of community-wide acceptance. | |
| From: Willard Quine (Epistemology Naturalized [1968], p.86) | |
| A reaction: That might be a reasonable account of 'bachelors'. If the whole community accepts 'God exists', does that make it analytic? If a whole (small!) community claims to actually observe a ghost or a flying saucer, is that then analytic? |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 7903 | The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna] |
| Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom. | |
| From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88) | |
| A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate'). |