7 ideas
| 12732 | Some necessary truths are brute, and others derive from final causes [Leibniz] |
| Full Idea: There is a difference between truths whose necessity is brute and geometric and those truths which have their source in fitness and final causes. | |
| From: Gottfried Leibniz (Letters to Remond de Montmort [1715], 1715.06.22/G III 645), quoted by Daniel Garber - Leibniz:Body,Substance,Monad 6 | |
| A reaction: The second one is a necessity deriving from God's wisdom. Strictly it could have been otherwise, unlike 'geometrical' necessity, which is utterly fixed. |
| 19438 | Our large perceptions and appetites are made up tiny unconscious fragments [Leibniz] |
| Full Idea: Our great perceptions and our great appetites of which we are conscious, are composed of innumerable little perceptions and little inclinations of which we cannot be conscious. | |
| From: Gottfried Leibniz (Letters to Remond de Montmort [1715], 1715 §2) | |
| A reaction: I think this is a wonderfully accurate report of how the mind is, in comparison with the much more simplistic views presented by most philosophers of that era. And so much understanding flows from Leibniz's account. |
| 19415 | Passions reside in confused perceptions [Leibniz] |
| Full Idea: The passions of monads reside in their confused perceptions. | |
| From: Gottfried Leibniz (Letters to Remond de Montmort [1715], 1715) | |
| A reaction: He thinks perceptions come in degrees of confusion, all the way up to God, who alone has fully clear perceptions. He blames in on these confused perceptions. |
| 18033 | The meaning of a representation is its role in thought, perception or decisions [Block] |
| Full Idea: According to conceptual role semantics, the meaning of a representation is the role of that representation in the cognitive life of the agent, for example, in perception, thought and decision-making. | |
| From: Ned Block (Semantics, Conceptual Role [1998]) | |
| A reaction: I never believe theories of this kind, because I always find myself asking 'what is the nature of this representation which enables it to play this role?'. |
| 18552 | Forget about beauty; just concentrate on the virtues of delicacy and discernment admired in critics [Hume, by Scruton] |
| Full Idea: Hume suggest we get away from the fruitless discussion of beauty, and simply concentrate on the qualities we admire, and ought to admire, in a critic - qualities such as delicacy and discernment. | |
| From: report of David Hume (Of the standard of taste [1757]) by Roger Scruton - Beauty: a very short introduction 6 | |
| A reaction: We might wonder how you can admire 'discernment' without some view of the thing being discern, which is in danger of being beauty. How do you judge delicacy and discernment without judging the objects of the critic's taste? Mere authority? |
| 6608 | Strong sense, delicate sentiment, practice, comparisons, and lack of prejudice, are all needed for good taste [Hume] |
| Full Idea: Strong sense, united to delicate sentiment, improved by practice, perfected by comparison, and cleared of all prejudice, can alone entitle critics to the valuable character of having 'taste'. | |
| From: David Hume (Of the standard of taste [1757]), quoted by Robert Fogelin - Walking the Tightrope of Reason Ch.6 | |
| A reaction: I agree entirely with this, but then I am a very politically incorrect elitist when it comes to taste. It just seems screamingly obvious that professional wine-tasters have a better appreciation of wine than me, and so on for the rest of the arts. |
| 19439 | God produces possibilities, and thus ideas [Leibniz] |
| Full Idea: God is the source of possibilities and consequently of ideas. | |
| From: Gottfried Leibniz (Letters to Remond de Montmort [1715], 1715 §8) | |
| A reaction: A wonderfully individual conception of the nature of God. He produces the possibilities from which creation is chosen, and ideas and concepts are of everything which is non-contradictory, and thus possible. It all makes lovely sense! |