15 ideas
| 22026 | Philosophy is homesickness - the urge to be at home everywhere [Novalis] |
| Full Idea: Philosophy is actually homesickness - the urge to be everywhere at home. | |
| From: Novalis (General Draft [1799], 45) | |
| A reaction: The idea of home [heimat] is powerful in German culture. The point of romanticism was seen as largely concerning restless souls like Byron and his heroes, who do not feel at home. Hence ironic detachment. |
| 15163 | The interest of quantified modal logic is its metaphysical necessity and essentialism [Soames] |
| Full Idea: The chief philosophical interest in quantified modal logic lies with metaphysical necessity, essentialism, and the nontrivial modal de re. | |
| From: Scott Soames (Philosophy of Language [2010], 3.1) |
| 15158 | Indefinite descriptions are quantificational in subject position, but not in predicate position [Soames] |
| Full Idea: The indefinite description in 'A man will meet you' is naturally treated as quantificational, but an occurrence in predicative position, in 'Jones is not a philosopher', doesn't have a natural quantificational counterpart. | |
| From: Scott Soames (Philosophy of Language [2010], 1.23) |
| 15157 | Recognising the definite description 'the man' as a quantifier phrase, not a singular term, is a real insight [Soames] |
| Full Idea: Recognising the definite description 'the man' as a quantifier phrase, rather than a singular term, is a real insight. | |
| From: Scott Soames (Philosophy of Language [2010], 1.22) | |
| A reaction: 'Would the man who threw the stone come forward' seems like a different usage from 'would the man in the black hat come forward'. |
| 15156 | The universal and existential quantifiers were chosen to suit mathematics [Soames] |
| Full Idea: Since Frege and Russell were mainly interested in formalizing mathematics, the only quantifiers they needed were the universal and existential one. | |
| From: Scott Soames (Philosophy of Language [2010], 1.22) |
| 15161 | There are more metaphysically than logically necessary truths [Soames] |
| Full Idea: The set of metaphysically necessary truths is larger than the set of logically necessary truths. | |
| From: Scott Soames (Philosophy of Language [2010], 3.1) | |
| A reaction: Likewise, the set of logically possible truths is much larger than the set of metaphysically possible truths. If a truth is logically necessary, it will clearly be metaphysically necessary. Er, unless it is necessitated by daft logic... |
| 15162 | We understand metaphysical necessity intuitively, from ordinary life [Soames] |
| Full Idea: Our understanding of metaphysical necessity is intuitive - drawn from our ordinary thought and talk. | |
| From: Scott Soames (Philosophy of Language [2010], 3.1) | |
| A reaction: This, of course, is a good reason for analytic philosophers to dislike metaphysical necessity. |
| 19591 | Desire for perfection is an illness, if it turns against what is imperfect [Novalis] |
| Full Idea: An absolute drive toward perfection and completeness is an illness, as soon as it shows itself to be destructive and averse toward the imperfect, the incomplete. | |
| From: Novalis (General Draft [1799], 33) | |
| A reaction: Deep and true! Novalis seems to be a particularist - hanging on to the fine detail of life, rather than being immersed in the theory. These are the philosophers who also turn to literature. |
| 15152 | To study meaning, study truth conditions, on the basis of syntax, and representation by the parts [Soames] |
| Full Idea: The systematic study of meaning requires a framework for specifying the truth conditions of sentences on the basis of their syntactic structure, and the representational contents of their parts. | |
| From: Scott Soames (Philosophy of Language [2010], Intro) | |
| A reaction: Soames presents this as common sense, on the first page of his book, and it is hard to disagree. Representation will shade off into studying the workings of the mind. Fodor seems a good person to start with. |
| 15153 | Tarski's account of truth-conditions is too weak to determine meanings [Soames] |
| Full Idea: The truth conditions provided by Tarski's theories (based on references of subsentential constituents) are too weak to determine meanings, because they lacked context-sensitivity and various forms of intensionality. | |
| From: Scott Soames (Philosophy of Language [2010], Intro) | |
| A reaction: Interesting. This suggests that stronger modern axiomatic theories of truth might give a sufficient basis for a truth conditions theory of meaning. Soames says possible worlds semantics was an attempt to improve things. |
| 15154 | We should use cognitive states to explain representational propositions, not vice versa [Soames] |
| Full Idea: Instead of explaining the representationality of sentences and cognitive states in terms of propositions, we must explain the representationality of propositions in terms of the representationality of the relevant cognitive states. | |
| From: Scott Soames (Philosophy of Language [2010], Intro) | |
| A reaction: Music to my ears. I am bewildered by this Russellian notion of a 'proposition' as some abstract entity floating around in the world waiting to be expressed. The vaguer word 'facts' (and false facts?) will cover that. It's Frege's fault. |
| 22693 | The works we value most are in sympathy with our own moral views [John,E] |
| Full Idea: The works we tend to value most highly are ones that are in sympathy with the moral views we actually accept. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], Intro) | |
| A reaction: I would have to endorse this. She admits that we may rate other works very highly, but they won't appear on our list of favourites. This fact may well distort philosophical discussions of morality and art. |
| 22694 | We should understand what is morally important in a story, without having to endorse it [John,E] |
| Full Idea: Our responses to literature should show that we grasp whatever counts as morally important within the narrative, but not necessarily that we judge and feel in the way deemed appropriate by the work. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], 'Accommodating') | |
| A reaction: She gives as an example a story by Hemingway which places a high value on the courageous hunting of big game. A second example is the total amorality of a Highsmith novel. This idea seems exactly right to me. |
| 22695 | We value morality in art because that is what we care about - but it is a contingent fact [John,E] |
| Full Idea: Moral value is valuable in art because people care about moral value. This runs deep, but it is a contingent matter, and the value of morality in art hinges on art's need to provide something precious to us. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], 'Contingency') | |
| A reaction: I think this is exactly right. Thrillers are written with very little moral concern, for a readership which cares about brave and exciting deeds. Even there, violence has its ethics. |
| 22692 | A work can be morally and artistically excellent, despite rejecting moral truth [John,E] |
| Full Idea: A work that rejects moral truth can be artistically excellent, in part because of its moral content. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], Intr) | |
| A reaction: She cites the film 'Trainspotting', about desperate drug addicts, because it gives an amoral insight into their world. |