Combining Texts

All the ideas for 'The Dappled World', 'Structure of Scientific Revolutions (2nd ed)' and 'The Principles of Art'

unexpand these ideas     |    start again     |     specify just one area for these texts


10 ideas

14. Science / A. Basis of Science / 6. Falsification
Most theories are continually falsified [Kuhn, by Kitcher]
     Full Idea: Kuhn contends that almost all theories are falsified at almost all times.
     From: report of Thomas S. Kuhn (Structure of Scientific Revolutions (2nd ed) [1962]) by Philip Kitcher - The Nature of Mathematical Knowledge 07.1
     A reaction: This is obviously meant to demolish Karl Popper.
Kuhn's scientists don't aim to falsifying their paradigm, because that is what they rely on [Kuhn, by Gorham]
     Full Idea: In Kuhn's view scientists are decidedly not interested in falsifying their paradigm, because without a paradigm there is no systematic inquiry at all.
     From: report of Thomas S. Kuhn (Structure of Scientific Revolutions (2nd ed) [1962]) by Geoffrey Gorham - Philosophy of Science 3
     A reaction: This seems to be one of the stronger aspects of Kuhn's account. You'd be leaving the big house, to go out on the road with a tent.
14. Science / B. Scientific Theories / 1. Scientific Theory
Theories can never represent accurately, because their components are abstract [Cartwright,N, by Portides]
     Full Idea: Cartwright objects that the claim that theories represent what happens in actual situations is to overlook that the concepts used in them (such as 'force functions' and 'Hamiltonians') are abstract.
     From: report of Nancy Cartwright (The Dappled World [1999]) by Demetris Portides - Models 'Current'
     A reaction: I'm not convinced by this. The term 'abstract' is too loose. In a sense most words are abstract because they are universals. If I say 'that's a cat', that is a very accurate remark, despite the generality of 'cat'.
14. Science / B. Scientific Theories / 4. Paradigm
Switching scientific paradigms is a conversion experience [Kuhn]
     Full Idea: The transfer of allegiance from paradigm to paradigm is a conversion experience which cannot be forced.
     From: Thomas S. Kuhn (Structure of Scientific Revolutions (2nd ed) [1962]), quoted by Samir Okasha - Philosophy of Science: Very Short Intro (2nd ed) 5
     A reaction: This is the controversial part of Kuhn, which says that the most important decisions are not really rational. Anyone who thought the interpretation of a bunch of evidence is logical needed their head examined. But it IS rational.
14. Science / B. Scientific Theories / 5. Commensurability
Kuhn has a description theory of reference, so the reference of 'electron' changes with the descriptions [Rowlands on Kuhn]
     Full Idea: Kuhn and Feyerabend adopt a description theory of reference; the term 'electron' refers to whatever satisfies the descriptions associated with electrons, and since these descriptions vary between theories, so too must the reference.
     From: comment on Thomas S. Kuhn (Structure of Scientific Revolutions (2nd ed) [1962]) by Mark Rowlands - Externalism Ch.3
     A reaction: This is a key idea in modern philosophy, showing why all of reality and science were at stake when Kripke and others introduced a causal theory of reference. All the current debates about externalism and essentialism grow from this problem.
Incommensurability assumes concepts get their meaning from within the theory [Kuhn, by Okasha]
     Full Idea: The doctrine of incommensurability stems from Kuhn's belief that scientific concepts derive their meaning from the theory in which they play a role.
     From: report of Thomas S. Kuhn (Structure of Scientific Revolutions (2nd ed) [1962]) by Samir Okasha - Philosophy of Science: Very Short Intro (2nd ed) 5
     A reaction: Quine was the source of this. Kripke's direct reference theory was meant to be the answer.
Galileo's notions can't be 'incommensurable' if we can fully describe them [Putnam on Kuhn]
     Full Idea: To tell us that Galileo had 'incommensurable' notions and then go on to describe them at length is totally incoherent.
     From: comment on Thomas S. Kuhn (Structure of Scientific Revolutions (2nd ed) [1962]) by Hilary Putnam - Reason, Truth and History Ch.5
     A reaction: How refreshingly sensible. Incommensurability is the sort of nonsense you slide into if you take an instrumental view of science. But scientists are continually aim to pin down what is actually there. Translation between theories is very difficult!
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The emotion expressed is non-conscious, but feels oppressive until expression relieves it [Collingwood]
     Full Idea: The emotion expressed is one of whose nature the person feeling it is no longer conscious. As unexpressed, he feels it in a helpless and oppressed way; as expressed, the oppression has vanished. His mind is somehow lightened and eased.
     From: R.G. Collingwood (The Principles of Art [1938], p.110), quoted by Gary Kemp - Croce and Collingwood 1
     A reaction: It sounds like the regular smoking of cigarettes. This is Collingwood answer the doubts I felt about Idea 20419. I would have thought the desire of Picasso was to create another painting, but not to express yet another new oppressive feeling.
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
Art exists ideally, purely as experiences in the mind of the perceiver [Collingwood, by Kemp]
     Full Idea: For Collingwood (and Croce) the work of art is an ideal object; …they are things that exist only in the mind, that is, only when one perceives. …The physical work exists to make this experience available.
     From: report of R.G. Collingwood (The Principles of Art [1938]) by Gary Kemp - Croce and Collingwood 2
     A reaction: This means that the paintings in a gallery cease to be works of art when the gallery is shut, which sounds odd. I suppose 'work of art' is ambiguous, between the experience (right) and the facilitator of the experience (wrong).
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Art clarifies the artist's mind and feelings, thus leading to self-knowledge [Collingwood, by Davies,S]
     Full Idea: Collingwood suggests art should be thought of not as product or artifact but as an act or process of expression through which the artist clarifies her initially vague emotions and states of mind. As such, it is a source of self-knowledge.
     From: report of R.G. Collingwood (The Principles of Art [1938], Ch.6) by Stephen Davies - The Philosophy of Art (2nd ed) 8.4
     A reaction: I might believe this of writing novels, but not much else.