3 ideas
| 7270 | Historical interpretation aims to recapture the author's view of the work [Croce] |
| Full Idea: Historical interpretation enables us to see a work of art as its author saw it in the moment of production. | |
| From: Benedetto Croce (Aesthetic as Science of Expression [1902], §II), quoted by W Wimsatt/W Beardsley - The Intentional Fallacy §II | |
| A reaction: Wimsatt and Beardsley quote this as the romantic antithesis of their own view, but there is a blurring between understanding a work and judging. Personally I consider intentions essential for understanding, and valuable for judgement. |
| 22489 | 'Good' is an attributive adjective like 'large', not predicative like 'red' [Geach, by Foot] |
| Full Idea: Geach puts 'good' in the class of attributive adjectives, such as 'large' and 'small', contrasting such adjectives with 'predicative' adjectives such as 'red'. | |
| From: report of Peter Geach (Good and Evil [1956]) by Philippa Foot - Natural Goodness Intro | |
| A reaction: [In Analysis 17, and 'Theories of Ethics' ed Foot] Thus any object can simply be red, but something can only be large or small 'for a rat' or 'for a car'. Hence nothing is just good, but always a good so-and-so. This is Aristotelian, and Foot loves it. |
| 22456 | Maybe virtues conflict with each other, if some virtue needs a vice for its achievement [Foot] |
| Full Idea: Maybe so far from forming a unity ...., the virtues actually conflict with each other: that is, if someone has one of them he inevitably fails to have some other. ...Maybe he a man can only be good in one way be being bad in another. | |
| From: Philippa Foot (Moral Realism and Moral Dilemma [1983], p.57) | |
| A reaction: She suggests the self-loathing needed to rein in evil desires. She cites Nietzsche having a similar thought. Presumably the ideal virtuous person has no such conflicts, and the self-loathing undermines eudaimonia. Unity in theory but not in practice? |