6 ideas
| 7848 | Philosophy begins in the horror and absurdity of existence [Nietzsche, by Ansell Pearson] |
| Full Idea: For Nietzsche philosophy begins in horror - existence is something both horrible and absurd. | |
| From: report of Friedrich Nietzsche (The Birth of Tragedy [1871]) by Keith Ansell Pearson - How to Read Nietzsche Ch.1 | |
| A reaction: A striking contrast to Aristotle (Idea 549). Personally I think my philosophy begins with confusion. Not that I endorse a Wittgenteinian view, that we are just trying to cure ourselves of self-inflicted wounds. Life is very complex and we are bit simple. |
| 8717 | Hilbert wanted to prove the consistency of all of mathematics (which realists take for granted) [Hilbert, by Friend] |
| Full Idea: Hilbert wanted to derive ideal mathematics from the secure, paradox-free, finite mathematics (known as 'Hilbert's Programme'). ...Note that for the realist consistency is not something we need to prove; it is a precondition of thought. | |
| From: report of David Hilbert (works [1900], 6.7) by Michčle Friend - Introducing the Philosophy of Mathematics | |
| A reaction: I am an intuitive realist, though I am not so sure about that on cautious reflection. Compare the claims that there are reasons or causes for everything. Reality cannot contain contradicitions (can it?). Contradictions would be our fault. |
| 10113 | The grounding of mathematics is 'in the beginning was the sign' [Hilbert] |
| Full Idea: The solid philosophical attitude that I think is required for the grounding of pure mathematics is this: In the beginning was the sign. | |
| From: David Hilbert (works [1900]), quoted by A.George / D.J.Velleman - Philosophies of Mathematics Ch.6 | |
| A reaction: Why did people invent those particular signs? Presumably they were meant to designate something, in the world or in our experience. |
| 10115 | Hilbert substituted a syntactic for a semantic account of consistency [Hilbert, by George/Velleman] |
| Full Idea: Hilbert replaced a semantic construal of inconsistency (that the theory entails a statement that is necessarily false) by a syntactic one (that the theory formally derives the statement (0 =1 ∧ 0 not-= 1). | |
| From: report of David Hilbert (works [1900]) by A.George / D.J.Velleman - Philosophies of Mathematics Ch.6 | |
| A reaction: Finding one particular clash will pinpoint the notion of inconsistency, but it doesn't seem to define what it means, since the concept has very wide application. |
| 10116 | Hilbert aimed to prove the consistency of mathematics finitely, to show infinities won't produce contradictions [Hilbert, by George/Velleman] |
| Full Idea: Hilbert's project was to establish the consistency of classical mathematics using just finitary means, to convince all parties that no contradictions will follow from employing the infinitary notions and reasoning. | |
| From: report of David Hilbert (works [1900]) by A.George / D.J.Velleman - Philosophies of Mathematics Ch.6 | |
| A reaction: This is the project which was badly torpedoed by Gödel's Second Incompleteness Theorem. |
| 8113 | Art is like understanding a natural language, and needs a grasp of a symbol system [Goodman, by Gardner] |
| Full Idea: In Goodman's account, knowing what a painting represents is logically like understanding a sentence in a natural language. It requires a grasp of the 'symbol system' to which the painting belongs. | |
| From: report of Nelson Goodman (The Languages of Art [1976]) by Sebastian Gardner - Aesthetics 2.3.2 | |
| A reaction: This may fit some pictures well (e.g. early Flemish painting, with its complex iconography), but others hardly at all. You can enjoy a first experience of (say) ballet long before you get the hang of the 'symbol system' involved. |