Combining Texts

All the ideas for 'The Languages of Art', 'Questions on Aristotle's Posterior Analytics' and 'Moral Relativism'

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5 ideas

12. Knowledge Sources / B. Perception / 2. Qualities in Perception / b. Primary/secondary
Why can't we deduce secondary qualities from primary ones, if they cause them? [Buridan]
     Full Idea: The entire difficulty in this question is why through a knowledge of the primary tangible qualities we cannot come to a knowledge of flavors or odors, since these are their causes, since we often go from knowledge of causes to knowing their effects.
     From: Jean Buridan (Questions on Aristotle's Posterior Analytics [1344], I.28c), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 22.2
     A reaction: He is commenting on Idea 16725. Still a nice puzzle in the philosophy of mind. Will neuroscientists ever be able to infer to actual character of some quale, just from the structures of the neurons?
12. Knowledge Sources / B. Perception / 5. Interpretation
When we say 'is red' we don't mean 'seems red to most people' [Foot]
     Full Idea: One might think that 'is red' means the same as 'seems red to most people', forgetting that when asked if an object is red we look at it to see if it is red, and not in order to estimate the reaction that others will have to it.
     From: Philippa Foot (Moral Relativism [1979], p.23)
     A reaction: True, but we are conscious of our own reliability as observers (e.g. if colourblind, or with poor hearing or eyesight). I don't take my glasses off, have a look, and pronounce that the object is blurred. Ordinary language philosophy in action.
21. Aesthetics / B. Nature of Art / 5. Art as Language
Art is like understanding a natural language, and needs a grasp of a symbol system [Goodman, by Gardner]
     Full Idea: In Goodman's account, knowing what a painting represents is logically like understanding a sentence in a natural language. It requires a grasp of the 'symbol system' to which the painting belongs.
     From: report of Nelson Goodman (The Languages of Art [1976]) by Sebastian Gardner - Aesthetics 2.3.2
     A reaction: This may fit some pictures well (e.g. early Flemish painting, with its complex iconography), but others hardly at all. You can enjoy a first experience of (say) ballet long before you get the hang of the 'symbol system' involved.
22. Metaethics / A. Ethics Foundations / 1. Nature of Ethics / e. Ethical cognitivism
All people need affection, cooperation, community and help in trouble [Foot]
     Full Idea: There is a great deal that all men have in common; all need affection, the cooperation of others, a place in a community, and help in trouble.
     From: Philippa Foot (Moral Relativism [1979], p.33)
     A reaction: There seem to be some people who don't need affection or a place in a community, though it is hard to imagine them being happy. These kind of facts are the basis for any sensible cognitivist view of ethics. They are basic to Foot's view.
22. Metaethics / B. Value / 1. Nature of Value / f. Ultimate value
Do we have a concept of value, other than wanting something, or making an effort to get it? [Foot]
     Full Idea: Do we know what we mean by saying that anything has value, or even that we value it, as opposed to wanting it or being prepared to go to trouble to get it?
     From: Philippa Foot (Moral Relativism [1979], p.35)
     A reaction: Well, I value Rembrandt paintings, but have no aspiration to own one (and would refuse it if offered, because I couldn't look after it properly). And 'we' don't want to move the Taj Mahal to London. She has not expressed this good point very well.