63 ideas
| 23948 | Wisdom needs both thought and passion, with each reflecting on the other [Solomon] |
| Full Idea: Wisdom is a matter of living both thoughtfully and passionately, bringing understanding to bear on every passion and forcing every passion into the light of reflection. | |
| From: Robert C. Solomon (The Passions [1976], 3.4) | |
| A reaction: His main point is that passion is a key part of wisdom, and the idea that wisdom is cold and detached is quite false. Good point. At the very least, wise people must relate sympathetically to others. |
| 23942 | Philosophy is creating an intellectual conceptual structure for life [Solomon] |
| Full Idea: Philosophy is conceptual sculpture, the shaping and developing of the intellectual structures within which we live our lives. | |
| From: Robert C. Solomon (The Passions [1976], Intro.1) | |
| A reaction: Nice. I tend to see philosophy as conceptual analysis (though creating new concepts doesn't quite fit that), but the vision of creating a huge conceptual sculpture sounds good. I would call it a system. (See my book, 'Natural Ideas'!). |
| 23945 | Reason is actually passions, guided by perspicacious reflection [Solomon] |
| Full Idea: What is called 'reason' is the passions enlightened, 'illuminated' by reflection and supported by a perspicacious deliberation that the emotions in their urgency normally excluded. | |
| From: Robert C. Solomon (The Passions [1976], Intro.4) | |
| A reaction: To suggest that reason more or less is emotions strikes me as missing the point of 'perspicacious', which takes in facts outside our emotional world. We excitedly climb a cliff, then stop when we see the rocks are crumbling. |
| 224 | When questions are doubtful we should concentrate not on objects but on ideas of the intellect [Plato] |
| Full Idea: Doubtful questions should not be discussed in terms of visible objects or in relation to them, but only with reference to ideas conceived by the intellect. | |
| From: Plato (Parmenides [c.364 BCE], 135e) |
| 232 | Opposites are as unlike as possible [Plato] |
| Full Idea: Opposites are as unlike as possible. | |
| From: Plato (Parmenides [c.364 BCE], 159a) |
| 8937 | Plato's 'Parmenides' is the greatest artistic achievement of the ancient dialectic [Hegel on Plato] |
| Full Idea: Plato's 'Parmenides' is the greatest artistic achievement of the ancient dialectic. | |
| From: comment on Plato (Parmenides [c.364 BCE]) by Georg W.F.Hegel - Phenomenology of Spirit Pref 71 | |
| A reaction: It is a long way from the analytic tradition of philosophy to be singling out a classic text for its 'artistic' achievement. Eventually we may even look back on, say, Kripke's 'Naming and Necessity' and see it in that light. |
| 13986 | Plato found antinomies in ideas, Kant in space and time, and Bradley in relations [Plato, by Ryle] |
| Full Idea: Plato (in 'Parmenides') shows that the theory that 'Eide' are substances, and Kant that space and time are substances, and Bradley that relations are substances, all lead to aninomies. | |
| From: report of Plato (Parmenides [c.364 BCE]) by Gilbert Ryle - Are there propositions? 'Objections' |
| 14150 | Plato's 'Parmenides' is perhaps the best collection of antinomies ever made [Russell on Plato] |
| Full Idea: Plato's 'Parmenides' is perhaps the best collection of antinomies ever made. | |
| From: comment on Plato (Parmenides [c.364 BCE]) by Bertrand Russell - The Principles of Mathematics §337 |
| 16150 | One is, so numbers exist, so endless numbers exist, and each one must partake of being [Plato] |
| Full Idea: If one is, there must also necessarily be number - Necessarily - But if there is number, there would be many, and an unlimited multitude of beings. ..So if all partakes of being, each part of number would also partake of it. | |
| From: Plato (Parmenides [c.364 BCE], 144a) | |
| A reaction: This seems to commit to numbers having being, then to too many numbers, and hence to too much being - but without backing down and wondering whether numbers had being after all. Aristotle disagreed. |
| 229 | The one was and is and will be and was becoming and is becoming and will become [Plato] |
| Full Idea: The one was and is and will be and was becoming and is becoming and will become. | |
| From: Plato (Parmenides [c.364 BCE], 155d) |
| 21821 | Plato's Parmenides has a three-part theory, of Primal One, a One-Many, and a One-and-Many [Plato, by Plotinus] |
| Full Idea: The Platonic Parmenides is more exact [than Parmenides himself]; the distinction is made between the Primal One, a strictly pure Unity, and a secondary One which is a One-Many, and a third which is a One-and-Many. | |
| From: report of Plato (Parmenides [c.364 BCE]) by Plotinus - The Enneads 5.1.08 | |
| A reaction: Plotinus approves of this three-part theory. Parmenides has the problem that the highest Being contains no movement. By placing the One outside Being you can give it powers which an existent thing cannot have. Cf the concept of God. |
| 221 | Absolute ideas, such as the Good and the Beautiful, cannot be known by us [Plato] |
| Full Idea: The absolute good and the beautiful and all which we conceive to be absolute ideas are unknown to us. | |
| From: Plato (Parmenides [c.364 BCE], 134c) |
| 227 | You must always mean the same thing when you utter the same name [Plato] |
| Full Idea: You must always mean the same thing when you utter the same name. | |
| From: Plato (Parmenides [c.364 BCE], 147d) |
| 223 | If you deny that each thing always stays the same, you destroy the possibility of discussion [Plato] |
| Full Idea: If a person denies that the idea of each thing is always the same, he will utterly destroy the power of carrying on discussion. | |
| From: Plato (Parmenides [c.364 BCE], 135c) |
| 211 | If admirable things have Forms, maybe everything else does as well [Plato] |
| Full Idea: It is troubling that if admirable things have abstract ideas, then perhaps everything else must have ideas as well. | |
| From: Plato (Parmenides [c.364 BCE], 130d) |
| 219 | If absolute ideas existed in us, they would cease to be absolute [Plato] |
| Full Idea: None of the absolute ideas exists in us, because then it would no longer be absolute. | |
| From: Plato (Parmenides [c.364 BCE], 133c) |
| 228 | Greatness and smallness must exist, to be opposed to one another, and come into being in things [Plato] |
| Full Idea: These two ideas, greatness and smallness, exist, do they not? For if they did not exist, they could not be opposites of one another, and could not come into being in things. | |
| From: Plato (Parmenides [c.364 BCE], 149e) |
| 16151 | Plato moves from Forms to a theory of genera and principles in his later work [Plato, by Frede,M] |
| Full Idea: It seems to me that Plato in the later dialogues, beginning with the second half of 'Parmenides', wants to substitute a theory of genera and theory of principles that constitute these genera for the earlier theory of forms. | |
| From: report of Plato (Parmenides [c.364 BCE]) by Michael Frede - Title, Unity, Authenticity of the 'Categories' V | |
| A reaction: My theory is that the later Plato came under the influence of the brilliant young Aristotle, and this idea is a symptom of it. The theory of 'principles' sounds like hylomorphism to me. |
| 210 | It would be absurd to think there were abstract Forms for vile things like hair, mud and dirt [Plato] |
| Full Idea: Are there abstract ideas for such things as hair, mud and dirt, which are particularly vile and worthless? That would be quite absurd. | |
| From: Plato (Parmenides [c.364 BCE], 130d) |
| 220 | The concept of a master includes the concept of a slave [Plato] |
| Full Idea: Mastership in the abstract is mastership of slavery in the abstract. | |
| From: Plato (Parmenides [c.364 BCE], 133e) |
| 218 | Participation is not by means of similarity, so we are looking for some other method of participation [Plato] |
| Full Idea: Participation is not by means of likeness, so we must seek some other method of participation. | |
| From: Plato (Parmenides [c.364 BCE], 133a) |
| 212 | The whole idea of each Form must be found in each thing which participates in it [Plato] |
| Full Idea: The whole idea of each form (of beauty, justice etc) must be found in each thing which participates in it. | |
| From: Plato (Parmenides [c.364 BCE], 131a) |
| 213 | Each idea is in all its participants at once, just as daytime is a unity but in many separate places at once [Plato] |
| Full Idea: Just as day is in many places at once, but not separated from itself, so each idea might be in all its participants at once. | |
| From: Plato (Parmenides [c.364 BCE], 131b) |
| 216 | If things are made alike by participating in something, that thing will be the absolute idea [Plato] |
| Full Idea: That by participation in which like things are made like, will be the absolute idea, will it not? | |
| From: Plato (Parmenides [c.364 BCE], 132e) |
| 215 | If things partake of ideas, this implies either that everything thinks, or that everything actually is thought [Plato] |
| Full Idea: If all things partake of ideas, must either everything be made of thoughts and everything thinks, or everything is thought, and so can't think? | |
| From: Plato (Parmenides [c.364 BCE], 132c) |
| 214 | If absolute greatness and great things are seen as the same, another thing appears which makes them seem great [Plato] |
| Full Idea: If you regard the absolute great and the many great things in the same way, will not another appear beyond, by which all these must appear to be great? | |
| From: Plato (Parmenides [c.364 BCE], 132a) |
| 217 | Nothing can be like an absolute idea, because a third idea intervenes to make them alike (leading to a regress) [Plato] |
| Full Idea: It is impossible for anything to be like an absolute idea, because a third idea will appear to make them alike, and if that is like anything, it will lead to another idea, and so on. | |
| From: Plato (Parmenides [c.364 BCE], 133a) |
| 15851 | Parts must belong to a created thing with a distinct form [Plato] |
| Full Idea: The part would not be the part of many things or all, but of some one character ['ideas'] and of some one thing, which we call a 'whole', since it has come to be one complete [perfected] thing composed [created] of all. | |
| From: Plato (Parmenides [c.364 BCE], 157d) | |
| A reaction: A serious shot by Plato at what identity is. Harte quotes it (125) and shows that 'character' is Gk 'idea', and 'composed' will translate as 'created'. 'Form' links this Platonic passage to Aristotle's hylomorphism. |
| 15846 | In Parmenides, if composition is identity, a whole is nothing more than its parts [Plato, by Harte,V] |
| Full Idea: At the heart of the 'Parmenides' puzzles about composition is the thesis that composition is identity. Considered thus, a whole adds nothing to an ontology that already includes its parts | |
| From: report of Plato (Parmenides [c.364 BCE]) by Verity Harte - Plato on Parts and Wholes 2.5 | |
| A reaction: There has to be more to a unified identity that mere proximity of the parts. When do parts come together, and when do they actually 'compose' something? |
| 15849 | Plato says only a one has parts, and a many does not [Plato, by Harte,V] |
| Full Idea: In 'Parmenides' it is argued that a part cannot be part of a many, but must be part of something one. | |
| From: report of Plato (Parmenides [c.364 BCE], 157c) by Verity Harte - Plato on Parts and Wholes 3.2 | |
| A reaction: This looks like the right way to go with the term 'part'. We presuppose a unity before we even talk of its parts, so we can't get into contradictions and paradoxes about their relationships. |
| 15850 | Anything which has parts must be one thing, and parts are of a one, not of a many [Plato] |
| Full Idea: The whole of which the parts are parts must be one thing composed of many; for each of the parts must be part, not of a many, but of a whole. | |
| From: Plato (Parmenides [c.364 BCE], 157c) | |
| A reaction: This is a key move of metaphysics, and we should hang on to it. The other way madness lies. |
| 13259 | It seems that the One must be composed of parts, which contradicts its being one [Plato] |
| Full Idea: The One must be composed of parts, both being a whole and having parts. So on both grounds the One would thus be many and not one. But it must be not many, but one. So if the One will be one, it will neither be a whole, nor have parts. | |
| From: Plato (Parmenides [c.364 BCE], 137c09), quoted by Kathrin Koslicki - The Structure of Objects 5.2 | |
| A reaction: This is the starting point for Plato's metaphysical discussion of objects. It seems to begin a line of thought which is completed by Aristotle, surmising that only an essential structure can bestow identity on a bunch of parts. |
| 15847 | Two things relate either as same or different, or part of a whole, or the whole of the part [Plato] |
| Full Idea: Everything is surely related to everything as follows: either it is the same or different; or, if it is not the same or different, it would be related as part to whole or as whole to part. | |
| From: Plato (Parmenides [c.364 BCE], 146b) | |
| A reaction: This strikes me as a really helpful first step in trying to analyse the nature of identity. Two things are either two or (actually) one, or related mereologically. |
| 14528 | Maybe modal thought is unavoidable, as a priori recognition of necessary truth-preservation in reasoning [Hale/Hoffmann,A] |
| Full Idea: There are 'transcendental' arguments saying that modal thought is unavoidable - recognition, a priori, of the necessarily truth-preserving character of some forms of inference is a precondition for rational thought in general, and scientific theorizing. | |
| From: Bob Hale/ Aviv Hoffmann (Introduction to 'Modality' [2010], 1) | |
| A reaction: So the debate about the status of logical truths and valid inference, are partly debates about whether out thought has to involve modality, or whether it could just be about the actual world. I take possibilities and necssities to be features of nature. |
| 23957 | We often trust our intuitions as rational, despite their lack of reflection [Solomon] |
| Full Idea: We trust certain rational 'intuitions' in ourselves which dispense with reflection but seem to follow an indisputable logic. (note: it is thought ineffable because reflection is the paradigm of rationality. It is no less rational than reflection). | |
| From: Robert C. Solomon (The Passions [1976], 6.4) | |
| A reaction: [compressed] Solomon uses the example to support that emotion is part of rationality. Since this view of intuition is more or less mine (that intuition can be knowledge, when the justification is obscure), it seems to support his claim. |
| 23943 | Distinguishing reason from passion is based on an archaic 'faculty' theory [Solomon] |
| Full Idea: The distinction between reason and passion is based on an archaic 'faculty' psychology of the human soul. | |
| From: Robert C. Solomon (The Passions [1976], Intro.2) | |
| A reaction: I like faculties, for philosophical purposes, as explanatory tools to account for our metaphysical and conceptual framework, but this point is well made. The danger is that we impose sharp divisions, where reality is more complex. |
| 23952 | I say bodily chemistry and its sensations have nothing to do with emotions [Solomon] |
| Full Idea: I shall be making the claim (sujectively) that the chemistry of the body and the sensations caused by that chemistry have nothing to do with the emotions. | |
| From: Robert C. Solomon (The Passions [1976], 4.1) | |
| A reaction: Surely an unexpected stabbing pain causes fear? Isn't pain supposed to trigger appropriate emotions? That is not to say that emotions are a feature of body chemistry. |
| 23954 | Emotions are judgements about ourselves, and our place in the world [Solomon] |
| Full Idea: An emotion is a basic judgement about our Selves and our place in the world, the projection of the values and ideals, structures and mythologies | |
| From: Robert C. Solomon (The Passions [1976], 5.3) | |
| A reaction: Solomon's main theory. What about the Frege-Geach problem - that I feel emotions (and judgements) about fictions and remote events, in which my personal concerns and involvement are zero? Presumably these emotions are parasitic on his primary type? |
| 23960 | Emotions are defined by their objects [Solomon] |
| Full Idea: Direction, scope and focus set the stage, but the specific object is what defines the emotion. | |
| From: Robert C. Solomon (The Passions [1976], 7.3) | |
| A reaction: This is presumably the main distinction between an emotion and a mood. He emphasises that the objects are subjective, rather than factual. |
| 23961 | The heart of an emotion is its judgement of values and morality [Solomon] |
| Full Idea: The heart of every emotion is its value judgements, its appraisals of gain and loss, its indictment of offences and its praise of virtue, its often Manichean judgement of 'good' and 'evil'. | |
| From: Robert C. Solomon (The Passions [1976], 7.6) | |
| A reaction: He adds blame and excuse. Some of our strongest emotions can just be identifications, rather than judgements, as when we learn of someone else's triumph or disaster. On the whole I agree, though. This is important for Aristotelian virtue theory. |
| 23965 | Emotions can be analysed under fifteen headings [Solomon] |
| Full Idea: Emotions can be analysed by direction, scope/focus, object, criteria, status, evaluations, responsibility, intersubjectivity, distance, mythology, desire, power, strategy. | |
| From: Robert C. Solomon (The Passions [1976], 8) | |
| A reaction: These are the headings Solomon actually applies in his breakdown of most of the main emotions. See his book for explanations of each of them. If people say philosophy makes no progress, I'd at least point to helpful thinking of this kind. |
| 23959 | Some emotions are externally directed, others internally [Solomon] |
| Full Idea: 'Outer-directed' emotions (such as fear) are about particular situations, objects, or other people. …The 'inner-directed' emotions (such as vanity or regret) take one's Self as their focal point. | |
| From: Robert C. Solomon (The Passions [1976], 7.1) | |
| A reaction: This is Solomon's own distinction. Some of the emotions he cites, such as vanity, seem to me more like long term virtues or vices, rather than emotions. He did say, though, that you can have emotions without feeling, such as long-term hate. |
| 23936 | It is only our passions which give our lives meaning [Solomon] |
| Full Idea: It is our passions, and our passions alone, which provide our lives with meaning. | |
| From: Robert C. Solomon (The Passions [1976], Pref) | |
| A reaction: This presumably entails that the lives of plants have no meaning. It also seems to be rather egotistical, since it is not clear why anyone else's life should have meaning for me, if I don't directly experience their passions. Interesting, though. |
| 23963 | Which emotions we feel depends on our sense of our own powers [Solomon] |
| Full Idea: An emotion depends on an estimation of our own power. If a lover is jealous they welcome confrontation, but if they are just envious they assume impotence from the start. | |
| From: Robert C. Solomon (The Passions [1976], 7.12) | |
| A reaction: This seems particularly true of politics, where the possibility (or not) of influencing events makes a huge difference. We can picture a huge variety of emotions when a fight breaks out in public. |
| 23946 | The passions are subjective, concerning what is important to me, rather than facts [Solomon] |
| Full Idea: The passions are uniquely subjective, although they sometimes pretend to have a certain objective status. They are not concerned with the world, but with my world. They are not concerned with 'the facts', but with what is important. | |
| From: Robert C. Solomon (The Passions [1976], Intro.5) | |
| A reaction: Values pick out what is 'important'. This idea sums up Solomon's rather solipsistic view of emotions. I accept that emotions are responses, rather than objective judgements, but there is objectivity in their social dimension. Why care about politics? |
| 23940 | Emotions are strategies for maximising our sense of dignity and self-esteem [Solomon] |
| Full Idea: Every emotion is a strategy, a purposive attempt to structure our world in such a way as to maximise our sense of personal dignity and self-esteem. | |
| From: Robert C. Solomon (The Passions [1976], Pref) | |
| A reaction: This is the main thesis of Solomon's book. There doesn't seem to be much to admire in what he takes to be our chief motivation. I would put a much more social spin on it - that our underlying urge is not self-promotion, but to fit into a community. |
| 23949 | Passions exist as emotions, moods and desires, which all generate meaning [Solomon] |
| Full Idea: There are three fundamental species passions - emotions, moods, and desires. …What all passions have in common is their ability to bestow meaning to the circumstances of our lives. | |
| From: Robert C. Solomon (The Passions [1976], 3.2) | |
| A reaction: Moods are said to be 'generalised emotions', where emotions are about something, and desires add objectives. Solomon criticises rigid divisions between mental faculties and states, but it is hard to disagree with this distinction. |
| 23956 | The Myth of the Passions says they are irrational, uncontrolled and damaging [Solomon] |
| Full Idea: The Myth of the Passions says emotions are irrational forces beyond our control, disruptive and stupid, unthinking and counterproductive, against our 'better interests', and often ridiculous. | |
| From: Robert C. Solomon (The Passions [1976], 6.4) | |
| A reaction: The Myth is very unlikely to be correct, for evolutionary reasons. How could there be a selection for a mental feature which distorts truths and leads to dangerous misjudgements? Most emotions motivate us to act successfully. So why do some run wild? |
| 23953 | Feeling is a superficial aspect of emotion, and may be indeterminate, or even absent [Solomon] |
| Full Idea: Feeling is the ornamentation of emotion, not its essence. ...For example, what is the difference in feeling between embarrassment and shame? …We may also experience an emotion like subdued anger or envy with no feeling. | |
| From: Robert C. Solomon (The Passions [1976], 4.2) | |
| A reaction: This is very persuasive, and supports the idea that what matters in an emotion is its content, rather than its phenomenology. He adds later that we are often mistaken about our own emotions. |
| 23964 | There are no 'basic' emotions, only socially prevalent ones [Solomon] |
| Full Idea: There are no 'basic' emotions, only those emotions which are prevalent in a particular society. This reduction to a small set makes it impossible to appreciate the richness of our emotional lives. | |
| From: Robert C. Solomon (The Passions [1976], 8) | |
| A reaction: He cites Descartes as a culprit, and John Watson's famous list of fear, dependency and rage. I think Solomon is probably right. He suggests that the lists are usually individualistic and negative. Individuals may have their private basics! |
| 23937 | It is reason which needs the anchorage of passions, rather than vice versa [Solomon] |
| Full Idea: It is not the passions who require the controls and rationalisations of reason. Rather, it is reason that requires the anchorage and earthy wisdom of the passions. | |
| From: Robert C. Solomon (The Passions [1976], Pref) | |
| A reaction: I like the second half of this. We don't just follow the winds of arguments; we decide into which of the many conflicting winds we should steer the rational arguments, and that needs passions. Only a fool doesn't rationally control their passions. |
| 23947 | Dividing ourselves into confrontational reason and passion destroys our harmonious whole [Solomon] |
| Full Idea: To divide the soul into reason and passion …divides us against ourselves, forcing us each to be defensively half a person, instead of a harmonious whole. | |
| From: Robert C. Solomon (The Passions [1976], 2.3) | |
| A reaction: This is the best aspect of Solomon's book. I'm not sure, though, how this works in practice. Should I allow the winds of emotion to alter the course of my reasoning, or stunt my feelings by always insisting that reason plays a part? That's too dualist! |
| 23958 | The supposed irrationality of our emotions is often tactless or faulty expression of them [Solomon] |
| Full Idea: What is often called the 'irrationality' of our emotions is rather the faulty timing or inept choice of their expressions. | |
| From: Robert C. Solomon (The Passions [1976], 6.4) | |
| A reaction: The irrationality can be pretty obvious when having a tantrum over trivia, or resenting some tiny slight, or falling in love with a dead film star. That said, his point is well made. |
| 23944 | Emotions are our life force, and the source of most of our values [Solomon] |
| Full Idea: Emotions are the life force of the soul, the source of most of our values (not all: there is always hunger, thirst, and fatigue). | |
| From: Robert C. Solomon (The Passions [1976], Intro.4) | |
| A reaction: I am beginning to worry that Solomon's account is too individual and subjective. My personal values may derive from my emotions, but I think human and social values are based much more on objective observations and facts. We are social, not solipsists. |
| 23962 | Lovers adopt the interests of their beloved, rather than just valuing them [Solomon] |
| Full Idea: It is often said that love takes the interests of the lover as being more important than one's own; but here again we would rather say that love takes the lovers interests as its own. | |
| From: Robert C. Solomon (The Passions [1976], 7.9) | |
| A reaction: This is because he sees emotions as almost entirely self-centred, and almost never altruistic. To me the evolutionary picture suggest a more social view. Many people want the lives of their ex- to go well, without knowing their new interests. |
| 23941 | 'Absurdity' is just the result of our wrong choices in life [Solomon] |
| Full Idea: The 'absurdity of life' is nothing than our own unsatisfactory choices, typically of defensiveness and resentment, competition, and 'meaningless' routines. | |
| From: Robert C. Solomon (The Passions [1976], Pref) | |
| A reaction: He seems to have Camus particularly in mind. He sees love and co-operation as the cure. I sort of agree, but somewhere in all of our minds there lurks an abyss, with the good life looking like a distraction from it. |
| 23955 | Ideologies are mythologies which guide our actions [Solomon] |
| Full Idea: Mythologies become ideologies when we play a role in them, live in them, take action and take sides. | |
| From: Robert C. Solomon (The Passions [1976], 6.1) | |
| A reaction: This may well be a sceptical American attitude to ideology, since 'mythology' implies a fiction. But I think for most of us there exists the possibility of a good ideology, which correctly points us towards a better life. Dangerous things, though! |
| 222 | Only a great person can understand the essence of things, and an even greater person can teach it [Plato] |
| Full Idea: Only a man of very great natural gifts will be able to understand that everything has a class and absolute essence, and an even more wonderful man can teach this. | |
| From: Plato (Parmenides [c.364 BCE], 135a) |
| 225 | The unlimited has no shape and is endless [Plato] |
| Full Idea: The unlimited partakes neither of the round nor of the straight, because it has no ends nor edges. | |
| From: Plato (Parmenides [c.364 BCE], 137e) |
| 233 | Some things do not partake of the One [Plato] |
| Full Idea: The others cannot partake of the one in any way; they can neither partake of it nor of the whole. | |
| From: Plato (Parmenides [c.364 BCE], 159d) | |
| A reaction: Compare Idea 231 |
| 2062 | The only movement possible for the One is in space or in alteration [Plato] |
| Full Idea: If the One moves it either moves spatially or it is altered, since these are the only motions. | |
| From: Plato (Parmenides [c.364 BCE], 138b) |
| 231 | Everything partakes of the One in some way [Plato] |
| Full Idea: The others are not altogether deprived of the one, for they partake of it in some way. | |
| From: Plato (Parmenides [c.364 BCE], 157c) | |
| A reaction: Compare Idea 233. |
| 234 | We couldn't discuss the non-existence of the One without knowledge of it [Plato] |
| Full Idea: There must be knowledge of the one, or else not even the meaning of the words 'if the one does not exist' would be known. | |
| From: Plato (Parmenides [c.364 BCE], 160d) |