3 ideas
| 16719 | The primary qualities are mixed to cause secondary qualities [Burley] |
| Full Idea: Secondary qualities are caused by a mixture of primary qualities. | |
| From: Walter Burley (De formis [1330], pars post p.65), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 21.2 | |
| A reaction: Like paint. He probably has in mind hot, cold, wet and dry as the primary qualities. |
| 7946 | The memory criterion has a problem when one thing branches into two things [Williams,B, by Macdonald,C] |
| Full Idea: The memory criterion for personal identity permits 'branching' (where two things can later meet the criteria of persistence of a single earlier thing), which presents it with serious problems. | |
| From: report of Bernard Williams (Personal Identity and Individuation [1956]) by Cynthia Macdonald - Varieties of Things Ch.4 | |
| A reaction: Of course, any notion of personal identity would have serious problem if people could branch into two, like fissioning amoeba. If that happened, we probably wouldn't have had a strong notion of personal identity in the first place. See Parfit. |
| 8113 | Art is like understanding a natural language, and needs a grasp of a symbol system [Goodman, by Gardner] |
| Full Idea: In Goodman's account, knowing what a painting represents is logically like understanding a sentence in a natural language. It requires a grasp of the 'symbol system' to which the painting belongs. | |
| From: report of Nelson Goodman (The Languages of Art [1976]) by Sebastian Gardner - Aesthetics 2.3.2 | |
| A reaction: This may fit some pictures well (e.g. early Flemish painting, with its complex iconography), but others hardly at all. You can enjoy a first experience of (say) ballet long before you get the hang of the 'symbol system' involved. |