Combining Texts

All the ideas for 'Stipulation, Meaning and Apriority', 'Introductions to 'Aesthetics and the Phil of Art'' and 'The Semantic Tradition from Kant to Carnap'

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15 ideas

2. Reason / D. Definition / 13. Against Definition
How do we determine which of the sentences containing a term comprise its definition? [Horwich]
     Full Idea: How are we to determine which of the sentences containing a term comprise its definition?
     From: Paul Horwich (Stipulation, Meaning and Apriority [2000], §2)
     A reaction: Nice question. If I say 'philosophy is the love of wisdom' and 'philosophy bores me', why should one be part of its definition and the other not? What if I stipulated that the second one is part of my definition, and the first one isn't?
4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / j. Axiom of Choice IX
Choice suggests that intensions are not needed to ensure classes [Coffa]
     Full Idea: The axiom of choice was an assumption that implicitly questioned the necessity of intensions to guarantee the presence of classes.
     From: J. Alberto Coffa (The Semantic Tradition from Kant to Carnap [1991], 7 'Log')
     A reaction: The point is that Choice just picks out members for no particular reason. So classes, it seems, don't need a reason to exist.
12. Knowledge Sources / A. A Priori Knowledge / 1. Nature of the A Priori
A priori belief is not necessarily a priori justification, or a priori knowledge [Horwich]
     Full Idea: It is one thing to believe something a priori and another for this belief to be epistemically justified. The latter is required for a priori knowledge.
     From: Paul Horwich (Stipulation, Meaning and Apriority [2000], §8)
     A reaction: Personally I would agree with this, because I don't think anything should count as knowledge if it doesn't have supporting reasons, but fans of a priori knowledge presumably think that certain basic facts are just known. They are a priori justified.
12. Knowledge Sources / A. A Priori Knowledge / 6. A Priori from Reason
Understanding needs a priori commitment [Horwich]
     Full Idea: Understanding is itself based on a priori commitment.
     From: Paul Horwich (Stipulation, Meaning and Apriority [2000], §12)
     A reaction: This sounds plausible, but needs more justification than Horwich offers. This is the sort of New Rationalist idea I associate with Bonjour. The crucial feature of the New lot is, I take it, their fallibilism. All understanding is provisional.
12. Knowledge Sources / A. A Priori Knowledge / 8. A Priori as Analytic
The semantic tradition aimed to explain the a priori semantically, not by Kantian intuition [Coffa]
     Full Idea: The semantic tradition's problem was the a priori; its enemy, Kantian pure intuition; its purpose, to develop a conception of the a priori in which pure intuition played no role; its strategy, to base that theory on a development of semantics.
     From: J. Alberto Coffa (The Semantic Tradition from Kant to Carnap [1991], 2 Intro)
     A reaction: It seems to me that intuition, in the modern sense, has been unnecessarily demonised. I would define it as 'rational insights which cannot be fully articulated'. Sherlock Holmes embodies it.
Meaning is generated by a priori commitment to truth, not the other way around [Horwich]
     Full Idea: Our a priori commitment to certain sentences is not really explained by our knowledge of a word's meaning. It is the other way around. We accept a priori that the sentences are true, and thereby provide it with meaning.
     From: Paul Horwich (Stipulation, Meaning and Apriority [2000], §8)
     A reaction: This sounds like a lovely trump card, but how on earth do you decide that a sentence is true if you don't know what it means? Personally I would take it that we are committed to the truth of a proposition, before we have a sentence for it.
12. Knowledge Sources / A. A Priori Knowledge / 9. A Priori from Concepts
Meanings and concepts cannot give a priori knowledge, because they may be unacceptable [Horwich]
     Full Idea: A priori knowledge of logic and mathematics cannot derive from meanings or concepts, because someone may possess such concepts, and yet disagree with us about them.
     From: Paul Horwich (Stipulation, Meaning and Apriority [2000], §12)
     A reaction: A good argument. The thing to focus on is not whether such ideas are a priori, but whether they are knowledge. I think we should employ the word 'intuition' for a priori candidates for knowledge, and demand further justification for actual knowledge.
If we stipulate the meaning of 'number' to make Hume's Principle true, we first need Hume's Principle [Horwich]
     Full Idea: If we stipulate the meaning of 'the number of x's' so that it makes Hume's Principle true, we must accept Hume's Principle. But a precondition for this stipulation is that Hume's Principle be accepted a priori.
     From: Paul Horwich (Stipulation, Meaning and Apriority [2000], §9)
     A reaction: Yet another modern Quinean argument that all attempts at defining things are circular. I am beginning to think that the only a priori knowledge we have is of when a group of ideas is coherent. Calling it 'intuition' might be more accurate.
12. Knowledge Sources / A. A Priori Knowledge / 10. A Priori as Subjective
A priori knowledge (e.g. classical logic) may derive from the innate structure of our minds [Horwich]
     Full Idea: One potential source of a priori knowledge is the innate structure of our minds. We might, for example, have an a priori commitment to classical logic.
     From: Paul Horwich (Stipulation, Meaning and Apriority [2000], §11)
     A reaction: Horwich points out that to be knowledge it must also say that we ought to believe it. I'm wondering whether if we divided the whole territory of the a priori up into intuitions and then coherent justifications, the whole problem would go away.
12. Knowledge Sources / A. A Priori Knowledge / 11. Denying the A Priori
Platonism defines the a priori in a way that makes it unknowable [Coffa]
     Full Idea: The trouble with Platonism had always been its inability to define a priori knowledge in a way that made it possible for human beings to have it.
     From: J. Alberto Coffa (The Semantic Tradition from Kant to Carnap [1991], 7 'What')
     A reaction: This is the famous argument of Benacerraf 1973.
15. Nature of Minds / C. Capacities of Minds / 5. Generalisation by mind
Mathematics generalises by using variables [Coffa]
     Full Idea: The instrument of generality in mathematics is the variable.
     From: J. Alberto Coffa (The Semantic Tradition from Kant to Carnap [1991], 4 'The conc')
     A reaction: I like the idea that there are variables in ordinary speech, pronouns being the most obvious example. 'Cats' is a variable involving quantification over a domain of lovable fluffy mammals.
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
     Full Idea: In modern discussions, rather than look for intrinsic properties of objects, including aesthetic or formal properties, attention has turned to extrinsic or relational properties, notably of a social, historical, or 'institutional' nature.
     From: Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 1)
     A reaction: Lots of modern branches of philosophy have made this move, which seems to me like a defeat. We want to know why things have the relations they do. Just mapping the relations is superficial Humeanism.
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
     Full Idea: In the early twentieth century there were numerous attempts at defining the essence art. Significant form, intuition, the expression of emotion, organic unity, and other notions, were offered to this end.
     From: Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 1)
     A reaction: As far as I can see the whole of aesthetics was demolished in one blow by Marcel Duchamp's urinal. Artists announce: we will tell you what art is; you should just sit and listen. Compare the invention of an anarchic sport.
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]
     Full Idea: The dualistic view of the arts holds that works of art come in two fundamentally different kinds: those that are abstract entities, i.e. types, and those that are physical objects (tokens).
     From: Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 2)
     A reaction: Paintings are the main reason for retaining physical objects. Strawson 1974 argues that paintings are only physical because we cannot yet perfectly reproduce them. I agree. Works of art are types, not tokens.
27. Natural Reality / D. Time / 1. Nature of Time / a. Absolute time
Relativity is as absolutist about space-time as Newton was about space [Coffa]
     Full Idea: If the theory of relativity might be thought to support an idealist construal of space and time, it is no less absolutistic about space-time than Newton's theory was about space.
     From: J. Alberto Coffa (The Semantic Tradition from Kant to Carnap [1991])
     A reaction: [He cites Minkowski, Weyl and Cartan for this conclusion] Coffa is clearly a bit cross about philosophers who draw naive idealist and relativist conclusions from relativity.