3 ideas
| 9159 | You can't simply convert geometry into algebra, as some spatial content is lost [Burge] |
| Full Idea: Although one can translate geometrical propositions into algebraic ones and produce equivalent models, the meaning of geometrical propositions seems to me to be thereby lost. Pure geometry involves spatial content, even if abstracted from physical space. | |
| From: Tyler Burge (Frege on Apriority [2000], IV) | |
| A reaction: This supports Frege's view (against Quine) that geometry won't easily fit into the programme of logicism. I agree with Burge. You would be focusing on the syntax of geometry, and leaving out the semantics. |
| 23898 | Those who say immorality is not an aesthetic criterion must show that all criteria are aesthetic [Weil] |
| Full Idea: Writers and readers who cry out that immorality is not an aesthetic criterion need to prove, which they have never done, that one should apply only aesthetic criteria to literature. | |
| From: Simone Weil (Literature and Morals [1941], p.146) | |
| A reaction: I take the first criterion of literature that it not be boring, and I don't think that is an aesthetic matter. A lot must be achieved before a work can even be considered for aesthetic judgment. Being deeply offensive might rule it out. |
| 22489 | 'Good' is an attributive adjective like 'large', not predicative like 'red' [Geach, by Foot] |
| Full Idea: Geach puts 'good' in the class of attributive adjectives, such as 'large' and 'small', contrasting such adjectives with 'predicative' adjectives such as 'red'. | |
| From: report of Peter Geach (Good and Evil [1956]) by Philippa Foot - Natural Goodness Intro | |
| A reaction: [In Analysis 17, and 'Theories of Ethics' ed Foot] Thus any object can simply be red, but something can only be large or small 'for a rat' or 'for a car'. Hence nothing is just good, but always a good so-and-so. This is Aristotelian, and Foot loves it. |