Combining Texts

All the ideas for 'The Languages of Art', 'Stipulation, Meaning and Apriority' and 'Philosophical Explanations'

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10 ideas

2. Reason / D. Definition / 13. Against Definition
How do we determine which of the sentences containing a term comprise its definition? [Horwich]
     Full Idea: How are we to determine which of the sentences containing a term comprise its definition?
     From: Paul Horwich (Stipulation, Meaning and Apriority [2000], §2)
     A reaction: Nice question. If I say 'philosophy is the love of wisdom' and 'philosophy bores me', why should one be part of its definition and the other not? What if I stipulated that the second one is part of my definition, and the first one isn't?
11. Knowledge Aims / A. Knowledge / 4. Belief / c. Aim of beliefs
Maybe knowledge is belief which 'tracks' the truth [Nozick, by Williams,M]
     Full Idea: Nozick suggests that knowledge is just belief which 'tracks the truth' (hence leaving out justification).
     From: report of Robert Nozick (Philosophical Explanations [1981]) by Michael Williams - Problems of Knowledge Ch. 2
12. Knowledge Sources / A. A Priori Knowledge / 1. Nature of the A Priori
A priori belief is not necessarily a priori justification, or a priori knowledge [Horwich]
     Full Idea: It is one thing to believe something a priori and another for this belief to be epistemically justified. The latter is required for a priori knowledge.
     From: Paul Horwich (Stipulation, Meaning and Apriority [2000], §8)
     A reaction: Personally I would agree with this, because I don't think anything should count as knowledge if it doesn't have supporting reasons, but fans of a priori knowledge presumably think that certain basic facts are just known. They are a priori justified.
12. Knowledge Sources / A. A Priori Knowledge / 6. A Priori from Reason
Understanding needs a priori commitment [Horwich]
     Full Idea: Understanding is itself based on a priori commitment.
     From: Paul Horwich (Stipulation, Meaning and Apriority [2000], §12)
     A reaction: This sounds plausible, but needs more justification than Horwich offers. This is the sort of New Rationalist idea I associate with Bonjour. The crucial feature of the New lot is, I take it, their fallibilism. All understanding is provisional.
12. Knowledge Sources / A. A Priori Knowledge / 8. A Priori as Analytic
Meaning is generated by a priori commitment to truth, not the other way around [Horwich]
     Full Idea: Our a priori commitment to certain sentences is not really explained by our knowledge of a word's meaning. It is the other way around. We accept a priori that the sentences are true, and thereby provide it with meaning.
     From: Paul Horwich (Stipulation, Meaning and Apriority [2000], §8)
     A reaction: This sounds like a lovely trump card, but how on earth do you decide that a sentence is true if you don't know what it means? Personally I would take it that we are committed to the truth of a proposition, before we have a sentence for it.
12. Knowledge Sources / A. A Priori Knowledge / 9. A Priori from Concepts
Meanings and concepts cannot give a priori knowledge, because they may be unacceptable [Horwich]
     Full Idea: A priori knowledge of logic and mathematics cannot derive from meanings or concepts, because someone may possess such concepts, and yet disagree with us about them.
     From: Paul Horwich (Stipulation, Meaning and Apriority [2000], §12)
     A reaction: A good argument. The thing to focus on is not whether such ideas are a priori, but whether they are knowledge. I think we should employ the word 'intuition' for a priori candidates for knowledge, and demand further justification for actual knowledge.
If we stipulate the meaning of 'number' to make Hume's Principle true, we first need Hume's Principle [Horwich]
     Full Idea: If we stipulate the meaning of 'the number of x's' so that it makes Hume's Principle true, we must accept Hume's Principle. But a precondition for this stipulation is that Hume's Principle be accepted a priori.
     From: Paul Horwich (Stipulation, Meaning and Apriority [2000], §9)
     A reaction: Yet another modern Quinean argument that all attempts at defining things are circular. I am beginning to think that the only a priori knowledge we have is of when a group of ideas is coherent. Calling it 'intuition' might be more accurate.
12. Knowledge Sources / A. A Priori Knowledge / 10. A Priori as Subjective
A priori knowledge (e.g. classical logic) may derive from the innate structure of our minds [Horwich]
     Full Idea: One potential source of a priori knowledge is the innate structure of our minds. We might, for example, have an a priori commitment to classical logic.
     From: Paul Horwich (Stipulation, Meaning and Apriority [2000], §11)
     A reaction: Horwich points out that to be knowledge it must also say that we ought to believe it. I'm wondering whether if we divided the whole territory of the a priori up into intuitions and then coherent justifications, the whole problem would go away.
13. Knowledge Criteria / C. External Justification / 4. Tracking the Facts
A true belief isn't knowledge if it would be believed even if false. It should 'track the truth' [Nozick, by Dancy,J]
     Full Idea: Nozick says Gettier cases aren't knowledge because the proposition would be believed even if false. Proper justification must be more sensitive to the truth ("track the truth").
     From: report of Robert Nozick (Philosophical Explanations [1981], 3.1) by Jonathan Dancy - Intro to Contemporary Epistemology 3.1
     A reaction: This is a bad idea. I see a genuine tree in my garden and believe it is there, so I know it. That I might have believed it if I was in virtually reality, or observing a mirror, won't alter that.
21. Aesthetics / B. Nature of Art / 5. Art as Language
Art is like understanding a natural language, and needs a grasp of a symbol system [Goodman, by Gardner]
     Full Idea: In Goodman's account, knowing what a painting represents is logically like understanding a sentence in a natural language. It requires a grasp of the 'symbol system' to which the painting belongs.
     From: report of Nelson Goodman (The Languages of Art [1976]) by Sebastian Gardner - Aesthetics 2.3.2
     A reaction: This may fit some pictures well (e.g. early Flemish painting, with its complex iconography), but others hardly at all. You can enjoy a first experience of (say) ballet long before you get the hang of the 'symbol system' involved.