Combining Texts

All the ideas for 'The Languages of Art', 'Freedom to Act' and 'Letters to Johann Bernoulli'

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6 ideas

7. Existence / C. Structure of Existence / 6. Fundamentals / c. Monads
A piece of flint contains something resembling perceptions and appetites [Leibniz]
     Full Idea: I don't say that bodies like flint, which are commonly called inanimate, have perceptions and appetition; rather they have something of that sort in them, like worms are in cheese.
     From: Gottfried Leibniz (Letters to Johann Bernoulli [1699], 1698.12.17)
     A reaction: Leibniz is caricatured as thinking that stones are full of little active minds, but he nearly always says that what he is proposing is 'like' or 'analogous to' that. His only real point is that nature is active, as seen in the appetites of animals.
Entelechies are analogous to souls, as other minds are analogous to our own minds [Leibniz]
     Full Idea: Just as we somehow conceive other souls and intelligences on analogy with our own souls, I wanted whatever other primitive entelechies there may be remote from our senses to be conceived on analogy with souls. They are not conceived perfectly.
     From: Gottfried Leibniz (Letters to Johann Bernoulli [1699], 1698.12.17)
     A reaction: This is the clearest evidence I can find that Leibniz does not think of monads as actually being souls. He is struggling to explain their active character. Garber thinks that Leibniz hasn't arrived at proper monads at this date.
10. Modality / D. Knowledge of Modality / 4. Conceivable as Possible / c. Possible but inconceivable
What we cannot imagine may still exist [Leibniz]
     Full Idea: It does not follow that what we can't imagine does not exist.
     From: Gottfried Leibniz (Letters to Johann Bernoulli [1699], 1698.11.18)
     A reaction: This just establishes the common sense end of the debate - that you cannot just use your imagination as the final authority on what exists, or what is possible.
20. Action / C. Motives for Action / 3. Acting on Reason / c. Reasons as causes
Deviant causal chain: a reason causes an action, but isn't the reason for which it was performed [Davidson, by Neta]
     Full Idea: A 'deviant causal chain' is when an agent has a reason for performing an action, and for the reason to cause the performance, without that being the reason for which the agent performed it.
     From: report of Donald Davidson (Freedom to Act [1973]) by Ram Neta - The Basing Relation II
     A reaction: Davidson's thesis is that 'reasons are causes'. This was a problem he faced. I think this discussion is now obscured by the complex and multi-layered account of action which is emerging from neuroscience.
21. Aesthetics / B. Nature of Art / 5. Art as Language
Art is like understanding a natural language, and needs a grasp of a symbol system [Goodman, by Gardner]
     Full Idea: In Goodman's account, knowing what a painting represents is logically like understanding a sentence in a natural language. It requires a grasp of the 'symbol system' to which the painting belongs.
     From: report of Nelson Goodman (The Languages of Art [1976]) by Sebastian Gardner - Aesthetics 2.3.2
     A reaction: This may fit some pictures well (e.g. early Flemish painting, with its complex iconography), but others hardly at all. You can enjoy a first experience of (say) ballet long before you get the hang of the 'symbol system' involved.
22. Metaethics / B. Value / 2. Values / e. Death
Death is just the contraction of an animal [Leibniz]
     Full Idea: Death is nothing but the contraction of an animal, just as generation is nothing but its unfolding.
     From: Gottfried Leibniz (Letters to Johann Bernoulli [1699], 1698.11.18)
     A reaction: This is possibly the most bizarre view that I have found in Leibniz. He seemed to thing that if you burnt an animal on a bonfire, some little atom of life would remain among the ashes. I can't see why he would believe such a thing.