4 ideas
| 2118 | All other human gifts can harm us, but not correct reasoning [Leibniz] |
| Full Idea: Although people can be made worse off by all other gifts, correct reasoning alone can only be for the good. | |
| From: Gottfried Leibniz (Preface to Universal Characteristic [1679]) | |
| A reaction: How about a kind heart? Not everyone would agree with the remark, but philosophers should. |
| 19389 | Truth is a characteristic of possible thoughts [Leibniz] |
| Full Idea: Truth really belongs to the class of thoughts which are possible. | |
| From: Gottfried Leibniz (Dialogue on Things and Words [1677], p.7) | |
| A reaction: I like the fact that this ties truth to 'thoughts', rather than peculiar abstract unthought entities called 'propositions', but I take it that thoughts which are possible but not thought will thereby not exist, so they can't be true. |
| 19388 | True and false seem to pertain to thoughts, yet unthought propositions seem to be true or false [Leibniz] |
| Full Idea: B: I concede that truth and falsity both pertain to thoughts and not to things. A: But this contradicts your previous opinion that a proposition remains true even when you are not thinking about it. | |
| From: Gottfried Leibniz (Dialogue on Things and Words [1677], p.7) | |
| A reaction: I don't trigger the truth of a proposition by thinking about it - I see that it is true. But I dislike the idea that reality is full of propositions, which seems to be mad metaphysics. So I deny unthought propositions are true, because there aren't any. |
| 8113 | Art is like understanding a natural language, and needs a grasp of a symbol system [Goodman, by Gardner] |
| Full Idea: In Goodman's account, knowing what a painting represents is logically like understanding a sentence in a natural language. It requires a grasp of the 'symbol system' to which the painting belongs. | |
| From: report of Nelson Goodman (The Languages of Art [1976]) by Sebastian Gardner - Aesthetics 2.3.2 | |
| A reaction: This may fit some pictures well (e.g. early Flemish painting, with its complex iconography), but others hardly at all. You can enjoy a first experience of (say) ballet long before you get the hang of the 'symbol system' involved. |