36 ideas
| 326 | For relaxation one can consider the world of change, instead of eternal things [Plato] |
| Full Idea: If, for relaxation, one gives up discussing eternal things, it is pleasant to consider likely accounts of the world of change. | |
| From: Plato (Timaeus [c.349 BCE], 59c) | |
| A reaction: To understand this, examine Plato's example of the Line at 'Republic' 509d. |
| 315 | Philosophy is the supreme gift of the gods to mortals [Plato] |
| Full Idea: Philosophy is the greatest gift the gods have ever given or ever will give to mortals. | |
| From: Plato (Timaeus [c.349 BCE], 47b) | |
| A reaction: I wonder why they gave it to us? |
| 306 | Nothing can come to be without a cause [Plato] |
| Full Idea: Nothing can come to be without a cause. | |
| From: Plato (Timaeus [c.349 BCE], 28a) |
| 21793 | Genuine truth is the resolution of the highest contradiction [Hegel] |
| Full Idea: The highest truth, truth as such, is the resolution of the highest opposition and contradiction. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 99), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Art' | |
| A reaction: Uneasy about the word 'highest', and the general Hegelian dream of 'resolving' contradictions, rather than just eliminating at least one component of them. No one else uses the word 'truth' like this. I suppose this Truth has a capital 'T'. |
| 21795 | What I hold true must also be part of my feelings and character [Hegel] |
| Full Idea: Whatever I hold as true, whatever ought to be valid for me, must also be in my feeling, must belong to my being and character. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 97), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Philosophy' | |
| A reaction: I can see that truths do tend to become part of our character, but not that they ought to do so. I suppose I try to live my life enmeshed in the many truths which I have personally selected from the maelstrom of possibilities that engulf us. |
| 13007 | Archimedes defined a straight line as the shortest distance between two points [Archimedes, by Leibniz] |
| Full Idea: Archimedes gave a sort of definition of 'straight line' when he said it is the shortest line between two points. | |
| From: report of Archimedes (fragments/reports [c.240 BCE]) by Gottfried Leibniz - New Essays on Human Understanding 4.13 | |
| A reaction: Commentators observe that this reduces the purity of the original Euclidean axioms, because it involves distance and measurement, which are absent from the purest geometry. |
| 324 | Before the existence of the world there must have been being, space and becoming [Plato] |
| Full Idea: There were, before the world came into existence, being, space, and becoming, three distinct realities. | |
| From: Plato (Timaeus [c.349 BCE], 52d) |
| 20364 | The apprehensions of reason remain unchanging, but reasonless sensation shows mere becoming [Plato] |
| Full Idea: That which is apprehended by intelligence and reason is always in the same state, but that which is conceived by opinion with the help of sensation and without reason is always in a process of becoming and perishing, and never really is. | |
| From: Plato (Timaeus [c.349 BCE], 28a) | |
| A reaction: Lots of problems with this, of which I take the main one to be the idea that sensation is 'without reason', as if there were a sharp dichotomy in our ways of evaluating reality. Laws of nature seem to be laws of change, not of stasis. |
| 12042 | Plato's Forms were seen as part of physics, rather than of metaphysics [Plato, by Annas] |
| Full Idea: In the ancient world Plato's Theory of Forms was mostly seen as one aspect of Plato's 'physics' or theory of the world (rather than as 'metaphysics'). | |
| From: report of Plato (Timaeus [c.349 BCE]) by Julia Annas - Ancient Philosophy: very short introduction Ch.5 | |
| A reaction: This is how I also see the theory, but then I am inclined to see religion as a rather startling branch of speculative physics. Annas cites 'Timaeus' as the key text for this. |
| 307 | Something will always be well-made if the maker keeps in mind the eternal underlying pattern [Plato] |
| Full Idea: Whenever the maker of anything keeps his eye on the eternally unchanging and uses it as his pattern for the form and function of his product the result must be good. | |
| From: Plato (Timaeus [c.349 BCE], 28b) |
| 318 | In addition to the underlying unchanging model and a changing copy of it, there must also be a foundation of all change [Plato] |
| Full Idea: In addition to an eternal unchanging model and a visible and changing copy of reality, there must be a third part, the receptacle and nurse of all becoming and change. | |
| From: Plato (Timaeus [c.349 BCE], 49b) | |
| A reaction: cf Aristotle's criticism in Metaphysics |
| 321 | For knowledge and true opinion to be different there must be Forms; otherwise we are just stuck with sensations [Plato] |
| Full Idea: If intelligence and true opinion are different, then the forms must exist, but if they are the same, then what our senses perceive must be the most certain reality. | |
| From: Plato (Timaeus [c.349 BCE], 51d) |
| 317 | The universe is basically an intelligible and unchanging model, and a visible and changing copy of it [Plato] |
| Full Idea: Our basic description of the universe contained an intelligible and unchanging model, and a visible and changing copy of it. | |
| From: Plato (Timaeus [c.349 BCE], 48e) |
| 334 | Only bird-brained people think astronomy is entirely a matter of evidence [Plato] |
| Full Idea: Birds are empty-headed men who grew feathers instead of hair, because they were interested in astronomy but thought it was entirely a matter of physical evidence. | |
| From: Plato (Timaeus [c.349 BCE], 91d) |
| 5962 | Plato says the soul is ordered by number [Plato, by Plutarch] |
| Full Idea: Plato regards the substance of soul not as number but as being ordered by number. | |
| From: report of Plato (Timaeus [c.349 BCE]) by Plutarch - 68: Generation of the soul in 'Timaeus' 1023 | |
| A reaction: This remark points towards Plato's esoteric doctrines, which are some sort of mathematical metaphysics. The idea that order and numbers are in some way connected is one of the most powerful in western civilization, with undeniable appeal. |
| 330 | No one wants to be bad, but bad men result from physical and educational failures, which they do not want or choose [Plato] |
| Full Idea: No one wishes to be bad, but a bad man is bad because of some flaw in his physical makeup and failure in his education, neither of which he likes or chooses. | |
| From: Plato (Timaeus [c.349 BCE], 86e) |
| 18549 | Nineteenth century aesthetics focused on art rather than nature (thanks to Hegel) [Hegel, by Scruton] |
| Full Idea: Only In the course of the nineteenth century, and in the wake of Hegel's posthumously published lectures on aesthetics, did the topic of art come to replace that of natural beauty as the core subject-matter of aesthetics. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826], 5) by Roger Scruton - Beauty: a very short introduction |
| 22043 | Hegel largely ignores aesthetic pleasure, taste and beauty, and focuses on the meaning of artworks [Hegel, by Pinkard] |
| Full Idea: Unlike his predecessors (including Kant), Hegel does not focus on aesthetic pleasure, nor on good taste, nor even on the nature and criteria for beauty. Instead he focuses on the meaning of artworks and their role in forming mankind's self-consciousness. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Personally I dislike over-intellectualising art. The aim of a work of art is to give a certain experience, not to generate an ensuing sequence of theorising. I doubt whether Vermeer had any 'meaning' in mind in his obsessive work. |
| 22042 | Natural beauty is unimportant, because it doesn't show human freedom [Hegel, by Pinkard] |
| Full Idea: Hegel thinks that natural beauty is of no real significance since it cannot display our freedom to us; nature per se is meaningless. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Presumably freedom is in the creation, and so creativity is what matters in aesthetics. But what are the criteria of good creativity? |
| 20413 | For Hegel the importance of art concerns the culture, not the individual [Hegel, by Eldridge] |
| Full Idea: Hegel locates the significance of art in its role in cultural life in general, not in relation to the psychological needs of individuals. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Richard Eldridge - G.W.F. Hegel (aesthetics) 1 | |
| A reaction: I'm beginning to see that art is a wonderful focus and test case for political attitudes. Roughly, liberalism focuses on individual responses, but more societal views (from right and left) see it in terms of role in the community. Which are you? |
| 316 | Music has harmony like the soul, and serves to reorder disharmony within us [Plato] |
| Full Idea: Music has harmonic motions like the orbits of the soul, and is not for irrational pleasure, but to reduce to order any disharmony in the revolutions within us. | |
| From: Plato (Timaeus [c.349 BCE], 47d) |
| 20394 | The purpose of art is to reveal to Spirit its own nature [Hegel, by Davies,S] |
| Full Idea: According to Hegel, the goal of art was to serve as a phase in a process by which Spirit would come to understand its own nature. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Stephen Davies - The Philosophy of Art (2nd ed) 2.7 | |
| A reaction: I try very hard to understand ideas like this. Really really hard. However, since I see little sign of 'Spirit' really understanding its own nature, I'm guessing that the project is not going well. |
| 21794 | The main purpose of art is to express the unity of human life [Hegel] |
| Full Idea: Art's primary function, for Hegel, is to give expression to the unity and wholeness of life - especially human life - that the contingencies of everyday existence frequently conceal. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826]), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Beauty' | |
| A reaction: I don't find the view that human life is 'unified' and 'whole' vary illuminating, and I have no objection to art which reflects the fragmentary and unstable aspects of life. I suspect Hegel would just prefer it if life were a unity. |
| 20415 | Art forms a bridge between the sensuous world and the world of pure thought [Hegel] |
| Full Idea: Spirit generates out of itself works of fine art as the first reconciling middle term between pure thought and what is merely external, sensuous and transient - between finite natural reality and the infinite freedom of conceptual thinking. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], p.8), quoted by Richard Eldridge - G.W.F. Hegel (aesthetics) | |
| A reaction: This apparently says that there is necessarily an intellectual and conceptual component in art. This means little to me. Does he include portraits? Dutch domestic scenes? Would photography qualify? |
| 332 | One should exercise both the mind and the body, to avoid imbalance [Plato] |
| Full Idea: One should preserve a balance and avoid exercising the mind or body without the other; mathematicians should exercise physically, and athletes mentally. | |
| From: Plato (Timaeus [c.349 BCE], 88c) | |
| A reaction: Excellent, and very modern. Use it or lose it. It suggests that Plato had a fairly holistic view of a human being, and saw mind and body as closely integrated. |
| 328 | Everything that takes place naturally is pleasant [Plato] |
| Full Idea: Everything that takes place naturally is pleasant. | |
| From: Plato (Timaeus [c.349 BCE], 81e) | |
| A reaction: Not many people would agree with this. I recently watched a sparrowhawk eat a pigeon in my garden. This is the source of the stoic formula of living according to nature. |
| 322 | Intelligence is the result of rational teaching; true opinion can result from irrational persuasion [Plato] |
| Full Idea: Intelligence is produced by teaching, involves truth and reason, and cannot be moved; true opinion involves persuasion, is irrational and can be moved. | |
| From: Plato (Timaeus [c.349 BCE], 51e) |
| 331 | Bad governments prevent discussion, and discourage the study of virtue [Plato] |
| Full Idea: Under a bad government discussion, both public and private, is bad, and no courses of study are available to cure faults of character. | |
| From: Plato (Timaeus [c.349 BCE], 87b) |
| 311 | The cosmos must be unique, because it resembles the creator, who is unique [Plato] |
| Full Idea: So that our universe can resemble the perfect living creature in being unique, the universe was, is and will continue to be its maker's only creation. | |
| From: Plato (Timaeus [c.349 BCE], 31c) |
| 310 | The creator of the cosmos had no envy, and so wanted things to be as like himself as possible [Plato] |
| Full Idea: This changing cosmos was made because its maker is good, and therefore lacks envy; he therefore wished all things to be as like himself as possible. | |
| From: Plato (Timaeus [c.349 BCE], 29e) |
| 325 | We must consider the four basic shapes as too small to see, only becoming visible in large numbers [Plato] |
| Full Idea: We must think of the individual units of all four basic shapes as being far too small to be visible, and only becoming visible when massed together in large numbers. | |
| From: Plato (Timaeus [c.349 BCE], 56c) |
| 327 | There are two types of cause, the necessary and the divine [Plato] |
| Full Idea: We must distinguish two types of cause, the necessary and the divine. | |
| From: Plato (Timaeus [c.349 BCE], 68e) |
| 314 | Heavenly movements gave us the idea of time, and caused us to inquire about the heavens [Plato] |
| Full Idea: Days, months, years and solstices have caused the invention of number, given us the notion of time, and caused us to inquire into the nature of the universe. | |
| From: Plato (Timaeus [c.349 BCE], 47a) |
| 312 | Time came into existence with the heavens, so that there will be a time when they can be dissolved [Plato] |
| Full Idea: Time came into being with the heavens, so that they should be dissolved together if ever they are dissolved. | |
| From: Plato (Timaeus [c.349 BCE], 38c) |
| 309 | Clearly the world is good, so its maker must have been concerned with the eternal, not with change [Plato] |
| Full Idea: If the world is beautiful and its maker good, he had an eye on the eternal; if not, on that which is subject to change; clearly the world is the fairest of things, and he the best of causes, so it is eternal. | |
| From: Plato (Timaeus [c.349 BCE], 29a) |
| 308 | If the cosmos is an object of perception then it must be continually changing [Plato] |
| Full Idea: The cosmos is visible, tangible and corporeal, and therefore perceptible by the senses; therefore it is an object of opinion and sensation, and therefore change and coming into being. | |
| From: Plato (Timaeus [c.349 BCE], 28d) |