13 ideas
| 21463 | Hamann, Herder and Jacobi were key opponents of the Enlightenment [Gardner] |
| Full Idea: Hamann, Herder and Jacobi are central figues in the reaction against Enlightenment. | |
| From: Sebastian Gardner (Kant and the Critique of Pure Reason [1999], 10 'immediate') | |
| A reaction: From a British perspective I would see Hume as the leading such figure. Hamann emphasised the neglect of the role of language. Jacobi was a Christian. |
| 21459 | Kant halted rationalism, and forced empiricists to worry about foundations [Gardner] |
| Full Idea: Kant's Critique swiftly brought rationalism to a halt, and after Kant empiricism has displayed a nervousness regarding its foundations, and been forced to assume more sophisticated forms. | |
| From: Sebastian Gardner (Kant and the Critique of Pure Reason [1999], 10 Intro) | |
| A reaction: See the ideas of Laurence Bonjour for a modern revival of rationalism. After Kant philosophers either went existential, or stared gloomily into the obscure depths. Formal logic was seen as a possible rope ladder down. |
| 21460 | Only Kant and Hegel have united nature, morals, politics, aesthetics and religion [Gardner] |
| Full Idea: Apart from Hegel, no later philosophical system equals in stature Kant's attempt to weld together the diverse fields of natural science, morality, politics, aesthetics and religion into a systematic overarching epistemological and metaphysical unity. | |
| From: Sebastian Gardner (Kant and the Critique of Pure Reason [1999], 10) | |
| A reaction: Earlier candidate are Plato and Aristotle. Earlier Enlightenment figures say little about morality or aesthetics. Hobbes ranges widely. Aquinas covered most things. |
| 21443 | Transcendental proofs derive necessities from possibilities (e.g. possibility of experiencing objects) [Gardner] |
| Full Idea: A transcendental proof converts a possibility into a necessity: by saying under what conditions experience of objects is possible, transcendental proofs show those conditions to be necessary for us to the extent that we have any experience of objects. | |
| From: Sebastian Gardner (Kant and the Critique of Pure Reason [1999], 02 'Transc') | |
| A reaction: They appear to be hypothetical necessities, rather than true metaphysical necessities. Gardner is discussing Kant, but seems to be generalising. Hypothetical necessities are easy: if it is flying, it is necessarily above the ground. |
| 21444 | Modern geoemtry is either 'pure' (and formal), or 'applied' (and a posteriori) [Gardner] |
| Full Idea: There is now 'pure' geometry, consisting of formal systems based on axioms for which truth is not claimed, and which are consequently not synthetic; and 'applied', a branch of physics, the truth of which is empirical, and therefore not a priori. | |
| From: Sebastian Gardner (Kant and the Critique of Pure Reason [1999], 03 'Maths') | |
| A reaction: His point is that there is no longer any room for a priori geometry. Might the same division be asserted of arithmetic, or analysis, or set theory? |
| 21453 | Leibnizian monads qualify as Kantian noumena [Gardner] |
| Full Idea: Leibnizian monads clearly satisfy Kant's definition of noumena. | |
| From: Sebastian Gardner (Kant and the Critique of Pure Reason [1999], 06 'Noumena') | |
| A reaction: This needs qualifying, because Leibniz clearly specifies the main attributes of monads, where Kant is adamant that we can saying virtually nothing about noumena. |
| 7518 | If folk psychology gives a network of causal laws, that fits neatly with functionalism [Churchland,PM] |
| Full Idea: The portrait of folk psychology as a network of causal laws dovetailed neatly with the emerging philosophy of mind called functionalism. | |
| From: Paul M. Churchland (Folk Psychology [1996], II) | |
| A reaction: And from the lower levels functionalism is supported by the notion that the brain is modular. Note the word 'laws'; this implies an underlying precision in folk psychology, which is then easily attacked. Maybe the network is too complex for simple laws. |
| 7519 | Many mental phenomena are totally unexplained by folk psychology [Churchland,PM] |
| Full Idea: Folk psychology fails utterly to explain a considerable variety of central psychological phenomena: mental illness, sleep, creativity, memory, intelligence differences, and many forms of learning, to cite just a few. | |
| From: Paul M. Churchland (Folk Psychology [1996], III) | |
| A reaction: If folk psychology is a theory, it will have been developed to predict behaviour, rather than as a full-blown psychological map. The odd thing is that some people seem to be very bad at folk psychology. |
| 7520 | Folk psychology never makes any progress, and is marginalised by modern science [Churchland,PM] |
| Full Idea: Folk psychology has not progressed significantly in the last 2500 years; if anything, it has been steadily in retreat during this period; it does not integrate with modern science, and its emerging wallflower status bodes ill for its future. | |
| From: Paul M. Churchland (Folk Psychology [1996], III) | |
| A reaction: [compressed] However, while shares in alchemy and astrology have totally collapsed, folk psychology shows not the slightest sign of going away, and it is unclear how it ever could. See Idea 3177. |
| 20440 | Art is a referential activity, hence indefinable, but it has a set of symptoms [Goodman] |
| Full Idea: No definition of art is possible (since it is a referential activity), …but the symptoms of art are syntactic density, semantic density, syntactic repleteness, exemplificationality, and multiple and complex reference. | |
| From: Nelson Goodman (Languages of Art (2nd edn) [1968], p.22-255), quoted by Alessandro Giovannelli - Nelson Goodman (aesthetics) 4 | |
| A reaction: I wish these labels were more self-explanatory. Goodman seems to want to assimilate art to his earlier interests in linguistic anti-realism and mereology. I wouldn't have thought he now had many followers. |
| 20439 | Artistic symbols are judged by the fruitfulness of their classifications [Goodman, by Giovannelli] |
| Full Idea: Artistic symbols are to be judged for the classifications they bring about, for how novel and insightful those classifications are, for how they change our world perceptions and relations. | |
| From: report of Nelson Goodman (Languages of Art (2nd edn) [1968]) by Alessandro Giovannelli - Nelson Goodman (aesthetics) 4 | |
| A reaction: This seems to be an awfully long way from our normal experience of art. I understand 'symbols' in early Flemish art, but not in Mondriaan, or even Rembrandt. |
| 20438 | A performance is only an instance of a work if there is not a single error [Goodman] |
| Full Idea: The most miserable performance without actual mistakes does count as an instance of a work, …but the most brilliant performance with a single wrong note does not. | |
| From: Nelson Goodman (Languages of Art (2nd edn) [1968], p.186), quoted by Alessandro Giovannelli - Nelson Goodman (aesthetics) | |
| A reaction: Mereological essentialism applied to art! You need to be a highly theoretical and technical philosopher (which Goodman was) to maintain such a weird and contrary-usage proposal. |
| 20437 | A copy only becomes an 'instance' of an artwork if there is a system of notation [Goodman] |
| Full Idea: Paintings and sculptures do not work within a notation; hence, there is no copying of an original that would preserve its originality. A copy of a painting is a copy, not an instance of the original. | |
| From: Nelson Goodman (Languages of Art (2nd edn) [1968], p.212), quoted by Alessandro Giovannelli - Nelson Goodman (aesthetics) 2 | |
| A reaction: Sounds conclusive, but isn't. Is a poetry manuscript a 'notation' or an original? Why is an etching plate a notation, but painting on canvas is an original? Can I create a painting specifically so that it can be copied (by my students)? Intention matters. |