Combining Texts

All the ideas for 'Particulars in Particular Clothing', 'On the Concept of Character' and 'De Natura Corporis'

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6 ideas

8. Modes of Existence / B. Properties / 13. Tropes / a. Nature of tropes
Internal relations combine some tropes into a nucleus, which bears the non-essential tropes [Simons, by Edwards]
     Full Idea: Simons's 'nuclear' option blends features of the substratum and bundle theories. First we have tropes collected by virtue of their internal relations, forming the essential kernel or nucleus. This nucleus then bears the non-essential tropes.
     From: report of Peter Simons (Particulars in Particular Clothing [1994], p.567) by Douglas Edwards - Properties 3.5
     A reaction: [compression of Edwards's summary] This strikes me as being a remarkably good theory. I am not sure of the ontological status of properties, such that they can (unaided) combine to make part of an object. What binds the non-essentials?
8. Modes of Existence / C. Powers and Dispositions / 2. Powers as Basic
As well as extension, bodies contain powers [Leibniz]
     Full Idea: Over and above what can be deduced from extension, we must add and recognise in bodies certain notions or forms that are immaterial, so to speak, or independent of extension, which you can call powers [potentia], by which speed is adjusted to magnitude.
     From: Gottfried Leibniz (De Natura Corporis [1678], A6.4.1980), quoted by Daniel Garber - Leibniz:Body,Substance,Monad 3
     A reaction: He boldly asserts that the powers are 'immaterial', but is then forced to qualify it (as he often does) with 'so to speak'. The notion that bodies just have extension (occupy space) comes from Descartes, and is firmly opposed by Leibniz.
23. Ethics / C. Virtue Theory / 2. Elements of Virtue Theory / e. Character
We see our character as a restricting limit, but also as an unshakable support [Weil]
     Full Idea: Our character appears to us as a limit by which we do not want to be imprisoned, …but also as a support that we want to believe is unshakable.
     From: Simone Weil (On the Concept of Character [1941], p.100)
     A reaction: A nice perception. It is fairly easy to criticise, or even laugh at, one's own actions, but extremely hard to criticise our own character. Maybe we all wish we were more determined in our projects, but not much else.
The concept of character is at the centre of morality [Weil]
     Full Idea: We cannot pose a moral problem without putting the concept of character at its centre.
     From: Simone Weil (On the Concept of Character [1941], p.98)
     A reaction: The question for Aristotle (which I derive from Philippa Foot) is whether moral goodness simply is good character, or whether it is the actions (or even the consequences). Weil is close to modern virtue theory here.
We don't see character in a single moment, but only over a period of time [Weil]
     Full Idea: Character is constant over a period of time; the way a person is at a single moment does not at all reflect the character of this person. We do, however, concede that character changes.
     From: Simone Weil (On the Concept of Character [1941], p.98)
     A reaction: I do think, though, that there are moments in behaviour which are hugely revealing of character, even in a single remark. But I agree that most single moments do not show much.
We modify our character by placing ourselves in situations, or by attending to what seems trivial [Weil]
     Full Idea: We can modify our character, by putting ourselves in circumstances that will act on us from the outside, …or by the orientation of our attention in the moments that appear most insignificant or indifferent in our lives.
     From: Simone Weil (On the Concept of Character [1941], p.99)
     A reaction: I've never seen anyone address this question (apart from Aristotle's emphasis on training habits). Choosing your source for current affairs information strikes me as very important. What you read, what you watch, who you spend time with…