15 ideas
| 13201 | ∈ says the whole set is in the other; ⊆ says the members of the subset are in the other [Enderton] |
| Full Idea: To know if A ∈ B, we look at the set A as a single object, and check if it is among B's members. But if we want to know whether A ⊆ B then we must open up set A and check whether its various members are among the members of B. | |
| From: Herbert B. Enderton (Elements of Set Theory [1977], 1:04) | |
| A reaction: This idea is one of the key ideas to grasp if you are going to get the hang of set theory. John ∈ USA ∈ UN, but John is not a member of the UN, because he isn't a country. See Idea 12337 for a special case. |
| 13204 | The 'ordered pair' <x,y> is defined to be {{x}, {x,y}} [Enderton] |
| Full Idea: The 'ordered pair' <x,y> is defined to be {{x}, {x,y}}; hence it can be proved that <u,v> = <x,y> iff u = x and v = y (given by Kuratowski in 1921). ...The definition is somewhat arbitrary, and others could be used. | |
| From: Herbert B. Enderton (Elements of Set Theory [1977], 3:36) | |
| A reaction: This looks to me like one of those regular cases where the formal definitions capture all the logical behaviour of the concept that are required for inference, while failing to fully capture the concept for ordinary conversation. |
| 13206 | A 'linear or total ordering' must be transitive and satisfy trichotomy [Enderton] |
| Full Idea: A 'linear ordering' (or 'total ordering') on A is a binary relation R meeting two conditions: R is transitive (of xRy and yRz, the xRz), and R satisfies trichotomy (either xRy or x=y or yRx). | |
| From: Herbert B. Enderton (Elements of Set Theory [1977], 3:62) |
| 13200 | Note that {Φ} =/= Φ, because Φ ∈ {Φ} but Φ ∉ Φ [Enderton] |
| Full Idea: Note that {Φ} =/= Φ, because Φ ∈ {Φ} but Φ ∉ Φ. A man with an empty container is better off than a man with nothing. | |
| From: Herbert B. Enderton (Elements of Set Theory [1977], 1.03) |
| 13199 | The empty set may look pointless, but many sets can be constructed from it [Enderton] |
| Full Idea: It might be thought at first that the empty set would be a rather useless or even frivolous set to mention, but from the empty set by various set-theoretic operations a surprising array of sets will be constructed. | |
| From: Herbert B. Enderton (Elements of Set Theory [1977], 1:02) | |
| A reaction: This nicely sums up the ontological commitments of mathematics - that we will accept absolutely anything, as long as we can have some fun with it. Sets are an abstraction from reality, and the empty set is the very idea of that abstraction. |
| 13203 | The singleton is defined using the pairing axiom (as {x,x}) [Enderton] |
| Full Idea: Given any x we have the singleton {x}, which is defined by the pairing axiom to be {x,x}. | |
| From: Herbert B. Enderton (Elements of Set Theory [1977], 2:19) | |
| A reaction: An interesting contrivance which is obviously aimed at keeping the axioms to a minimum. If you can do it intuitively with a new axiom, or unintuitively with an existing axiom - prefer the latter! |
| 13202 | Fraenkel added Replacement, to give a theory of ordinal numbers [Enderton] |
| Full Idea: It was observed by several people that for a satisfactory theory of ordinal numbers, Zermelo's axioms required strengthening. The Axiom of Replacement was proposed by Fraenkel and others, giving rise to the Zermelo-Fraenkel (ZF) axioms. | |
| From: Herbert B. Enderton (Elements of Set Theory [1977], 1:15) |
| 13205 | We can only define functions if Choice tells us which items are involved [Enderton] |
| Full Idea: For functions, we know that for any y there exists an appropriate x, but we can't yet form a function H, as we have no way of defining one particular choice of x. Hence we need the axiom of choice. | |
| From: Herbert B. Enderton (Elements of Set Theory [1977], 3:48) |
| 20400 | Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S] |
| Full Idea: Wimsatt and Beardsley claimed that either the intention succeeded, so one does not need to look outside the work for its meaning, or the intention failed, so external evidence does not help. | |
| From: report of W Wimsatt/W Beardsley (The Intentional Fallacy [1946]) by Stephen Davies - The Philosophy of Art (2nd ed) 5.3 | |
| A reaction: Actually, the external evidence may tell you much more clearly and accurately what the intention was than the work itself does. The best example may be the title of the work, which is presumably outside the work. |
| 7266 | The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley] |
| Full Idea: The design or intention of the author is neither available nor desirable as a standard for judging the success of a work of literary art. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: This famous proposal may have been misunderstood. Note that it is a comment about judging the work, not about understanding it. The idea allows for a work being much more successful than the author's humble intentions (e.g. Pepys). |
| 7267 | Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley] |
| Full Idea: Poetry differs from practical messages, which are successful if and only if we correctly infer the intention. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: I am not convinced by this claim. It is plausible that a work does much more than it intends (Astaire said he danced "to make a buck"), but it is rather odd to rate very highly a work of which you have missed the point. |
| 7268 | The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley] |
| Full Idea: We ought to impute the thoughts and attitudes of the poem immediately to the dramatic speaker, and if to the author at all, only by an act of biographical inference. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: Wrong. If in Browning's "My Last Duchess" (say), we only inferred the mind of the speaker (and his Duchess), and took no interest in Browning's view of things, we would miss the point. We might end up respecting the Duke, which would be daft. |
| 7269 | The intentional fallacy is a romantic one [Wimsatt/Beardsley] |
| Full Idea: The intentional fallacy is a romantic one. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §II) | |
| A reaction: Wrong. Even with those most famous of anonymous artists, the architects and carvers of medieval cathedrals, without some discernment of the purpose you won't get it. The Taj Mahal is a love letter, not a potential ice cream parlour. |
| 7271 | Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley] |
| Full Idea: The use of biographical evidence need not involve intentionalism, because while it may be evidence of what the author intended, it may also be evidence of the meaning of his words and the dramatic character of his utterance. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §IV) | |
| A reaction: I am very keen to penetrate the author's intentions, but I have always be doubtful about the use of biography as a means to achieve this. Most of the effort to infer intentions must come from a study of the work itself, not introductions, letters etc. |
| 22489 | 'Good' is an attributive adjective like 'large', not predicative like 'red' [Geach, by Foot] |
| Full Idea: Geach puts 'good' in the class of attributive adjectives, such as 'large' and 'small', contrasting such adjectives with 'predicative' adjectives such as 'red'. | |
| From: report of Peter Geach (Good and Evil [1956]) by Philippa Foot - Natural Goodness Intro | |
| A reaction: [In Analysis 17, and 'Theories of Ethics' ed Foot] Thus any object can simply be red, but something can only be large or small 'for a rat' or 'for a car'. Hence nothing is just good, but always a good so-and-so. This is Aristotelian, and Foot loves it. |