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All the ideas for 'Leibniz', 'works' and 'Mathematical Logic (revised)'

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9 ideas

1. Philosophy / C. History of Philosophy / 4. Later European Philosophy / c. Eighteenth century philosophy
Irony is consciousness of abundant chaos [Schlegel,F]
     Full Idea: Irony is the clear conscousness of eternal agility, of an infinitely abundant chaos.
     From: Friedrich Schlegel (works [1798], Vol 2 p.263), quoted by Ernst Behler - Early German Romanticism p.81
     A reaction: [1800, in Athenaum] The interest here is irony as a reaction to chaos, which has made systematic thought impossible. Do romantics necessarily see reality as beyond our grasp, even if not chaotic? This must be situational, not verbal irony.
1. Philosophy / E. Nature of Metaphysics / 3. Metaphysical Systems
Plato has no system. Philosophy is the progression of a mind and development of thoughts [Schlegel,F]
     Full Idea: Plato had no system, but only a philosophy. The philosophy of a human being is the history, the becoming, the progression of his mind, the gradual formation and development of his thoughts.
     From: Friedrich Schlegel (works [1798], Vol.11 p.118), quoted by Ernst Behler - Early German Romanticism
     A reaction: [1804] Looks like the first sign of rebellion against the idea of having a 'system' in philosophy, making it a key idea of romanticism. Systems are classical? This looks like an early opposition of a historical dimension to static systems. Big idea.
5. Theory of Logic / E. Structures of Logic / 4. Variables in Logic
'Corner quotes' (quasi-quotation) designate 'whatever these terms designate' [Quine]
     Full Idea: A 'quasi-quotation' [corner quotes, Quine quotes] designates that (unspecified) expression which is obtained from the contents of the corners by replacing the Greek letters by the (unspecified) expressions which they designate.
     From: Willard Quine (Mathematical Logic (revised) [1940], 1.6)
     A reaction: Filed under 'variables', as they seem to be variables that can refer to actual expressions, like algebra. Quine was determined to distinguish clearly between 'mention' and 'use'. 'Half-hearted substitutional quantification', says Fine.
5. Theory of Logic / F. Referring in Logic / 1. Naming / f. Names eliminated
We might do without names, by converting them into predicates [Quine, by Kirkham]
     Full Idea: Quine suggests that we can have a language with just predicates and no names. Thus for 'Ralph is red' we say 'x Ralphises and x is red'.
     From: report of Willard Quine (Mathematical Logic (revised) [1940]) by Richard L. Kirkham - Theories of Truth: a Critical Introduction 5.6
     A reaction: Kirkham discusses this as a way of getting round the lack of names in Tarski's theory of truth (which just uses objects, predicates and quantifiers). Otherwise you must supplement Tarski with an account of what the names refer to.
9. Objects / F. Identity among Objects / 7. Indiscernible Objects
The Identity of Indiscernibles is really the same as the verification principle [Jolley]
     Full Idea: Various writers have noted that the Identity of Indiscernibles is really tantamount to the verification principle.
     From: Nicholas Jolley (Leibniz [2005], Ch.3)
     A reaction: Both principles are false, because they are the classic confusion of epistemology and ontology. The fact that you cannot 'discern' a difference between two things doesn't mean that there is no difference. Things beyond verification can still be discussed.
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / b. Transcendental idealism
Poetry is transcendental when it connects the ideal to the real [Schlegel,F]
     Full Idea: There is a kind of poetry whose essence lies in the relation between the ideal and the real, and which therefore, by analogy with philosophical jargon, should be called transcendental poetry.
     From: Friedrich Schlegel (works [1798], Vol 2 p.204), quoted by Ernst Behler - Early German Romanticism p.78
     A reaction: I think the basic idea is that the imaginative creation of poetry has the power to bridge the gap between the transcendental (presupposed) ideal in Fichte, and nature (which Fichte seems to have excluded from his system).
21. Aesthetics / B. Nature of Art / 8. The Arts / b. Literature
For poets free choice is supreme [Schlegel,F]
     Full Idea: Romantic poetry recognises as its first commandment that the free choice [Wilkür] of the poet can tolerate no law above itself.
     From: Friedrich Schlegel (works [1798], Frag 116 p.32), quoted by Terry Pinkard - German Philosophy 1760-1860 06
     A reaction: This leads to Shelley's 'poets are the unacknowledged legislators of the race'. We should also take it as a response to Kant's categorical imperative, which leads to the Gauguin Problem (wickedness justified by the art it leads to).
22. Metaethics / B. Value / 2. Values / g. Love
True love is ironic, in the contrast between finite limitations and the infinity of love [Schlegel,F]
     Full Idea: True irony is the irony of love. It arises from the feeling of finitude and one's own limitation, and the apparent contradiction of these feelings with the concept of infinity inherent in all true love.
     From: Friedrich Schlegel (works [1798], Vol.10 p.357), quoted by Ernst Behler - Early German Romanticism
     A reaction: [c.1827] This is more about idealist philosophy and its yearning for the Absolute than it is about the actual nature of love. Love is the door to the Absolute. The irony is our inability to pass through it.
23. Ethics / F. Existentialism / 3. Angst
Irony is the response to conflicts of involvement and attachment [Schlegel,F, by Pinkard]
     Full Idea: Irony is thus the appropriate stance to feeling that is both inescapably committed and inescapably detached at the same time.
     From: report of Friedrich Schlegel (works [1798]) by Terry Pinkard - German Philosophy 1760-1860 06
     A reaction: This is the epitome of romanticism, which carries over into the dilemmas of existentialism. Striking the right balance between caring and not caring seems to me to be the main focus of modern British people.