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All the ideas for 'Particulars in Particular Clothing', 'The Intentional Fallacy' and 'What is Logic?'

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18 ideas

2. Reason / D. Definition / 3. Types of Definition
A decent modern definition should always imply a semantics [Hacking]
     Full Idea: Today we expect that anything worth calling a definition should imply a semantics.
     From: Ian Hacking (What is Logic? [1979], §10)
     A reaction: He compares this with Gentzen 1935, who was attempting purely syntactic definitions of the logical connectives.
4. Formal Logic / B. Propositional Logic PL / 2. Tools of Propositional Logic / d. Basic theorems of PL
'Thinning' ('dilution') is the key difference between deduction (which allows it) and induction [Hacking]
     Full Idea: 'Dilution' (or 'Thinning') provides an essential contrast between deductive and inductive reasoning; for the introduction of new premises may spoil an inductive inference.
     From: Ian Hacking (What is Logic? [1979], §06.2)
     A reaction: That is, inductive logic (if there is such a thing) is clearly non-monotonic, whereas classical inductive logic is monotonic.
Gentzen's Cut Rule (or transitivity of deduction) is 'If A |- B and B |- C, then A |- C' [Hacking]
     Full Idea: If A |- B and B |- C, then A |- C. This generalises to: If Γ|-A,Θ and Γ,A |- Θ, then Γ |- Θ. Gentzen called this 'cut'. It is the transitivity of a deduction.
     From: Ian Hacking (What is Logic? [1979], §06.3)
     A reaction: I read the generalisation as 'If A can be either a premise or a conclusion, you can bypass it'. The first version is just transitivity (which by-passes the middle step).
Only Cut reduces complexity, so logic is constructive without it, and it can be dispensed with [Hacking]
     Full Idea: Only the cut rule can have a conclusion that is less complex than its premises. Hence when cut is not used, a derivation is quite literally constructive, building up from components. Any theorem obtained by cut can be obtained without it.
     From: Ian Hacking (What is Logic? [1979], §08)
5. Theory of Logic / A. Overview of Logic / 4. Pure Logic
The various logics are abstractions made from terms like 'if...then' in English [Hacking]
     Full Idea: I don't believe English is by nature classical or intuitionistic etc. These are abstractions made by logicians. Logicians attend to numerous different objects that might be served by 'If...then', like material conditional, strict or relevant implication.
     From: Ian Hacking (What is Logic? [1979], §15)
     A reaction: The idea that they are 'abstractions' is close to my heart. Abstractions from what? Surely 'if...then' has a standard character when employed in normal conversation?
5. Theory of Logic / A. Overview of Logic / 5. First-Order Logic
First-order logic is the strongest complete compact theory with Löwenheim-Skolem [Hacking]
     Full Idea: First-order logic is the strongest complete compact theory with a Löwenheim-Skolem theorem.
     From: Ian Hacking (What is Logic? [1979], §13)
A limitation of first-order logic is that it cannot handle branching quantifiers [Hacking]
     Full Idea: Henkin proved that there is no first-order treatment of branching quantifiers, which do not seem to involve any idea that is fundamentally different from ordinary quantification.
     From: Ian Hacking (What is Logic? [1979], §13)
     A reaction: See Hacking for an example of branching quantifiers. Hacking is impressed by this as a real limitation of the first-order logic which he generally favours.
5. Theory of Logic / A. Overview of Logic / 7. Second-Order Logic
Second-order completeness seems to need intensional entities and possible worlds [Hacking]
     Full Idea: Second-order logic has no chance of a completeness theorem unless one ventures into intensional entities and possible worlds.
     From: Ian Hacking (What is Logic? [1979], §13)
5. Theory of Logic / E. Structures of Logic / 2. Logical Connectives / a. Logical connectives
With a pure notion of truth and consequence, the meanings of connectives are fixed syntactically [Hacking]
     Full Idea: My doctrine is that the peculiarity of the logical constants resides precisely in that given a certain pure notion of truth and consequence, all the desirable semantic properties of the constants are determined by their syntactic properties.
     From: Ian Hacking (What is Logic? [1979], §09)
     A reaction: He opposes this to Peacocke 1976, who claims that the logical connectives are essentially semantic in character, concerned with the preservation of truth.
5. Theory of Logic / E. Structures of Logic / 4. Variables in Logic
Perhaps variables could be dispensed with, by arrows joining places in the scope of quantifiers [Hacking]
     Full Idea: For some purposes the variables of first-order logic can be regarded as prepositions and place-holders that could in principle be dispensed with, say by a system of arrows indicating what places fall in the scope of which quantifier.
     From: Ian Hacking (What is Logic? [1979], §11)
     A reaction: I tend to think of variables as either pronouns, or as definite descriptions, or as temporary names, but not as prepositions. Must address this new idea...
5. Theory of Logic / J. Model Theory in Logic / 3. Löwenheim-Skolem Theorems
If it is a logic, the Löwenheim-Skolem theorem holds for it [Hacking]
     Full Idea: A Löwenheim-Skolem theorem holds for anything which, on my delineation, is a logic.
     From: Ian Hacking (What is Logic? [1979], §13)
     A reaction: I take this to be an unusually conservative view. Shapiro is the chap who can give you an alternative view of these things, or Boolos.
8. Modes of Existence / B. Properties / 13. Tropes / a. Nature of tropes
Internal relations combine some tropes into a nucleus, which bears the non-essential tropes [Simons, by Edwards]
     Full Idea: Simons's 'nuclear' option blends features of the substratum and bundle theories. First we have tropes collected by virtue of their internal relations, forming the essential kernel or nucleus. This nucleus then bears the non-essential tropes.
     From: report of Peter Simons (Particulars in Particular Clothing [1994], p.567) by Douglas Edwards - Properties 3.5
     A reaction: [compression of Edwards's summary] This strikes me as being a remarkably good theory. I am not sure of the ontological status of properties, such that they can (unaided) combine to make part of an object. What binds the non-essentials?
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S]
     Full Idea: Wimsatt and Beardsley claimed that either the intention succeeded, so one does not need to look outside the work for its meaning, or the intention failed, so external evidence does not help.
     From: report of W Wimsatt/W Beardsley (The Intentional Fallacy [1946]) by Stephen Davies - The Philosophy of Art (2nd ed) 5.3
     A reaction: Actually, the external evidence may tell you much more clearly and accurately what the intention was than the work itself does. The best example may be the title of the work, which is presumably outside the work.
The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley]
     Full Idea: The design or intention of the author is neither available nor desirable as a standard for judging the success of a work of literary art.
     From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I)
     A reaction: This famous proposal may have been misunderstood. Note that it is a comment about judging the work, not about understanding it. The idea allows for a work being much more successful than the author's humble intentions (e.g. Pepys).
Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley]
     Full Idea: Poetry differs from practical messages, which are successful if and only if we correctly infer the intention.
     From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I)
     A reaction: I am not convinced by this claim. It is plausible that a work does much more than it intends (Astaire said he danced "to make a buck"), but it is rather odd to rate very highly a work of which you have missed the point.
The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley]
     Full Idea: We ought to impute the thoughts and attitudes of the poem immediately to the dramatic speaker, and if to the author at all, only by an act of biographical inference.
     From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I)
     A reaction: Wrong. If in Browning's "My Last Duchess" (say), we only inferred the mind of the speaker (and his Duchess), and took no interest in Browning's view of things, we would miss the point. We might end up respecting the Duke, which would be daft.
The intentional fallacy is a romantic one [Wimsatt/Beardsley]
     Full Idea: The intentional fallacy is a romantic one.
     From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §II)
     A reaction: Wrong. Even with those most famous of anonymous artists, the architects and carvers of medieval cathedrals, without some discernment of the purpose you won't get it. The Taj Mahal is a love letter, not a potential ice cream parlour.
Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley]
     Full Idea: The use of biographical evidence need not involve intentionalism, because while it may be evidence of what the author intended, it may also be evidence of the meaning of his words and the dramatic character of his utterance.
     From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §IV)
     A reaction: I am very keen to penetrate the author's intentions, but I have always be doubtful about the use of biography as a means to achieve this. Most of the effort to infer intentions must come from a study of the work itself, not introductions, letters etc.