5 ideas
| 7566 | The Identity of Indiscernibles is really the same as the verification principle [Jolley] |
| Full Idea: Various writers have noted that the Identity of Indiscernibles is really tantamount to the verification principle. | |
| From: Nicholas Jolley (Leibniz [2005], Ch.3) | |
| A reaction: Both principles are false, because they are the classic confusion of epistemology and ontology. The fact that you cannot 'discern' a difference between two things doesn't mean that there is no difference. Things beyond verification can still be discussed. |
| 17319 | There are 'conceptual' explanations, with their direction depending on complexity [Schnieder] |
| Full Idea: The direction of conceptual explanations seems to be owed to factors of conceptual complexity and primitiveness. | |
| From: Benjamin Schnieder (Truth-making without Truth-makers [2006], p.33), quoted by David Liggins - Truth-makers and dependence 10.2 | |
| A reaction: Schnieder proposes that there are just 'causal' and 'conceptual' explanations. Liggins objects that there are other types of dependence which offer explanations. |
| 12167 | Reference without predication is the characteristic of expression [Scruton] |
| Full Idea: Characteristic of expression is the presence of 'reference' without predication. | |
| From: Roger Scruton (Representation in Music [1976], p.71) | |
| A reaction: This echoes (in linguistic terms) Kant's thought that art is 'purposive without purpose'. The remark is comfortable in an essay on music, but it gets more tricky when the topic is literature, or even representational painting. |
| 12166 | If music refers to love, it contains no predication, so it is expression, not language [Scruton] |
| Full Idea: If a passage carries a reference to love, we are not told what it says about love. And to speak of language with 'reference' but no predication is simply to misuse the word. We leave the realm of representation and enter that of expression. | |
| From: Roger Scruton (Representation in Music [1976], p.63-4) | |
| A reaction: This is a beautifully simple objection to the idea (associated with Nelson Goodman) that art is a language. Though what an 'expression' of something amounts to I am not quite sure. |
| 12168 | Music is not representational, since thoughts about a subject are never essential to it [Scruton] |
| Full Idea: Music is not representational, since thoughts about a subject are never essential to the understanding of music. | |
| From: Roger Scruton (Representation in Music [1976], p.74) | |
| A reaction: I would not have thought that many people thought music was representational, but Scruton particularly mentions passages in opera that seem to pick up aspects of the story. Do even bell sounds not represent bells? |