3 ideas
| 5210 | We could know what a lion thinks by mapping both its brain patterns and its experiences [Douglas,A] |
| Full Idea: In principle, it seems possible to monitor both the brain activity and the external experiences of a lion cub from birth, and by extensive mapping of one against the other to work out fairly accurately what a lion is thinking. | |
| From: Andy Douglas (talk [2003]) | |
| A reaction: This has limitations (e.g. we could monitor the external events, but not the way the lion experiences them), but it seems to me to offer a real theoretical possibility of breaching the mental privacy of an inarticulate creature. |
| 8113 | Art is like understanding a natural language, and needs a grasp of a symbol system [Goodman, by Gardner] |
| Full Idea: In Goodman's account, knowing what a painting represents is logically like understanding a sentence in a natural language. It requires a grasp of the 'symbol system' to which the painting belongs. | |
| From: report of Nelson Goodman (The Languages of Art [1976]) by Sebastian Gardner - Aesthetics 2.3.2 | |
| A reaction: This may fit some pictures well (e.g. early Flemish painting, with its complex iconography), but others hardly at all. You can enjoy a first experience of (say) ballet long before you get the hang of the 'symbol system' involved. |
| 19399 | Prime matter is nothing when it is at rest [Leibniz] |
| Full Idea: Primary matter is nothing if considered at rest. | |
| From: Gottfried Leibniz (Aristotle and Descartes on Matter [1671], p.90) | |
| A reaction: This goes with Leibniz's Idea 13393, that activity is the hallmark of existence. No one seems to have been able to make good sense of prime matter, and it plays little role in Aristotle's writings. |