20400
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Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S]
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Full Idea:
Wimsatt and Beardsley claimed that either the intention succeeded, so one does not need to look outside the work for its meaning, or the intention failed, so external evidence does not help.
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From:
report of W Wimsatt/W Beardsley (The Intentional Fallacy [1946]) by Stephen Davies - The Philosophy of Art (2nd ed) 5.3
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A reaction:
Actually, the external evidence may tell you much more clearly and accurately what the intention was than the work itself does. The best example may be the title of the work, which is presumably outside the work.
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7268
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The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley]
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Full Idea:
We ought to impute the thoughts and attitudes of the poem immediately to the dramatic speaker, and if to the author at all, only by an act of biographical inference.
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From:
W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I)
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A reaction:
Wrong. If in Browning's "My Last Duchess" (say), we only inferred the mind of the speaker (and his Duchess), and took no interest in Browning's view of things, we would miss the point. We might end up respecting the Duke, which would be daft.
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7271
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Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley]
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Full Idea:
The use of biographical evidence need not involve intentionalism, because while it may be evidence of what the author intended, it may also be evidence of the meaning of his words and the dramatic character of his utterance.
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From:
W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §IV)
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A reaction:
I am very keen to penetrate the author's intentions, but I have always be doubtful about the use of biography as a means to achieve this. Most of the effort to infer intentions must come from a study of the work itself, not introductions, letters etc.
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22489
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'Good' is an attributive adjective like 'large', not predicative like 'red' [Geach, by Foot]
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Full Idea:
Geach puts 'good' in the class of attributive adjectives, such as 'large' and 'small', contrasting such adjectives with 'predicative' adjectives such as 'red'.
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From:
report of Peter Geach (Good and Evil [1956]) by Philippa Foot - Natural Goodness Intro
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A reaction:
[In Analysis 17, and 'Theories of Ethics' ed Foot] Thus any object can simply be red, but something can only be large or small 'for a rat' or 'for a car'. Hence nothing is just good, but always a good so-and-so. This is Aristotelian, and Foot loves it.
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7453
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Galen's medicine followed the mean; each illness was balanced by opposite treatment [Galen, by Hacking]
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Full Idea:
Galen ran medicine on the principle of the mean; afflictions must be treated by contraries; hot diseases deserve cold medicine and moist illnesses want drying agents. (Paracelsus rebelled, treating through similarity).
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From:
report of Galen (On Medical Experience [c.169]) by Ian Hacking - The Emergence of Probability Ch.5
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A reaction:
This must be inherited from Aristotle, with the aim of virtue for the body, as Aristotle wanted virtue for the psuché. In some areas Galen is probably right, that natural balance is the aim, as in bodily temperature control.
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