11 ideas
| 20400 | Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S] |
| Full Idea: Wimsatt and Beardsley claimed that either the intention succeeded, so one does not need to look outside the work for its meaning, or the intention failed, so external evidence does not help. | |
| From: report of W Wimsatt/W Beardsley (The Intentional Fallacy [1946]) by Stephen Davies - The Philosophy of Art (2nd ed) 5.3 | |
| A reaction: Actually, the external evidence may tell you much more clearly and accurately what the intention was than the work itself does. The best example may be the title of the work, which is presumably outside the work. |
| 7266 | The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley] |
| Full Idea: The design or intention of the author is neither available nor desirable as a standard for judging the success of a work of literary art. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: This famous proposal may have been misunderstood. Note that it is a comment about judging the work, not about understanding it. The idea allows for a work being much more successful than the author's humble intentions (e.g. Pepys). |
| 7267 | Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley] |
| Full Idea: Poetry differs from practical messages, which are successful if and only if we correctly infer the intention. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: I am not convinced by this claim. It is plausible that a work does much more than it intends (Astaire said he danced "to make a buck"), but it is rather odd to rate very highly a work of which you have missed the point. |
| 7268 | The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley] |
| Full Idea: We ought to impute the thoughts and attitudes of the poem immediately to the dramatic speaker, and if to the author at all, only by an act of biographical inference. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: Wrong. If in Browning's "My Last Duchess" (say), we only inferred the mind of the speaker (and his Duchess), and took no interest in Browning's view of things, we would miss the point. We might end up respecting the Duke, which would be daft. |
| 7269 | The intentional fallacy is a romantic one [Wimsatt/Beardsley] |
| Full Idea: The intentional fallacy is a romantic one. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §II) | |
| A reaction: Wrong. Even with those most famous of anonymous artists, the architects and carvers of medieval cathedrals, without some discernment of the purpose you won't get it. The Taj Mahal is a love letter, not a potential ice cream parlour. |
| 7271 | Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley] |
| Full Idea: The use of biographical evidence need not involve intentionalism, because while it may be evidence of what the author intended, it may also be evidence of the meaning of his words and the dramatic character of his utterance. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §IV) | |
| A reaction: I am very keen to penetrate the author's intentions, but I have always be doubtful about the use of biography as a means to achieve this. Most of the effort to infer intentions must come from a study of the work itself, not introductions, letters etc. |
| 6017 | Nomos is king [Pindar] |
| Full Idea: Nomos is king. | |
| From: Pindar (poems [c.478 BCE], S 169), quoted by Thomas Nagel - The Philosophical Culture | |
| A reaction: This seems to be the earliest recorded shot in the nomos-physis wars (the debate among sophists about moral relativism). It sounds as if it carries the full relativist burden - that all that matters is what has been locally decreed. |
| 6012 | We must choose in which of the virtues we wish to excel [Panaetius] |
| Full Idea: Humans have four roles in life, of which the fourth involves choices, of career, and of the virtue in which one wishes to excel. | |
| From: Panaetius (fragments/reports [c.145 BCE]), quoted by Elizabeth Asmis - Panaetius | |
| A reaction: Panaetius strikes me as exceptionally wise. A big gap in Aristotle is the fact that we cannot excel in all virtues, and that therefore some choice is required. By what criteria? We have the Gauguin problem (excel in one, disgraceful in the others). |
| 6013 | Panaetius said we should live according to our natural starting-points [Panaetius, by Asmis] |
| Full Idea: Panaetius reformulated the Stoic goal as living in accordance with the starting-points given to us by nature. | |
| From: report of Panaetius (fragments/reports [c.145 BCE]) by Elizabeth Asmis - Panaetius | |
| A reaction: This sounds remarkably like the substitution of meritocratic equality of opportunity for communistic actual equality. In other words, it doesn't sound very Stoic. 'Live according to nature' implies more restraint than this ambitious version. |
| 6014 | Panaetius identified courage with great-mindedness, preferring civic courage to military [Panaetius, by Asmis] |
| Full Idea: Panaetius recast the virtue of courage as 'greatmindedness' (Aristotle's paramount virtue), he demoted military valour and gave priority to courage displayed in civic life. | |
| From: report of Panaetius (fragments/reports [c.145 BCE]) by Elizabeth Asmis - Panaetius | |
| A reaction: I find this very appealing, as I am increasingly horrified by our denigration of the people who implement our democracy for us. We urgently need to get back to the Greek idea of civic virtue, and this idea of Panaetius should be widely promulgated. |
| 5888 | Souls are born, since they are sensitive and inherited, so they must perish [Panaetius, by Cicero] |
| Full Idea: Panaetius says that whatever is born must perish, and souls are clearly born, as shown by the resemblance of children to their parents in disposition as well as body; also, anything sensible of pain is susceptible to sickness, and hence perishes. | |
| From: report of Panaetius (fragments/reports [c.145 BCE]) by M. Tullius Cicero - Tusculan Disputations I.xxxii | |
| A reaction: These seem to be rather good arguments. If we actually observe what someone's soul is like (through character) it seems rooted in a family and culture, and it certainly seems susceptible to disease. An empirical approach. |