22070
|
Irony is consciousness of abundant chaos [Schlegel,F]
|
|
Full Idea:
Irony is the clear conscousness of eternal agility, of an infinitely abundant chaos.
|
|
From:
Friedrich Schlegel (works [1798], Vol 2 p.263), quoted by Ernst Behler - Early German Romanticism p.81
|
|
A reaction:
[1800, in Athenaum] The interest here is irony as a reaction to chaos, which has made systematic thought impossible. Do romantics necessarily see reality as beyond our grasp, even if not chaotic? This must be situational, not verbal irony.
|
22069
|
Plato has no system. Philosophy is the progression of a mind and development of thoughts [Schlegel,F]
|
|
Full Idea:
Plato had no system, but only a philosophy. The philosophy of a human being is the history, the becoming, the progression of his mind, the gradual formation and development of his thoughts.
|
|
From:
Friedrich Schlegel (works [1798], Vol.11 p.118), quoted by Ernst Behler - Early German Romanticism
|
|
A reaction:
[1804] Looks like the first sign of rebellion against the idea of having a 'system' in philosophy, making it a key idea of romanticism. Systems are classical? This looks like an early opposition of a historical dimension to static systems. Big idea.
|
16614
|
Matter and form give true unity; subject and accident is just unity 'per accidens' [Duns Scotus]
|
|
Full Idea:
From matter and form comes one thing per se. This is not so for subject and accident. Matter and form are instrinsic causes of a composite being, but whiteness and a human being are not. Humans can exist without whiteness, so it is one thing per accidens.
|
|
From:
John Duns Scotus (Oxford Commentary on Sentences [1301], II.12.1.14), quoted by Robert Pasnau - Metaphysical Themes 1274-1671
|
|
A reaction:
This isn't much of a theory, but at least it is focusing on an interesting question, and the distinction between genuinely unified, and unified by chance. Compare a loving couple with siblings who hate each other.
|
22068
|
Poetry is transcendental when it connects the ideal to the real [Schlegel,F]
|
|
Full Idea:
There is a kind of poetry whose essence lies in the relation between the ideal and the real, and which therefore, by analogy with philosophical jargon, should be called transcendental poetry.
|
|
From:
Friedrich Schlegel (works [1798], Vol 2 p.204), quoted by Ernst Behler - Early German Romanticism p.78
|
|
A reaction:
I think the basic idea is that the imaginative creation of poetry has the power to bridge the gap between the transcendental (presupposed) ideal in Fichte, and nature (which Fichte seems to have excluded from his system).
|