24 ideas
| 23825 | We seek truth only because it is good [Weil] |
| Full Idea: Truth is sought not because it is truth but because it is good. | |
| From: Simone Weil (Gravity and Grace (9 extracts) [1943], p.233) | |
| A reaction: A perfect instance of modern platonism. A few weird people seem to enjoy lying. Personally I cannot find enough content in the word 'good' in such claims. |
| 16422 | The necessity of a proposition concerns reality, not our words or concepts [Stalnaker] |
| Full Idea: The necessity or contingency of a proposition has nothing to do with our concepts or the meanings of our words. The possibilities would have been the same even if we had never conceived of them. | |
| From: Robert C. Stalnaker (Conceptual truth and metaphysical necessity [2003], 1) | |
| A reaction: This sounds in need of qualification, since some of the propositions will be explicitly about words and concepts. Still, I like this idea. |
| 16423 | Conceptual possibilities are metaphysical possibilities we can conceive of [Stalnaker] |
| Full Idea: Conceptual possibilities are just (metaphysical) possibilities that we can conceive of. | |
| From: Robert C. Stalnaker (Conceptual truth and metaphysical necessity [2003], 1) |
| 16421 | Critics say there are just an a priori necessary part, and an a posteriori contingent part [Stalnaker] |
| Full Idea: Critics say there are no irreducible a posteriori truths. They can be factored into a part that is necessary, but knowable a priori through conceptual analysis, and a part knowable only a posteriori, but contingent. 2-D semantics makes this precise. | |
| From: Robert C. Stalnaker (Conceptual truth and metaphysical necessity [2003], 1) | |
| A reaction: [Critics are Sidelle, Jackson and Chalmers] Interesting. If gold is necessarily atomic number 79, or it wouldn't be gold, that sounds like an analytic truth about gold. Discovering the 79 wasn't a discovery of a necessity. Stalnaker rejects this idea. |
| 16429 | A 'centred' world is an ordered triple of world, individual and time [Stalnaker] |
| Full Idea: A 'centred' possible world is an ordered triple consisting of a possible world, an individual in the domain of that world, and a time. | |
| From: Robert C. Stalnaker (Conceptual truth and metaphysical necessity [2003], 2) |
| 16428 | Meanings aren't in the head, but that is because they are abstract [Stalnaker] |
| Full Idea: Meanings ain't in the head. Putnam's famous slogan actually fits Frege's anti-psychologism better than it fits Purnam's and Burge's anti-individualism. The point is that intensions of any kind are abstract objects. | |
| From: Robert C. Stalnaker (Conceptual truth and metaphysical necessity [2003], 2) | |
| A reaction: If intensions are abstract, that leaves (for me) the question of what they are abstracted from. I take it that there are specific brain events that are being abstractly characterised. What do we call those? |
| 16432 | One view says the causal story is built into the description that is the name's content [Stalnaker] |
| Full Idea: In 'causal descriptivism' the causal story is built into the description that is the content of the name (and also incorporates a rigidifying operator to ensure that the descriptions that names abbreviate have wide scope). | |
| From: Robert C. Stalnaker (Conceptual truth and metaphysical necessity [2003], 5) | |
| A reaction: Not very controversial, I would say, since virtually every fact about the world has a 'causal story' built into it. Must we insist on rigidity in order to have wide scope? |
| 16430 | Two-D says that a posteriori is primary and contingent, and the necessity is the secondary intension [Stalnaker] |
| Full Idea: Two-dimensionalism says the necessity of a statement is constituted by the fact that the secondary intensions is a necessary proposition, and their a posteriori character is constituted by the fact that the associated primary intension is contingent. | |
| From: Robert C. Stalnaker (Conceptual truth and metaphysical necessity [2003], 2) | |
| A reaction: This view is found in Sidelle 1989, and then formalised by Jackson and Chalmers. I like metaphysical necessity, but I have some sympathy with the approach. The question must always be 'where does this necessity derive from'? |
| 16431 | In one view, the secondary intension is metasemantic, about how the thinker relates to the content [Stalnaker] |
| Full Idea: On the metasemantic interpretation of the two-dimensional framework, the second dimension is used to represent the metasemantic facts about the relation between a thinker or speaker and the contents of her thoughts or utterances. | |
| From: Robert C. Stalnaker (Conceptual truth and metaphysical necessity [2003], 4) | |
| A reaction: I'm struggling to think what facts there might be about the relation between myself and the contents of my thoughts. I'm more or less constituted by my thoughts. |
| 22445 | Morality shows murder is wrong, but not what counts as a murder [Foot] |
| Full Idea: While one can determine from the concept of morality that there is an objection to murder one cannot determine completely what will count as murder. | |
| From: Philippa Foot (Morality and Art [1972], p.7) | |
| A reaction: She then refers to abortion, but there are military and criminal problem cases, and killings by neglect or side effect. |
| 22444 | A moral system must deal with the dangers and benefits of life [Foot] |
| Full Idea: A moral system seems necessarily to be one aimed at removing particular dangers and securing certain benefits. | |
| From: Philippa Foot (Morality and Art [1972], p.6) | |
| A reaction: I thoroughly approve of this approach to morality, which anchors it in real life, rather than in ideals or principles of reason. |
| 23826 | Beauty, goodness and truth are only achieved by applying full attention [Weil] |
| Full Idea: The authentic and pure values - truth, beauty and goodness - in the activity of a human being are the result of one and same act, a certain application of the full attention to the object. Teaching should only aim to train the attention for such an act. | |
| From: Simone Weil (Gravity and Grace (9 extracts) [1943], p.234) | |
| A reaction: A distinctive Weil idea, that absorbed 'attention' produces almost mystical results. I am not convinced that a great still life painter (than which there is no higher criterion of attention) achieves contact with goodness thereby. But attention is good! |
| 22447 | Saying something 'just is' right or wrong creates an illusion of fact and objectivity [Foot] |
| Full Idea: When we say that something 'just is' right or wrong we want to give the impression of some kind of fact or authority standing behind our words, ...maintaining the trappings of objectivity though the substance is not there. | |
| From: Philippa Foot (Morality and Art [1972], p.9) | |
| A reaction: Foot favours the idea that such a claim must depend on reasons, and that the reasons arise out of actual living. She's right. |
| 23808 | There are two goods - the absolute good we want, and the reachable opposite of evil [Weil] |
| Full Idea: There are two goods - one which is the opposite of evil, and one which is the absolute. …That which we want is the absolute good. That which is within our reach is the good which is correlated with evil. | |
| From: Simone Weil (Gravity and Grace (9 extracts) [1943], p.142) | |
| A reaction: Elsewhere she seems in tune with the thought of Nietzsche (whom she despised) that good and evil are false social constructs which are quite different from healthy values. Weil, of course, sees the absolute as transcendent. |
| 23833 | The good is a nothingness, and yet real [Weil] |
| Full Idea: The good seems to us a nothingness, since there is no thing that is good. But this nothingness is not unreal. | |
| From: Simone Weil (Gravity and Grace (9 extracts) [1943], p.278) | |
| A reaction: A neat move in the notoriously difficult platonic problem of specifying the actual nature of the good. |
| 22448 | We sometimes just use the word 'should' to impose a rule of conduct on someone [Foot] |
| Full Idea: It would be more honest to recognise that the 'should' of moral judgement is sometimes merely an instrument by which we (for our own very good reasons) try to impose a rule of conduct even on the uncaring man? | |
| From: Philippa Foot (Morality and Art [1972], p.18) | |
| A reaction: This is a good example, I think, of the ordinary language tradition that Foot grew up in. We load a word like 'should' with a mystical power, but the situations in which it is actually used bring us back down to earth. |
| 23831 | The essence of power is illusory prestige [Weil] |
| Full Idea: Prestige, which is an illusion, is the very essence of power. | |
| From: Simone Weil (Gravity and Grace (9 extracts) [1943], p.255) | |
| A reaction: It is hard to maintain illusory prestige if there is no actual power behind it. |
| 23830 | A group is only dangerous if it endorses an abstract entity [Weil] |
| Full Idea: Any group which has not secreted an abstract entity will probably not be dangerous. | |
| From: Simone Weil (Gravity and Grace (9 extracts) [1943], p.255) | |
| A reaction: Written in the 1930s, the era of many political -isms. No group can be united if it lacks a clear label, and a few simple slogans. |
| 23809 | Our only social duty is to try to limit evil [Weil] |
| Full Idea: Our only duty with regard to the social is to try to limit the evil of it. | |
| From: Simone Weil (Gravity and Grace (9 extracts) [1943], p.143) | |
| A reaction: This is one of Weil's occasional remarks that have an anarchist flavour. I increasingly sympathise with this less idealistic view as I get older. |
| 23807 | The collective is the one and only object of false idolatry [Weil] |
| Full Idea: The Great Beast is the great object of idolatry, the only ersatz of God. …Only one thing can be taken as an end, for in relation to the human person it possesses a kind of transcendence: this is the collective. | |
| From: Simone Weil (Gravity and Grace (9 extracts) [1943], p.140) | |
| A reaction: [Society as the Great Beast is in Republic Bk 6] She is referring to both fascist and communist states. Weil seems to be a left-wing liberal, with a tendency towards anarchism, because her priority is the individual, not the group. |
| 23810 | Charity is the only love, and you can feel that for a country (a place with traditions), but not a nation [Weil] |
| Full Idea: We must not have any other love than charity. A nation cannot be an object of charity. But a country can be one - as an environment bearing traditions which are eternal. Every country can be that. | |
| From: Simone Weil (Gravity and Grace (9 extracts) [1943], p.146) | |
| A reaction: This definitely strikes a chord with me. I am English and British to the core, but don't feel any love at all for the current central institutions of the state. But I love my island, and its history, and its culture, and its style. |
| 23811 | If effort is from necessity rather than for a good, it is slavery [Weil] |
| Full Idea: To strive from necessity and not for some good - ...that is always slavery. | |
| From: Simone Weil (Gravity and Grace (9 extracts) [1943], p.180) | |
| A reaction: It is usual to see the possibility of anarchism as the starting point for political thinking, but I think for Weil the state of slavery has that role. |
| 22446 | In the case of something lacking independence, calling it a human being is a matter of choice [Foot] |
| Full Idea: In the problem of abortion there is a genuine choice as to whether or not to count as a human being, with the rights of a human being, what would become a human being but is not yet capable of independent life. | |
| From: Philippa Foot (Morality and Art [1972], p.7) | |
| A reaction: There must be some basis for the choice. We can't call a dead person a human being. Choosing to call a tiny zygote a human being seems very implausible. Pre-viability strikes me as implausible. |
| 23765 | The soul is the intrinsic value of a human [Weil] |
| Full Idea: The soul is the human being considered as having a value in itself. | |
| From: Simone Weil (Gravity and Grace (9 extracts) [1943], p.294) | |
| A reaction: [from 'Gravity and Grace'] A rather modern view, treating the soul as an abstraction, rather than as an entity. |