4 ideas
8828 | Truth is rational acceptability [Putnam] |
Full Idea: Truth, in the only sense in which we have a vital and working notion of it, is rational acceptability. | |
From: Hilary Putnam (Why Reason Can't be Naturalized [1981]) | |
A reaction: I smell a circularity somewhere in there, probably in 'rational', though it could be in 'acceptable'. Putnams's views on truth tend to shift a lot. He denies that evolutionary survival is a criterion. |
7458 | The reliability of witnesses depends on whether they benefit from their observations [Laplace, by Hacking] |
Full Idea: The credibility of a witness is in part a function of the story being reported. When the story claims to have infinite value, the temptation to lie for personal benefit is asymptotically infinite. | |
From: report of Pierre Simon de Laplace (Philosophical Essay on Probability [1820], Ch.XI) by Ian Hacking - The Emergence of Probability Ch.8 | |
A reaction: Laplace seems to especially have reports of miracles in mind. This observation certainly dashes any dreams one might have of producing a statistical measure of the reliability of testimony. |
3441 | If a supreme intellect knew all atoms and movements, it could know all of the past and the future [Laplace] |
Full Idea: An intelligence knowing at an instant the whole universe could know the movement of the largest bodies and atoms in one formula, provided his intellect were powerful enough to subject all data to analysis. Past and future would be present to his eyes. | |
From: Pierre Simon de Laplace (Philosophical Essay on Probability [1820]), quoted by Mark Thornton - Do we have free will? p.70 |
8120 | Objects can be beautiful which express nothing at all, such as the rainbow [Herbart, by Tolstoy] |
Full Idea: Objects are often beautiful which express nothing at all, as, for instance, the rainbow, which is beautiful for its lines and colours and not for its mythological connexion with Iris, or Noah's rainbow. | |
From: report of Johann Herbart (works [1830]) by Leo Tolstoy - What is Art? Ch.3 | |
A reaction: A nice counterexample to Tolstoy's own theory. The example is one of a natural beauty, but it would be harder to find examples in human art. How much the artist may feel, though, has little to do with the success of a work of art. |