Combining Texts

All the ideas for 'General Facts,Phys Necessity, and Metaph of Time', 'Chemistry' and 'Ethical Criticism and the Vice of Moderation'

unexpand these ideas     |    start again     |     specify just one area for these texts


20 ideas

1. Philosophy / D. Nature of Philosophy / 8. Humour
Jokes can sometimes be funny because they are offensive [Jacobson,D]
     Full Idea: Sometimes it is exactly what is offensive about a joke that makes it funny.
     From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional')
     A reaction: Jacobson offers this in support of his immoralist view, that immoral literature can be aesthetically successful. It is uncomfortable to find yourself laughing at a joke of which you disapprove.
3. Truth / B. Truthmakers / 3. Truthmaker Maximalism
The truth-maker principle is that every truth has a sufficient truth-maker [Forrest]
     Full Idea: Item x is said to be a sufficient truth-maker for truth-bearer p just in case necessarily if x exists then p is true. ...Every truth has a sufficient truth-maker. Hence, I take it, the sum of all sufficient truth-makers is a universal truth-maker.
     From: Peter Forrest (General Facts,Phys Necessity, and Metaph of Time [2006], 1)
     A reaction: Note that it is not 'necessary', because something else might make p true instead.
7. Existence / C. Structure of Existence / 5. Supervenience / c. Significance of supervenience
Supervenience is simply modally robust property co-variance [Hendry]
     Full Idea: Supervenience is not an ontological relationship, being just modally robust property co-variance.
     From: Robin F. Hendry (Chemistry [2008], 'Ontol')
     A reaction: I take supervenience to be nothing more than an interesting phenomenon that requires explanation. I suppose Humean Supervenience is a priori metaphysics, since you could hardly explain it.
14. Science / D. Explanation / 2. Types of Explanation / k. Explanations by essence
Nuclear charge (plus laws) explains electron structure and spectrum, but not vice versa [Hendry]
     Full Idea: Given relevant laws of nature (quantum mechanics, the exclusion principle) nuclear charge determines and explains electronic structure and spectroscopic behaviour, but not vice versa.
     From: Robin F. Hendry (Chemistry [2008], 'Micro')
     A reaction: I argue that the first necessary condition for essentialism is a direction of explanation, and here we seem to have one.
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
We don't often respond to events in art as if they were real events [Jacobson,D]
     Full Idea: We routinely do not respond to art as if we were as if we were real-life spectators of its events.
     From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'rejection')
     A reaction: This strikes me as one of the basic facts about aesthetics, and especially of narrative art. People sometimes encounter terrible events on the street, only to find someone is making a film.
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Audiences can be too moral [Jacobson,D]
     Full Idea: An audience can be overly moralistic.
     From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional')
     A reaction: People can be too moral in real life as well. Goody Two Shoes.
'Autonomism' says the morality is irrelevant to the aesthetics [Jacobson,D]
     Full Idea: 'Autonomism' is the theory that the intrinsic moral merits and defects of an artwork are irrelevant to its aesthetic value.
     From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], Intro)
     A reaction: This contrasts with 'moralism', which says the ethics is part of the aesthetics. Autonomism seems to be the modern academic label for art for art's sake. In nineteenth century novels the ethics are central; in modernist novels they seem to be irrelevant.
Moral defects of art can be among its aesthetic virtues [Jacobson,D]
     Full Idea: To put my claim most provocatively: the moral defects in a work of art can be among its aesthetic virtues. This claim has been called 'immoralism'.
     From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], Intro)
     A reaction: To describe sympathetic descriptions of vile moral behaviour as 'defects' may be a misunderstanding. If a work sets out to promote wickedness, then its wickedness isn't a defect in the work. It could be a masterpiece of corruption.
Immoral art encourages immoral emotions [Jacobson,D]
     Full Idea: Humean moralism includes the view that immoral art prescribes unethical emotional responses.
     From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional')
     A reaction: [He cites Hume's 'On the Standard of Taste'] 'Prescribes' is tricky. Is a vivid description of wicked events, given without comment, a prescription? What if the commentary condemns, but the description entices? Trust the work itself, said Lawrence.
Moderate moralism says moral qualities can sometimes also be aesthetic qualities [Jacobson,D]
     Full Idea: Noël Carroll's moderate moralism maintains that some moral defects in artworks are aesthetic defects, and some moral virtues are aesthetic merits.
     From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'How moderate')
     A reaction: I'm beginning to think that moralist critics are confusing morality and wisdom. We don't admire novels for hammering on about goodness. We admire their insight into characters and actions, of which the most interesting aspects happen to be moral.
We can judge art ethically, or rate its ethical influence, or assess its quality via its ethics [Jacobson,D]
     Full Idea: Ethical criticism includes 1) ethical judgements of art works, 2) assessment of an art work's role in moral education, or 3) bringing moral praise or censure to bear on the aesthetic evaluation.
     From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'What is')
     A reaction: [a compressed summary of Jacobson. He cites Levinson 1998 and Carroll 2000 as examples of ethical criticism]
26. Natural Theory / B. Natural Kinds / 2. Defining Kinds
Maybe two kinds are the same if there is no change of entropy on isothermal mixing [Hendry]
     Full Idea: One suggestion is that any two different substance, however alike, exhibit a positive entropy change on mixing. So absence of entropy change on isothermal mixing provides a criterion of sameness of kind.
     From: Robin F. Hendry (Chemistry [2008], 'Micro')
     A reaction: [He cites Paul Needham 2000] This sounds nice, because at a more amateur level we can say that stuff is the same if mixing two samples of it produces no difference. I call it the Upanishads Test.
26. Natural Theory / D. Laws of Nature / 8. Scientific Essentialism / a. Scientific essentialism
Maybe the nature of water is macroscopic, and not in the microstructure [Hendry]
     Full Idea: Some deny that that microstructure is what makes it water; substance identity and difference should be determined instead by macroscopic similarities and differences.
     From: Robin F. Hendry (Chemistry [2008], 'Micro')
     A reaction: Very plausible. Is the essential nature of human beings to be found in the structure of our cells?
The nature of an element must survive chemical change, so it is the nucleus, not the electrons [Hendry]
     Full Idea: Whatever earns something membership of the extension of 'krypton' must be a property that can survive chemical change and, therefore, the gain and loss of electrons. Hence what makes it krypton must be a nuclear property.
     From: Robin F. Hendry (Chemistry [2008], 'Micro')
     A reaction: A very nice illuminating example of essentialism in chemistry. The 'nature' is what survives through change, just like what Aristotle said, innit?
Maybe water is the smallest part of it that still counts as water (which is H2O molecules) [Hendry]
     Full Idea: If they do count as water, individual H2O molecules are the smallest items that can qualify as water on their own account. Hydroxyl ions and protons, in contrast, qualify as water only as part of a larger body.
     From: Robin F. Hendry (Chemistry [2008], 'Micro')
     A reaction: As Aristotle might say, this is the homoeomerous aspect of water. This is Hendry's own proposal, and seems rather good.
27. Natural Reality / F. Chemistry / 1. Chemistry
Compounds can differ with the same collection of atoms, so structure matters too [Hendry]
     Full Idea: The distinctness of the isomers ethanol (CH3CH2OH, boiling at 78.4°) and dimethyl ether (CH3OCH3, boiling at -24.9°) must lie in their different molecular structures. ...But structure has continuously varying quantities, like bond length and angle.
     From: Robin F. Hendry (Chemistry [2008], 'Micro')
     A reaction: [compressed] This seems to imply that what matters is an idealised abstraction of the structure (i.e. its topology), which is a reason for denying that chemistry is reducible to mere physics.
Water continuously changes, with new groupings of molecules [Hendry]
     Full Idea: Macroscopic bodies of water are complex and dynamic congeries of different molecular species, in which there is a constant dissociation of individual molecules, re-association of ions, and formation, growth and disassociation of oligomers.
     From: Robin F. Hendry (Chemistry [2008], 'Micro')
     A reaction: The point is that these activities are needed to explain the behaviour of water (such as its conductivity).
27. Natural Reality / F. Chemistry / 2. Modern Elements
Elements survive chemical change, and are tracked to explain direction and properties [Hendry]
     Full Idea: Elements survive chemical change, and chemical explanations track them from one composite substance to another, thereby explaining both the direction of the chemical change, and the properties of the substances they compose.
     From: Robin F. Hendry (Chemistry [2008], Intro)
     A reaction: [The 16,000th idea of this database, entered on Guy Fawkes' Day 2013]
Defining elements by atomic number allowed atoms of an element to have different masses [Hendry]
     Full Idea: In 1923 elements were defined as populations of atoms with the same nuclear charge (i.e. atomic number), allowing that atoms of the same element may have different masses.
     From: Robin F. Hendry (Chemistry [2008], 'Chem')
     A reaction: The point is that it allowed isotopes of the same element to come under one heading. This is fine for the heavier elements, but a bit dubious for the very light ones (where an isotope makes a bigger difference).
27. Natural Reality / F. Chemistry / 3. Periodic Table
Generally it is nuclear charge (not nuclear mass) which determines behaviour [Hendry]
     Full Idea: In general, nuclear charge is the overwhelming determinant of an element's chemical behaviour, while nuclear mass is a negligible factor.
     From: Robin F. Hendry (Chemistry [2008], 'Micro')
     A reaction: The exception is the isotopes of very light elements light hydrogen.