9 ideas
| 22642 | Man has an intense natural interest in the consistency of his own thinking [James] |
| Full Idea: After man's interest in breathing freely, the greatest of all his interests (because it never fluctuates or remits….) is his interest in consistency, in feeling that what he now thinks goes with what he thinks on other occasions. | |
| From: William James (The Pragmatist Account of Truth [1908], 'Seventh') | |
| A reaction: People notoriously contradict themselves all the time, but I suspect that it is when they get out of their depth in complexities such as politics. They probably achieve great consistency within their own expertise, and in common knowledge. |
| 22641 | Realities just are, and beliefs are true of them [James] |
| Full Idea: Realities are not true, they are; and beliefs are true of them. | |
| From: William James (The Pragmatist Account of Truth [1908], 'Fourth') | |
| A reaction: At last, a remark by James about truth which I really like. For 'realities' I would use the word 'facts'. |
| 22640 | We find satisfaction in consistency of all of our beliefs, perceptions and mental connections [James] |
| Full Idea: We find satisfaction in consistency between the present idea and the entire rest of our mental equipment, including the whole order of our sensations, and that of our intuitions of likeness and difference, and our whole stock previously acquired truths. | |
| From: William James (The Pragmatist Account of Truth [1908], 'Fourth') | |
| A reaction: I like this, apart from the idea that the criterion of good coherence seems to be subjective 'satisfaction'. We should ask why some large set of beliefs is coherent. I assume nature is coherent, and truth is the best explanation of our coherence about it. |
| 2799 | Bayes' theorem explains why very surprising predictions have a higher value as evidence [Horwich] |
| Full Idea: Bayesianism can explain the fact that in science surprising predictions have greater evidential value, as the equation produces a higher degree of confirmation. | |
| From: Paul Horwich (Bayesianism [1992], p.42) |
| 2798 | Probability of H, given evidence E, is prob(H) x prob(E given H) / prob(E) [Horwich] |
| Full Idea: Bayesianism says ideally rational people should have degrees of belief (not all-or-nothing beliefs), corresponding with probability theory. Probability of H, given evidence E, is prob(H) X prob(E given H) / prob(E). | |
| From: Paul Horwich (Bayesianism [1992], p.41) |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |