3 ideas
| 8972 | What in the real world could ground the distinction between the sets {A,{A,B}} and {B,{A,B}}? [Inwagen] |
| Full Idea: Nothing in the world of nominalistically acceptable things could ground or explain the non-identity of the set {A,{A,B}} with the set {B,{A,B}}. | |
| From: Peter van Inwagen (Existence,Ontological Commitment and Fictions [2003], p.154) | |
| A reaction: [He cites Goodman for this thought] Van Inwagen is offering this to show that the existence of sets is abstract, whereas Goodman was denying the existence of sets altogether. I'm with Goodman. Nice example. |
| 12583 | Belief truth-conditions are normal circumstances where the belief is supposed to occur [Papineau] |
| Full Idea: The truth condition of the belief is the 'normal' circumstances in which, given the learning process, it is biologically supposed to be present. | |
| From: David Papineau (Reality and Representation [1987], p.67), quoted by Christopher Peacocke - A Study of Concepts 5.2 | |
| A reaction: How do we account for a belief in ghosts in this story? The notion of 'normal' circumstances and what is 'biologically supposed' to happen don't seem very appropriate. This is the 'teleological' view of belief. |
| 8113 | Art is like understanding a natural language, and needs a grasp of a symbol system [Goodman, by Gardner] |
| Full Idea: In Goodman's account, knowing what a painting represents is logically like understanding a sentence in a natural language. It requires a grasp of the 'symbol system' to which the painting belongs. | |
| From: report of Nelson Goodman (The Languages of Art [1976]) by Sebastian Gardner - Aesthetics 2.3.2 | |
| A reaction: This may fit some pictures well (e.g. early Flemish painting, with its complex iconography), but others hardly at all. You can enjoy a first experience of (say) ballet long before you get the hang of the 'symbol system' involved. |