5 ideas
| 23900 | Chance is compatible with necessity, and the two occur together [Weil] |
| Full Idea: Chance is not the contrary of necessity; it is not incompatible with necessity. On the contrary, it never appears except at the same time as necessity. | |
| From: Simone Weil (The Scientific Image [1941], p.175) | |
| A reaction: She illustrates it with the six terminating results of a die throw, and the innumerabe ways the throw can occur. This thought strikes me as relevant to discussions of free will. …But I'm not sure I fully understand it. |
| 21686 | Sense-data are dubious abstractions, with none of the plausibility of tables [Quine] |
| Full Idea: The notion of pure sense datum is a pretty tenuous abstraction, a good deal more conjectural than the notion of an external object, a table or a sheep. | |
| From: Willard Quine (On Mental Entities [1952], p.225) | |
| A reaction: This seems to sum up the view of sense-data held by the generation after Russell and Moore. Ayer still talks about them, but Russell had already given them up. The simple challenge is - what is the evidence for their existence? Cf innate ideas. |
| 21685 | Empiricism says evidence rests on the senses, but that insight is derived from science [Quine] |
| Full Idea: The crucial insight of empiricism is that any evidence for science has its end points in the senses. This insight remains valid, but it is an insight which comes after physics, physiology, and psychology, not before. | |
| From: Willard Quine (On Mental Entities [1952], p.225) | |
| A reaction: Interesting. I think Hume and co. were probably outlining essential presuppositions and contraints which must be accepted by science. Quine offers empiricism as more like a description of science (with success as its authority?). |
| 23899 | The secret of art is that beauty is a just blend of unity and its opposite [Weil] |
| Full Idea: A just blend of unity and that which opposes it is the condition of the beautiful, and it is the secret of art. | |
| From: Simone Weil (The Scientific Image [1941], p.169) | |
| A reaction: Rather sweeping, but the observation strikes me as fairly accurate. It seems to work for most novels, paintings and music, though more recent art may provide counterexamples. |
| 7903 | The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna] |
| Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom. | |
| From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88) | |
| A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate'). |