Combining Texts

All the ideas for 'poems', 'The Strangest Man' and 'Introductions to 'Aesthetics and the Phil of Art''

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7 ideas

21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
     Full Idea: In modern discussions, rather than look for intrinsic properties of objects, including aesthetic or formal properties, attention has turned to extrinsic or relational properties, notably of a social, historical, or 'institutional' nature.
     From: Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 1)
     A reaction: Lots of modern branches of philosophy have made this move, which seems to me like a defeat. We want to know why things have the relations they do. Just mapping the relations is superficial Humeanism.
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
     Full Idea: In the early twentieth century there were numerous attempts at defining the essence art. Significant form, intuition, the expression of emotion, organic unity, and other notions, were offered to this end.
     From: Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 1)
     A reaction: As far as I can see the whole of aesthetics was demolished in one blow by Marcel Duchamp's urinal. Artists announce: we will tell you what art is; you should just sit and listen. Compare the invention of an anarchic sport.
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]
     Full Idea: The dualistic view of the arts holds that works of art come in two fundamentally different kinds: those that are abstract entities, i.e. types, and those that are physical objects (tokens).
     From: Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 2)
     A reaction: Paintings are the main reason for retaining physical objects. Strawson 1974 argues that paintings are only physical because we cannot yet perfectly reproduce them. I agree. Works of art are types, not tokens.
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / j. Ethics by convention
Nomos is king [Pindar]
     Full Idea: Nomos is king.
     From: Pindar (poems [c.478 BCE], S 169), quoted by Thomas Nagel - The Philosophical Culture
     A reaction: This seems to be the earliest recorded shot in the nomos-physis wars (the debate among sophists about moral relativism). It sounds as if it carries the full relativist burden - that all that matters is what has been locally decreed.
27. Natural Reality / A. Classical Physics / 1. Mechanics / d. Gravity
Instead of gravitational force, we now have a pervasive gravitational field [Farmelo]
     Full Idea: Physics replaced the notion that bodies exert gravitational force on each other by the more effective picture that the bodies in the universe give rise to a pervasive gravitational field which exerts a force on each particle.
     From: Graham Farmelo (The Strangest Man [2009], 08)
     A reaction: This still uses the word 'force'. I sometimes get the impression that gravity is the curvature of space, but gravity needs more. Which direction along the curvature are particles attracted? The bottom line is the power of the bodies.
27. Natural Reality / B. Modern Physics / 2. Electrodynamics / d. Quantum mechanics
The Schrödinger waves are just the maths of transforming energy values to positions [Farmelo]
     Full Idea: Dirac showed that the Schrödinger waves were simply the mathematical quantities involved in transforming the description of a quantum based on its energy values to one based on possible values of its position.
     From: Graham Farmelo (The Strangest Man [2009], 08)
     A reaction: Does this eliminate actual physical 'waves' from the theory?
27. Natural Reality / B. Modern Physics / 4. Standard Model / c. Particle properties
Experiments show that fundamental particles of one type are identical [Farmelo]
     Full Idea: It is an established experimental fact ...that every single fundamental particle in the universe is the same and identical to all other particles of the same type.
     From: Graham Farmelo (The Strangest Man [2009], 07)
     A reaction: A loud groan is heard from the tomb of Leibniz. I'm unclear how experiments can establish this. If electrons have internal structure (which is not ruled out) then uniformity is highly unlikely.