9 ideas
| 3016 | Even the gods cannot strive against necessity [Pittacus, by Diog. Laertius] |
| Full Idea: Even the gods cannot strive against necessity. | |
| From: report of Pittacus (reports [c.610 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 01.5.4 |
| 20440 | Art is a referential activity, hence indefinable, but it has a set of symptoms [Goodman] |
| Full Idea: No definition of art is possible (since it is a referential activity), …but the symptoms of art are syntactic density, semantic density, syntactic repleteness, exemplificationality, and multiple and complex reference. | |
| From: Nelson Goodman (Languages of Art (2nd edn) [1968], p.22-255), quoted by Alessandro Giovannelli - Nelson Goodman (aesthetics) 4 | |
| A reaction: I wish these labels were more self-explanatory. Goodman seems to want to assimilate art to his earlier interests in linguistic anti-realism and mereology. I wouldn't have thought he now had many followers. |
| 20439 | Artistic symbols are judged by the fruitfulness of their classifications [Goodman, by Giovannelli] |
| Full Idea: Artistic symbols are to be judged for the classifications they bring about, for how novel and insightful those classifications are, for how they change our world perceptions and relations. | |
| From: report of Nelson Goodman (Languages of Art (2nd edn) [1968]) by Alessandro Giovannelli - Nelson Goodman (aesthetics) 4 | |
| A reaction: This seems to be an awfully long way from our normal experience of art. I understand 'symbols' in early Flemish art, but not in Mondriaan, or even Rembrandt. |
| 20438 | A performance is only an instance of a work if there is not a single error [Goodman] |
| Full Idea: The most miserable performance without actual mistakes does count as an instance of a work, …but the most brilliant performance with a single wrong note does not. | |
| From: Nelson Goodman (Languages of Art (2nd edn) [1968], p.186), quoted by Alessandro Giovannelli - Nelson Goodman (aesthetics) | |
| A reaction: Mereological essentialism applied to art! You need to be a highly theoretical and technical philosopher (which Goodman was) to maintain such a weird and contrary-usage proposal. |
| 20437 | A copy only becomes an 'instance' of an artwork if there is a system of notation [Goodman] |
| Full Idea: Paintings and sculptures do not work within a notation; hence, there is no copying of an original that would preserve its originality. A copy of a painting is a copy, not an instance of the original. | |
| From: Nelson Goodman (Languages of Art (2nd edn) [1968], p.212), quoted by Alessandro Giovannelli - Nelson Goodman (aesthetics) 2 | |
| A reaction: Sounds conclusive, but isn't. Is a poetry manuscript a 'notation' or an original? Why is an etching plate a notation, but painting on canvas is an original? Can I create a painting specifically so that it can be copied (by my students)? Intention matters. |
| 18239 | What is contemplated must have a higher value than contemplation [Kant, by Korsgaard] |
| Full Idea: Kant objects that the world must have a final purpose in order to be worth contemplating, so contemplation cannot be that final purpose. | |
| From: report of Immanuel Kant (Critique of Judgement II: Teleological [1790]) by Christine M. Korsgaard - Aristotle and Kant on the Source of Value 8 'Arist and' | |
| A reaction: That is a very good objection. If we contemplate the ordered heavens, the ordering of the heavens seems to have a greater value than our contemplation of them. The reply is that the contemplation is the final purpose being contemplated! |
| 18238 | Only a good will can give man's being, and hence the world, a final purpose [Kant] |
| Full Idea: A good will is that whereby alone [man's] being can have an absolute worth and in reference to which the being of the world can have a final purpose. | |
| From: Immanuel Kant (Critique of Judgement II: Teleological [1790], C3 443), quoted by Christine M. Korsgaard - Aristotle and Kant on the Source of Value 8 'Kant' | |
| A reaction: I wish Kant gave a better account of what a 'good' will consists of. This is an awful burden to bear when you are making decisions. |
| 22053 | The Critique of Judgement aims for a principle that unities humanity and nature [Kant, by Bowie] |
| Full Idea: The Critique of Judgement aims to show how judgement functions 'according to the principle of the appropriateness of nature to our capacity for cognition'. It is meant to provide a principle of the unity of humankind and nature. | |
| From: report of Immanuel Kant (Critique of Judgement II: Teleological [1790]) by Andrew Bowie - German Philosophy: a very short introduction 1 | |
| A reaction: Hence this work is often overlooked as a key part of Kant's 'system'. At first he probably didn't realise he was creating a system. Kant set an agenda for the philosophy of the ensuing thirty years. |
| 18237 | Without men creation would be in vain, and without final purpose [Kant] |
| Full Idea: Without men the whole creation would be mere waste, in vain, and without final purpose. | |
| From: Immanuel Kant (Critique of Judgement II: Teleological [1790], C3 442), quoted by Christine M. Korsgaard - Aristotle and Kant on the Source of Value 8 'Kant' | |
| A reaction: The standard early twenty-first century response to that is 'get over it'! The remark shows how deep religion runs in Kant, despite his great caution about the existence of God. His notion of 'duty' is similarly religious. |