5 ideas
| 20363 | Leaves are unequal, but we form the concept 'leaf' by discarding their individual differences [Nietzsche] |
| Full Idea: Every concept arises through the setting equal of the unequal. Just as it is certain that one leaf is never wholly equal to another, so it is certain that the concept leaf is formed by arbitrarily discarding these individual differences. | |
| From: Friedrich Nietzsche (On Truth and Lies in a Nonmoral Sense [1872]), quoted by John Richardson - Nietzsche's System 2.1.1 n28 | |
| A reaction: Nietzsche adds an interesting aspect to psychological abstraction, of abstracting away the differences between things, which we might label as the (further) capacity for Equalisation. If two cars differ only in a blemish, we abstract away the blemish. |
| 7276 | All art is quite useless [Wilde] |
| Full Idea: All art is quite useless. | |
| From: Oscar Wilde (Preface to 'Dorian Gray' [1891]) | |
| A reaction: Echoes Kant's thought that art is 'purposive without purpose'. Although I find Wilde's claims that morality has nothing to do with art to be naïve, I find this remark sympathetic. Art may play with moral feelings, but is unlikely to affect actions. |
| 7274 | Books are only well or badly written, not moral or immoral [Wilde] |
| Full Idea: There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all. | |
| From: Oscar Wilde (Preface to 'Dorian Gray' [1891]) | |
| A reaction: This is simply false. Novels that are viciously (or subtly) racist, sexist, homophobic, or egotistical can obviously be immoral. I could write a nasty story about Oscar Wilde. It might, though, be very well written. If life is moral, so are novels. |
| 7275 | Having ethical sympathies is a bad mannerism of style in an artist [Wilde] |
| Full Idea: No artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style. | |
| From: Oscar Wilde (Preface to 'Dorian Gray' [1891]) | |
| A reaction: This has a Nietzschean suggestion that the artist is 'beyond good and evil', and operates on some higher level of values, which in Wilde's case seem to be purely aesthetic. You can't justify a callous murder by executing it beautifully. |
| 6017 | Nomos is king [Pindar] |
| Full Idea: Nomos is king. | |
| From: Pindar (poems [c.478 BCE], S 169), quoted by Thomas Nagel - The Philosophical Culture | |
| A reaction: This seems to be the earliest recorded shot in the nomos-physis wars (the debate among sophists about moral relativism). It sounds as if it carries the full relativist burden - that all that matters is what has been locally decreed. |