Combining Texts

All the ideas for 'poems', 'The Ethical Criticism of Art' and 'Introduction to the Philosophy of History'

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15 ideas

1. Philosophy / C. History of Philosophy / 4. Later European Philosophy / d. Nineteenth century philosophy
Hegel inserted society and history between the God-world, man-nature, man-being binary pairs [Hegel, by Safranski]
     Full Idea: Before Hegel, people thought in binary oppositions of God and the world, man and nature, man and being. After Hegel an intervening world of society and history was inserted between these pairs.
     From: report of Georg W.F.Hegel (Introduction to the Philosophy of History [1840]) by Rüdiger Safranski - Nietzsche: a philosophical biography 05
     A reaction: This is what Popper later called 'World Three'. This might be seen as the start of what we islanders call 'continental' philosophy, which we have largely ignored. Analytic philosophy only discovered this through philosophy of language.
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Maybe literary assessment is evaluating the artist as a suitable friend [Gaut]
     Full Idea: An approach in Hume (elaborated by Wayne Booth) holds that literary assessment is akin to an act of befriending, for one assesses the author of a work as a suitable friend.
     From: Berys Gaut (The Ethical Criticism of Art [1998], 'Some')
     A reaction: I like the idea that art exploits our normal range of social emotions and attitudes, so I think this has some truth, but some of the best artists are so out of my league as to not even be candidates for friendship. Dostoevsky? Webster? Caravaggio?
21. Aesthetics / B. Nature of Art / 2. Art as Form
Formalists say aesthetics concerns types of beauty, or unity, complexity and intensity [Gaut]
     Full Idea: The formal objects which individuate the aesthetic attitude may be narrowly aesthetic, as beauty, and its subspecies, such as grace and elegance, or more broadly by other formalist criteria, such as Beardley's unity, complexity and intensity.
     From: Berys Gaut (The Ethical Criticism of Art [1998], 'Objections 1')
     A reaction: I'm not sure about unity or complexity, but intensity was endorsed by Henry James. Intensity doesn't sound very 'formal'. 'Beauty' doesn't seem the right word for the wonderful 'King Lear', or even for Jane Austen novels.
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
'Moralism' says all aesthetic merits are moral merits [Gaut]
     Full Idea: The view that the only aesthetic merit of works are ethical ones is known as 'moralism'.
     From: Berys Gaut (The Ethical Criticism of Art [1998], n 1)
     A reaction: [He says this view was demolished by R.W.Beardsmore in 1971] Gaut contrasts this with his own carefully modulated 'ethicism'. Moralism predominated in the eighteenth century, but now looks clearly wrong (or naïve).
Good ethics counts towards aesthetic merit, and bad ethics counts against it [Gaut]
     Full Idea: I defend 'ethicism', which says that ethically admirable attitudes count toward the the aesthetic merit of a work, and ethically reprehensible attitudes count against its aesthetic merit.
     From: Berys Gaut (The Ethical Criticism of Art [1998], 'Ethicism')
     A reaction: He recognises that morally admirable works can explore unethical behaviour, and also that identifying the 'attitude' of a work is not simple. The ethics are not necessary. 'Triumph of the Will' is a classic test case. I disagree with Gaut.
If we don't respond ethically in the way a work prescribes, that is an aesthetic failure [Gaut]
     Full Idea: Our having reason not to respond in the way prescribed (because it is unethical) is a failure of the work …so that is an aesthetic failure, which is an aesthetic defect.
     From: Berys Gaut (The Ethical Criticism of Art [1998], 'Merited')
     A reaction: A key argument for Gaut's theory of 'ethicism' about literature. If 'Triumph of the Will' gets the right response from Nazi sympathisers, that is probably all aesthetic success. Jane Austen hasn't failed if she is rejected as bourgeois.
Good art does not necessarily improve people (any more than good advice does) [Gaut]
     Full Idea: Ethicism does not entail the causal thesis that good art ethically improves people, …any more than it follows that earnest ethical advice improves people.
     From: Berys Gaut (The Ethical Criticism of Art [1998], 'Ethicism')
     A reaction: How successful were sermons, in the great days of Christianity? It seems hard to disagree with Gaut's point.
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / j. Ethics by convention
Nomos is king [Pindar]
     Full Idea: Nomos is king.
     From: Pindar (poems [c.478 BCE], S 169), quoted by Thomas Nagel - The Philosophical Culture
     A reaction: This seems to be the earliest recorded shot in the nomos-physis wars (the debate among sophists about moral relativism). It sounds as if it carries the full relativist burden - that all that matters is what has been locally decreed.
22. Metaethics / C. The Good / 2. Happiness / a. Nature of happiness
World history has no room for happiness [Hegel]
     Full Idea: World history is not the place for happiness. Periods of happiness are empty pages in history.
     From: Georg W.F.Hegel (Introduction to the Philosophy of History [1840], 3)
     A reaction: Clearly, Hegel thinks the progress of world history is much more important than happiness. This idea gives backing to those who don't care much about the casualties on either side in a major war.
24. Political Theory / A. Basis of a State / 1. A People / b. The natural life
The state of nature is one of untamed brutality [Hegel]
     Full Idea: The 'state of nature' is not an ideal condition, but a condition of injustice, of violence, of untamed natural drives, inhuman acts and emotions.
     From: Georg W.F.Hegel (Introduction to the Philosophy of History [1840], 3)
     A reaction: He agrees with Hobbes, and disagrees with Rousseau. Hobbes's solution is authoritarian monarchy, but Hegel's solution is the unified and focused state, in which freedom can be realised.
24. Political Theory / A. Basis of a State / 1. A People / c. A unified people
The soul of the people is an organisation of its members which produces an essential unity [Hegel]
     Full Idea: The soul [of the people] exists only insofar as it is an organisation of its members, which - by taking itself together in its simple unity - produce the soul. Thus the people is one individuality in its essence.
     From: Georg W.F.Hegel (Introduction to the Philosophy of History [1840], 3)
     A reaction: Hegel is seen (e.g. by Charles Taylor) as the ancestor of a rather attractive communitarianism, but I think Popper is more accurate in seeing him as the first stage of modern totalitarianism. The people seen as one individual terrifies me.
24. Political Theory / D. Ideologies / 6. Liberalism / g. Liberalism critique
The human race matters, and individuals have little importance [Hegel]
     Full Idea: Individuals are of slight importance compared to the mass of the human race.
     From: Georg W.F.Hegel (Introduction to the Philosophy of History [1840], 3)
     A reaction: A perfect statement of the anti-liberal viewpoint. Hegel is complex, but this is the strand that leads to ridiculous totalitarianism, where the highest ideal is to die for the glory of your nation. Importance can only start from individuals.
24. Political Theory / D. Ideologies / 14. Nationalism
In a good state the goal of the citizens and of the whole state are united [Hegel]
     Full Idea: A state is well constituted and internally strong if the private interest of the citizens is united in the universal goal of the state.
     From: Georg W.F.Hegel (Introduction to the Philosophy of History [1840], 3)
     A reaction: The obvious question is who decides on the goals, and what to do with the citizens who don't accept them.
25. Social Practice / A. Freedoms / 5. Freedom of lifestyle
The goal of the world is Spirit's consciousness and enactment of freedom [Hegel]
     Full Idea: The final goal of the world is Spirit's consciousness of its freedom, and hence also the actualisation of that very freedom.
     From: Georg W.F.Hegel (Introduction to the Philosophy of History [1840], 3)
     A reaction: I have the impression that this ridiculous idea has been very influential in modern French philosophy, since they all seem to be dreaming of some perfect freedom at the end of the rainbow. Freedom is good, but this gives it a bad name.
25. Social Practice / E. Policies / 5. Education / d. Study of history
We should all agree that there is reason in history [Hegel]
     Full Idea: We ought to have the firm and unconquerable belief that there is reason in history.
     From: Georg W.F.Hegel (Introduction to the Philosophy of History [1840], 2)
     A reaction: This is a ridiculous but hugely influential idea, and I have no idea what makes Hegel believe it. It is the Stoic idea that nature is intrinsically rational, but extending it to human history is absurd. Human exceptionalism. Needs a dose of Darwin.