69 ideas
| 224 | When questions are doubtful we should concentrate not on objects but on ideas of the intellect [Plato] |
| Full Idea: Doubtful questions should not be discussed in terms of visible objects or in relation to them, but only with reference to ideas conceived by the intellect. | |
| From: Plato (Parmenides [c.364 BCE], 135e) |
| 232 | Opposites are as unlike as possible [Plato] |
| Full Idea: Opposites are as unlike as possible. | |
| From: Plato (Parmenides [c.364 BCE], 159a) |
| 4456 | Epistemological Ockham's Razor demands good reasons, but the ontological version says reality is simple [Moreland] |
| Full Idea: Ockham's Razor has an epistemological version, which says we should not multiply existences or explanations without adequate reason, and an ontological version, which says reality is simple, and so a simpler ontology represents it more accurately. | |
| From: J.P. Moreland (Universals [2001], Ch.2) | |
| A reaction: A nice distinction. Is it reality which is simple, or us? One shouldn't write off the ontological version. If one explanation is simpler than the others, there may be a reason in nature for that. |
| 8937 | Plato's 'Parmenides' is the greatest artistic achievement of the ancient dialectic [Hegel on Plato] |
| Full Idea: Plato's 'Parmenides' is the greatest artistic achievement of the ancient dialectic. | |
| From: comment on Plato (Parmenides [c.364 BCE]) by Georg W.F.Hegel - Phenomenology of Spirit Pref 71 | |
| A reaction: It is a long way from the analytic tradition of philosophy to be singling out a classic text for its 'artistic' achievement. Eventually we may even look back on, say, Kripke's 'Naming and Necessity' and see it in that light. |
| 21793 | Genuine truth is the resolution of the highest contradiction [Hegel] |
| Full Idea: The highest truth, truth as such, is the resolution of the highest opposition and contradiction. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 99), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Art' | |
| A reaction: Uneasy about the word 'highest', and the general Hegelian dream of 'resolving' contradictions, rather than just eliminating at least one component of them. No one else uses the word 'truth' like this. I suppose this Truth has a capital 'T'. |
| 21795 | What I hold true must also be part of my feelings and character [Hegel] |
| Full Idea: Whatever I hold as true, whatever ought to be valid for me, must also be in my feeling, must belong to my being and character. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 97), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Philosophy' | |
| A reaction: I can see that truths do tend to become part of our character, but not that they ought to do so. I suppose I try to live my life enmeshed in the many truths which I have personally selected from the maelstrom of possibilities that engulf us. |
| 13986 | Plato found antinomies in ideas, Kant in space and time, and Bradley in relations [Plato, by Ryle] |
| Full Idea: Plato (in 'Parmenides') shows that the theory that 'Eide' are substances, and Kant that space and time are substances, and Bradley that relations are substances, all lead to aninomies. | |
| From: report of Plato (Parmenides [c.364 BCE]) by Gilbert Ryle - Are there propositions? 'Objections' |
| 14150 | Plato's 'Parmenides' is perhaps the best collection of antinomies ever made [Russell on Plato] |
| Full Idea: Plato's 'Parmenides' is perhaps the best collection of antinomies ever made. | |
| From: comment on Plato (Parmenides [c.364 BCE]) by Bertrand Russell - The Principles of Mathematics §337 |
| 16150 | One is, so numbers exist, so endless numbers exist, and each one must partake of being [Plato] |
| Full Idea: If one is, there must also necessarily be number - Necessarily - But if there is number, there would be many, and an unlimited multitude of beings. ..So if all partakes of being, each part of number would also partake of it. | |
| From: Plato (Parmenides [c.364 BCE], 144a) | |
| A reaction: This seems to commit to numbers having being, then to too many numbers, and hence to too much being - but without backing down and wondering whether numbers had being after all. Aristotle disagreed. |
| 229 | The one was and is and will be and was becoming and is becoming and will become [Plato] |
| Full Idea: The one was and is and will be and was becoming and is becoming and will become. | |
| From: Plato (Parmenides [c.364 BCE], 155d) | |
| A reaction: This seems to be rhetorical, rather a precise theory, given that the One is said to be eternal and unchanging. The One is not just what we call 'reality'. |
| 21821 | Plato's Parmenides has a three-part theory, of Primal One, a One-Many, and a One-and-Many [Plato, by Plotinus] |
| Full Idea: The Platonic Parmenides is more exact [than Parmenides himself]; the distinction is made between the Primal One, a strictly pure Unity, and a secondary One which is a One-Many, and a third which is a One-and-Many. | |
| From: report of Plato (Parmenides [c.364 BCE]) by Plotinus - The Enneads 5.1.08 | |
| A reaction: Plotinus approves of this three-part theory. Parmenides has the problem that the highest Being contains no movement. By placing the One outside Being you can give it powers which an existent thing cannot have. Cf the concept of God. |
| 4474 | Existence theories must match experience, possibility, logic and knowledge, and not be self-defeating [Moreland] |
| Full Idea: A theory of existence should 1) be consistent with what actually exists, 2) be consistent with what could exist, 3) not make existence impossible (e.g. in space-time), 4) not violate logic, 5) make knowing the theory possible. | |
| From: J.P. Moreland (Universals [2001], Ch.6) | |
| A reaction: A nice bit of metaphilosophical analysis. I still doubt whether a theory of existence is possible (something has to be 'given' a priori), but this is a good place to start the attempt. |
| 221 | Absolute ideas, such as the Good and the Beautiful, cannot be known by us [Plato] |
| Full Idea: The absolute good and the beautiful and all which we conceive to be absolute ideas are unknown to us. | |
| From: Plato (Parmenides [c.364 BCE], 134c) | |
| A reaction: These seems to thoroughly pre-empt Plato's Theory of Forms a century before he created it. Which shows (as Simone Weil says) that Plato was just part of a long tradition. |
| 4461 | Tropes are like Hume's 'impressions', conceived as real rather than as ideal [Moreland] |
| Full Idea: Tropes are (says Campbell) substances (in Hume's sense), and indeed resemble his impressions conceived realistically rather than idealistically. | |
| From: J.P. Moreland (Universals [2001], Ch.3) | |
| A reaction: An interesting link. It doesn't get rid of the problem Hume has, of saying when two impressions are the same. Are they types or tokens? Trope-theory claims they are tokens. Hume's ontology includes 'resemblance'. |
| 4462 | A colour-trope cannot be simple (as required), because it is spread in space, and so it is complex [Moreland] |
| Full Idea: A property-instance must be spread out in space, or it is not clear how a colour nature can be present, but then it has to be a complex entity, and tropes are supposed to be simple entities. | |
| From: J.P. Moreland (Universals [2001], Ch.3) | |
| A reaction: Seems a fair point. Nothing else in reality can be sharply distinguished, so why should 'simple' and 'complex'? |
| 4463 | In 'four colours were used in the decoration', colours appear to be universals, not tropes [Moreland] |
| Full Idea: If a decorator says that they used four colours to decorate a house, four tropes is not what was meant, and the statement seems to view colours as universals. | |
| From: J.P. Moreland (Universals [2001], Ch.3) | |
| A reaction: Although I am suspicious of using language to deduce ontology, you have to explain why certain statements (like this) are even possible to make. |
| 4451 | If properties are universals, what distinguishes two things which have identical properties? [Moreland] |
| Full Idea: If properties are universals, what account can be given of the individuation of two entities that have all their pure properties in common? | |
| From: J.P. Moreland (Universals [2001], Ch.1) | |
| A reaction: Is this a big problem? Maybe only a space-time location can do it. Or, in the nice case where the universe is just two identical spheres, it may be impossible. |
| 4453 | One realism is one-over-many, which may be the model/copy view, which has the Third Man problem [Moreland] |
| Full Idea: One version of realism says that the universal does not enter into the being of its instances, and thus is a One-Over-Many. One version of this is the model/copy view, but this is not widely held, because of difficulties such as the Third Man Argument. | |
| From: J.P. Moreland (Universals [2001], Ch.1) | |
| A reaction: This presumably arises if the model is held to have the properties of the copy (self-predication), and looks like a bad theory |
| 4464 | Realists see properties as universals, which are single abstract entities which are multiply exemplifiable [Moreland] |
| Full Idea: Traditional realism is the view that a property is a universal construed as a multiply exemplifiable abstract entity that is a numerically identical constituent in each of its instances. | |
| From: J.P. Moreland (Universals [2001], Ch.4) | |
| A reaction: Put like that, it seems hard to commit oneself fully to realism. How can two red buses contain one abstract object spread out between them. Common sense says there are two 'rednesses' which resemble one another, which is a version of nominalism. |
| 4450 | The traditional problem of universals centres on the "One over Many", which is the unity of natural classes [Moreland] |
| Full Idea: Historically the problem of universals has mainly been about the "One over Many", which involves giving an account of the unity of natural classes. | |
| From: J.P. Moreland (Universals [2001], Ch.1) | |
| A reaction: This still strikes me as the main problem (rather than issues of language). If universals are not natural, they must be analysed as properties, which break down into causation, which is seen as a human convention. |
| 4449 | Evidence for universals can be found in language, communication, natural laws, classification and ideals [Moreland] |
| Full Idea: Those who believe in universals appeal to the meaningfulness of language, the lawlike nature of causation, the inter-subjectivity of thinking, our ability to classify new entities, gradation, and the need for perfect standards or paradigms. | |
| From: J.P. Moreland (Universals [2001], Ch.1) | |
| A reaction: Of these, language and communication ought to be explicable by convention, but classification and natural laws look to me like the best evidence. |
| 227 | You must always mean the same thing when you utter the same name [Plato] |
| Full Idea: You must always mean the same thing when you utter the same name. | |
| From: Plato (Parmenides [c.364 BCE], 147d) |
| 223 | If you deny that each thing always stays the same, you destroy the possibility of discussion [Plato] |
| Full Idea: If a person denies that the idea of each thing is always the same, he will utterly destroy the power of carrying on discussion. | |
| From: Plato (Parmenides [c.364 BCE], 135c) |
| 4454 | The One-In-Many view says universals have abstract existence, but exist in particulars [Moreland] |
| Full Idea: Another version of realism says is One-In-Many, where the universal is not another particular, but is literally in the instances. The universal is an abstract entity, in the instances by means of a primitive non-spatiotemporal tie of predication. | |
| From: J.P. Moreland (Universals [2001], Ch.1) | |
| A reaction: This sounds like Aristotle (and is Loux's view of properties and relations). If they are abstract, why must they be confined to particulars? |
| 4468 | How could 'being even', or 'being a father', or a musical interval, exist naturally in space? [Moreland] |
| Full Idea: Many properties (being even) and relations (musical intervals, being a father) are such that it is not clear what it would mean to take them as natural things existing in space. | |
| From: J.P. Moreland (Universals [2001], Ch.4) | |
| A reaction: 'Being even' certainly seems to be a property, and it is a struggle to see how it could exist in space, unless it is a set of actual or potential brain states. |
| 4452 | Maybe universals are real, if properties themselves have properties, and relate to other properties [Moreland] |
| Full Idea: Realism about universals is supported by the phenomenon of abstract reference - that is the fact that properties themselves have properties ('red is a colour'), and stand in relation to other properties ('red is more like orange than like blue'). | |
| From: J.P. Moreland (Universals [2001], Ch.1) | |
| A reaction: While a property may be an obviously natural feature, properties of properties seem more likely to be the produce of human perception and convention. It is a good argument, though. |
| 4467 | A naturalist and realist about universals is forced to say redness can be both moving and stationary [Moreland] |
| Full Idea: If a property is held to be at the location of the particular, then if there are two objects having the same property, and one object is stationary and the other is moving, the realist is forced to say that the universal is both moving and at rest. | |
| From: J.P. Moreland (Universals [2001], Ch.4) | |
| A reaction: The target of this comment is D.M.Armstrong. The example nicely illustrates the problem of trying to combine science and metaphysics. It pushes you back to Platonism, but that seems wrong too… |
| 4469 | There are spatial facts about red particulars, but not about redness itself [Moreland] |
| Full Idea: When one attends to something existing in space, one attends to an instance of redness, not to redness itself (which is a colour, which resembles orange). The facts about red itself are not spatial facts, but are traditionally seen as a priori synthetic. | |
| From: J.P. Moreland (Universals [2001], Ch.4) | |
| A reaction: This is the fact that properties can themselves have properties (and so on?), which seems to take us further and further from the natural world. |
| 210 | It would be absurd to think there were abstract Forms for vile things like hair, mud and dirt [Plato] |
| Full Idea: Are there abstract ideas for such things as hair, mud and dirt, which are particularly vile and worthless? That would be quite absurd. | |
| From: Plato (Parmenides [c.364 BCE], 130d) |
| 219 | If absolute ideas existed in us, they would cease to be absolute [Plato] |
| Full Idea: None of the absolute ideas exists in us, because then it would no longer be absolute. | |
| From: Plato (Parmenides [c.364 BCE], 133c) |
| 228 | Greatness and smallness must exist, to be opposed to one another, and come into being in things [Plato] |
| Full Idea: These two ideas, greatness and smallness, exist, do they not? For if they did not exist, they could not be opposites of one another, and could not come into being in things. | |
| From: Plato (Parmenides [c.364 BCE], 149e) |
| 211 | If admirable things have Forms, maybe everything else does as well [Plato] |
| Full Idea: It is troubling that if admirable things have abstract ideas, then perhaps everything else must have ideas as well. | |
| From: Plato (Parmenides [c.364 BCE], 130d) |
| 220 | The concept of a master includes the concept of a slave [Plato] |
| Full Idea: Mastership in the abstract is mastership of slavery in the abstract. | |
| From: Plato (Parmenides [c.364 BCE], 133e) |
| 16151 | Plato moves from Forms to a theory of genera and principles in his later work [Plato, by Frede,M] |
| Full Idea: It seems to me that Plato in the later dialogues, beginning with the second half of 'Parmenides', wants to substitute a theory of genera and theory of principles that constitute these genera for the earlier theory of forms. | |
| From: report of Plato (Parmenides [c.364 BCE]) by Michael Frede - Title, Unity, Authenticity of the 'Categories' V | |
| A reaction: My theory is that the later Plato came under the influence of the brilliant young Aristotle, and this idea is a symptom of it. The theory of 'principles' sounds like hylomorphism to me. |
| 4472 | Redness is independent of red things, can do without them, has its own properties, and has identity [Moreland] |
| Full Idea: Four arguments for Platonism: 1) there are truths about redness (it's a colour) even if nothing red exists, 2) redness does not depend on particulars, 3) most universals are at some time not exemplified, 4) universals satisfy the criteria of existence. | |
| From: J.P. Moreland (Universals [2001], Ch.6) | |
| A reaction: This adds up to quite a good case, particularly the point that things can be said about redness which are independent of any particular, but the relationships between concepts and the brain seems at the heart of the problem. |
| 215 | If things partake of ideas, this implies either that everything thinks, or that everything actually is thought [Plato] |
| Full Idea: If all things partake of ideas, must either everything be made of thoughts and everything thinks, or everything is thought, and so can't think? | |
| From: Plato (Parmenides [c.364 BCE], 132c) |
| 216 | If things are made alike by participating in something, that thing will be the absolute idea [Plato] |
| Full Idea: That by participation in which like things are made like, will be the absolute idea, will it not? | |
| From: Plato (Parmenides [c.364 BCE], 132e) |
| 218 | Participation is not by means of similarity, so we are looking for some other method of participation [Plato] |
| Full Idea: Participation is not by means of likeness, so we must seek some other method of participation. | |
| From: Plato (Parmenides [c.364 BCE], 133a) |
| 212 | The whole idea of each Form must be found in each thing which participates in it [Plato] |
| Full Idea: The whole idea of each form (of beauty, justice etc) must be found in each thing which participates in it. | |
| From: Plato (Parmenides [c.364 BCE], 131a) |
| 213 | Each idea is in all its participants at once, just as daytime is a unity but in many separate places at once [Plato] |
| Full Idea: Just as day is in many places at once, but not separated from itself, so each idea might be in all its participants at once. | |
| From: Plato (Parmenides [c.364 BCE], 131b) |
| 217 | Nothing can be like an absolute idea, because a third idea intervenes to make them alike (leading to a regress) [Plato] |
| Full Idea: It is impossible for anything to be like an absolute idea, because a third idea will appear to make them alike, and if that is like anything, it will lead to another idea, and so on. | |
| From: Plato (Parmenides [c.364 BCE], 133a) |
| 214 | If absolute greatness and great things are seen as the same, another thing appears which makes them seem great [Plato] |
| Full Idea: If you regard the absolute great and the many great things in the same way, will not another appear beyond, by which all these must appear to be great? | |
| From: Plato (Parmenides [c.364 BCE], 132a) |
| 4459 | Moderate nominalism attempts to embrace the existence of properties while avoiding universals [Moreland] |
| Full Idea: Moderate nominalism attempts to embrace the existence of properties while avoiding universals. | |
| From: J.P. Moreland (Universals [2001], Ch.2) | |
| A reaction: Clearly there is going to be quite a struggle to make sense of 'exists' here (Russell tries 'subsists). Presumably each property must be a particular? |
| 4458 | Unlike Class Nominalism, Resemblance Nominalism can distinguish natural from unnatural classes [Moreland] |
| Full Idea: Resemblance Nominalism is clearly superior to Class Nominalism, since the former offers a clear ground for distinguishing between natural and unnatural classes. | |
| From: J.P. Moreland (Universals [2001], Ch.2) | |
| A reaction: Important. It seems evident to me that there are natural classes, and the only ground for this claim would be either the resemblance or the identity of properties. |
| 4457 | There can be predicates with no property, and there are properties with no predicate [Moreland] |
| Full Idea: Linguistic predicates are neither sufficient nor necessary for specifying a property. Predicates can be contrived which express no property, properties are far more numerous than linguistic predicates, and properties are what make predicates apply. | |
| From: J.P. Moreland (Universals [2001], Ch.2) | |
| A reaction: This seems to me conclusive, and is a crucial argument against anyone who thinks that our metaphysics can simply be inferred from our language. |
| 4471 | We should abandon the concept of a property since (unlike sets) their identity conditions are unclear [Moreland] |
| Full Idea: Some argue that compared to sets, the identity conditions for properties are obscure, and so properties, including realist depictions of them, should be rejected. | |
| From: J.P. Moreland (Universals [2001], Ch.6) | |
| A reaction: I have never thought that difficulty in precisely identifying something was a good reason for denying its existence. Consider low morale in a work force. 2nd thoughts: I like this! |
| 15851 | Parts must belong to a created thing with a distinct form [Plato] |
| Full Idea: The part would not be the part of many things or all, but of some one character ['ideas'] and of some one thing, which we call a 'whole', since it has come to be one complete [perfected] thing composed [created] of all. | |
| From: Plato (Parmenides [c.364 BCE], 157d) | |
| A reaction: A serious shot by Plato at what identity is. Harte quotes it (125) and shows that 'character' is Gk 'idea', and 'composed' will translate as 'created'. 'Form' links this Platonic passage to Aristotle's hylomorphism. |
| 15846 | In Parmenides, if composition is identity, a whole is nothing more than its parts [Plato, by Harte,V] |
| Full Idea: At the heart of the 'Parmenides' puzzles about composition is the thesis that composition is identity. Considered thus, a whole adds nothing to an ontology that already includes its parts | |
| From: report of Plato (Parmenides [c.364 BCE]) by Verity Harte - Plato on Parts and Wholes 2.5 | |
| A reaction: There has to be more to a unified identity that mere proximity of the parts. When do parts come together, and when do they actually 'compose' something? |
| 15849 | Plato says only a one has parts, and a many does not [Plato, by Harte,V] |
| Full Idea: In 'Parmenides' it is argued that a part cannot be part of a many, but must be part of something one. | |
| From: report of Plato (Parmenides [c.364 BCE], 157c) by Verity Harte - Plato on Parts and Wholes 3.2 | |
| A reaction: This looks like the right way to go with the term 'part'. We presuppose a unity before we even talk of its parts, so we can't get into contradictions and paradoxes about their relationships. |
| 15850 | Anything which has parts must be one thing, and parts are of a one, not of a many [Plato] |
| Full Idea: The whole of which the parts are parts must be one thing composed of many; for each of the parts must be part, not of a many, but of a whole. | |
| From: Plato (Parmenides [c.364 BCE], 157c) | |
| A reaction: This is a key move of metaphysics, and we should hang on to it. The other way madness lies. |
| 13259 | It seems that the One must be composed of parts, which contradicts its being one [Plato] |
| Full Idea: The One must be composed of parts, both being a whole and having parts. So on both grounds the One would thus be many and not one. But it must be not many, but one. So if the One will be one, it will neither be a whole, nor have parts. | |
| From: Plato (Parmenides [c.364 BCE], 137c09), quoted by Kathrin Koslicki - The Structure of Objects 5.2 | |
| A reaction: This is the starting point for Plato's metaphysical discussion of objects. It seems to begin a line of thought which is completed by Aristotle, surmising that only an essential structure can bestow identity on a bunch of parts. |
| 15847 | Two things relate either as same or different, or part of a whole, or the whole of the part [Plato] |
| Full Idea: Everything is surely related to everything as follows: either it is the same or different; or, if it is not the same or different, it would be related as part to whole or as whole to part. | |
| From: Plato (Parmenides [c.364 BCE], 146b) | |
| A reaction: This strikes me as a really helpful first step in trying to analyse the nature of identity. Two things are either two or (actually) one, or related mereologically. |
| 4476 | Most philosophers think that the identity of indiscernibles is false [Moreland] |
| Full Idea: Most philosophers think that the identity of indiscernibles is false. | |
| From: J.P. Moreland (Universals [2001], Ch.7) | |
| A reaction: This is as opposed to the generally accepted 'indiscernibility of identicals'. 'Discernment' is an epistemological concept, and 'identity' is an ontological concept. |
| 4460 | Abstractions are formed by the mind when it concentrates on some, but not all, the features of a thing [Moreland] |
| Full Idea: If something is 'abstract' it is got before the mind by an act of abstraction, that is, by concentrating attention on some (but not all) of what is presented. | |
| From: J.P. Moreland (Universals [2001], Ch.3) | |
| A reaction: Presumably it usually involves picking out the behavioural or causal features, and leaving out the physical features - though I suppose it works for physical properties too… |
| 4455 | It is always open to a philosopher to claim that some entity or other is unanalysable [Moreland] |
| Full Idea: It is always open to a philosopher to claim that some entity or other is unanalysable. | |
| From: J.P. Moreland (Universals [2001], Ch.2) | |
| A reaction: For example, Davidson on truth. There is an onus to demonstrate why all attempted analyses fail. |
| 18549 | Nineteenth century aesthetics focused on art rather than nature (thanks to Hegel) [Hegel, by Scruton] |
| Full Idea: Only In the course of the nineteenth century, and in the wake of Hegel's posthumously published lectures on aesthetics, did the topic of art come to replace that of natural beauty as the core subject-matter of aesthetics. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826], 5) by Roger Scruton - Beauty: a very short introduction |
| 22043 | Hegel largely ignores aesthetic pleasure, taste and beauty, and focuses on the meaning of artworks [Hegel, by Pinkard] |
| Full Idea: Unlike his predecessors (including Kant), Hegel does not focus on aesthetic pleasure, nor on good taste, nor even on the nature and criteria for beauty. Instead he focuses on the meaning of artworks and their role in forming mankind's self-consciousness. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Personally I dislike over-intellectualising art. The aim of a work of art is to give a certain experience, not to generate an ensuing sequence of theorising. I doubt whether Vermeer had any 'meaning' in mind in his obsessive work. |
| 22042 | Natural beauty is unimportant, because it doesn't show human freedom [Hegel, by Pinkard] |
| Full Idea: Hegel thinks that natural beauty is of no real significance since it cannot display our freedom to us; nature per se is meaningless. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Presumably freedom is in the creation, and so creativity is what matters in aesthetics. But what are the criteria of good creativity? |
| 20413 | For Hegel the importance of art concerns the culture, not the individual [Hegel, by Eldridge] |
| Full Idea: Hegel locates the significance of art in its role in cultural life in general, not in relation to the psychological needs of individuals. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Richard Eldridge - G.W.F. Hegel (aesthetics) 1 | |
| A reaction: I'm beginning to see that art is a wonderful focus and test case for political attitudes. Roughly, liberalism focuses on individual responses, but more societal views (from right and left) see it in terms of role in the community. Which are you? |
| 20394 | The purpose of art is to reveal to Spirit its own nature [Hegel, by Davies,S] |
| Full Idea: According to Hegel, the goal of art was to serve as a phase in a process by which Spirit would come to understand its own nature. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Stephen Davies - The Philosophy of Art (2nd ed) 2.7 | |
| A reaction: I try very hard to understand ideas like this. Really really hard. However, since I see little sign of 'Spirit' really understanding its own nature, I'm guessing that the project is not going well. |
| 21794 | The main purpose of art is to express the unity of human life [Hegel] |
| Full Idea: Art's primary function, for Hegel, is to give expression to the unity and wholeness of life - especially human life - that the contingencies of everyday existence frequently conceal. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826]), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Beauty' | |
| A reaction: I don't find the view that human life is 'unified' and 'whole' vary illuminating, and I have no objection to art which reflects the fragmentary and unstable aspects of life. I suspect Hegel would just prefer it if life were a unity. |
| 20415 | Art forms a bridge between the sensuous world and the world of pure thought [Hegel] |
| Full Idea: Spirit generates out of itself works of fine art as the first reconciling middle term between pure thought and what is merely external, sensuous and transient - between finite natural reality and the infinite freedom of conceptual thinking. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], p.8), quoted by Richard Eldridge - G.W.F. Hegel (aesthetics) | |
| A reaction: This apparently says that there is necessarily an intellectual and conceptual component in art. This means little to me. Does he include portraits? Dutch domestic scenes? Would photography qualify? |
| 222 | Only a great person can understand the essence of things, and an even greater person can teach it [Plato] |
| Full Idea: Only a man of very great natural gifts will be able to understand that everything has a class and absolute essence, and an even more wonderful man can teach this. | |
| From: Plato (Parmenides [c.364 BCE], 135a) |
| 225 | The unlimited has no shape and is endless [Plato] |
| Full Idea: The unlimited partakes neither of the round nor of the straight, because it has no ends nor edges. | |
| From: Plato (Parmenides [c.364 BCE], 137e) |
| 233 | Some things do not partake of the One [Plato] |
| Full Idea: The others cannot partake of the one in any way; they can neither partake of it nor of the whole. | |
| From: Plato (Parmenides [c.364 BCE], 159d) | |
| A reaction: Compare Idea 231 |
| 2062 | The only movement possible for the One is in space or in alteration [Plato] |
| Full Idea: If the One moves it either moves spatially or it is altered, since these are the only motions. | |
| From: Plato (Parmenides [c.364 BCE], 138b) |
| 231 | Everything partakes of the One in some way [Plato] |
| Full Idea: The others are not altogether deprived of the one, for they partake of it in some way. | |
| From: Plato (Parmenides [c.364 BCE], 157c) | |
| A reaction: Compare Idea 233. |
| 4473 | 'Presentism' is the view that only the present moment exists [Moreland] |
| Full Idea: 'Presentism' is the view that only the present moment exists. | |
| From: J.P. Moreland (Universals [2001], Ch.6) | |
| A reaction: And Greek scepticism doubted even the present, since there is no space between past and future. It is a delightfully vertigo-inducing idea. |
| 234 | We couldn't discuss the non-existence of the One without knowledge of it [Plato] |
| Full Idea: There must be knowledge of the one, or else not even the meaning of the words 'if the one does not exist' would be known. | |
| From: Plato (Parmenides [c.364 BCE], 160d) |