62 ideas
| 13786 | Wisdom is called 'beautiful', because it performs fine works [Plato] |
| Full Idea: Wisdom [phronesis] is correctly given the name 'kalon' [beautiful], since it performs the works that we say are beautiful and welcome as such. | |
| From: Plato (Cratylus [c.377 BCE], 416d) | |
| A reaction: 'Phronesis' in Aristotle is more like prudence, or common sense, rather than wisdom ['sophia']. 'Kalon' also means fine or noble. This translation seems fair enough, though. |
| 13780 | Good people are no different from wise ones [Plato] |
| Full Idea: Socrates: Are good people any different from wise ones? No, they aren't. | |
| From: Plato (Cratylus [c.377 BCE], 398b) | |
| A reaction: This is Socrates's 'intellectualism', his view that being good is entirely a matter of reason and knowledge, and not a matter of habit or emotion. Do we still accept the traditional assumption that wise people are thereby morally good? |
| 224 | When questions are doubtful we should concentrate not on objects but on ideas of the intellect [Plato] |
| Full Idea: Doubtful questions should not be discussed in terms of visible objects or in relation to them, but only with reference to ideas conceived by the intellect. | |
| From: Plato (Parmenides [c.364 BCE], 135e) |
| 232 | Opposites are as unlike as possible [Plato] |
| Full Idea: Opposites are as unlike as possible. | |
| From: Plato (Parmenides [c.364 BCE], 159a) |
| 13778 | A dialectician is someone who knows how to ask and to answer questions [Plato] |
| Full Idea: What would you call someone who knows how to ask and answer questions? Wouldn't you call him a dialectician? | |
| From: Plato (Cratylus [c.377 BCE], 390c) | |
| A reaction: Asking good questions and giving good answers sound like two very different skills. I presume dialectic is the process of arriving at answers by means of asking the right questions. |
| 8937 | Plato's 'Parmenides' is the greatest artistic achievement of the ancient dialectic [Hegel on Plato] |
| Full Idea: Plato's 'Parmenides' is the greatest artistic achievement of the ancient dialectic. | |
| From: comment on Plato (Parmenides [c.364 BCE]) by Georg W.F.Hegel - Phenomenology of Spirit Pref 71 | |
| A reaction: It is a long way from the analytic tradition of philosophy to be singling out a classic text for its 'artistic' achievement. Eventually we may even look back on, say, Kripke's 'Naming and Necessity' and see it in that light. |
| 13776 | Truths say of what is that it is, falsehoods say of what is that it is not [Plato] |
| Full Idea: Those statements that say of the things that are that they are, are true, while those that say of the things that are that they are not, are false. | |
| From: Plato (Cratylus [c.377 BCE], 385b) | |
| A reaction: It was quite a shock to discover this, because the famous Aristotle definition (Idea 586) is always quoted, and no modern writers seem to have any awareness of the Plato remark. Classical scholarship is very poor in analytic philosophy. |
| 13777 | A name is a sort of tool [Plato] |
| Full Idea: A name is a sort of tool. | |
| From: Plato (Cratylus [c.377 BCE], 388a) | |
| A reaction: Idea 13775 gives a background for this metaphor, from earlier in the text. Wittgenstein has a famous toolkit metaphor for language. The whole of this text, 'Cratylus', is about names. |
| 13790 | A name-giver might misname something, then force other names to conform to it [Plato] |
| Full Idea: The name-giver might have made a mistake at the beginning and then forced the other names to be consistent with it. | |
| From: Plato (Cratylus [c.377 BCE], 436c) | |
| A reaction: Lovely. This is Gareth Evans's 'Madagascar' example. See Idea 9041. |
| 13791 | Things must be known before they are named, so it can't be the names that give us knowledge [Plato] |
| Full Idea: If things cannot be learned except from their names, how can we possibly claim that the name-givers or rule-setters have knowledge before any names had been given for them to know? | |
| From: Plato (Cratylus [c.377 BCE], 438b) | |
| A reaction: Running through this is a hostility to philosophy of language, so I find it very congenial. We are animals who relate to the world before language takes a grip. We have full-blown knowledge of things, with no intervention of words. |
| 13789 | Anyone who knows a thing's name also knows the thing [Plato] |
| Full Idea: The simple truth is that anyone who knows a thing's name also knows the thing. | |
| From: Plato (Cratylus [c.377 BCE], 435d) | |
| A reaction: A nice slogan, but it seems to be blatantly false. The best example is Gareth Evans's of joining in a conversation about a person ('Louis'?), and only gradually tuning in to the person to which the name refers. |
| 13986 | Plato found antinomies in ideas, Kant in space and time, and Bradley in relations [Plato, by Ryle] |
| Full Idea: Plato (in 'Parmenides') shows that the theory that 'Eide' are substances, and Kant that space and time are substances, and Bradley that relations are substances, all lead to aninomies. | |
| From: report of Plato (Parmenides [c.364 BCE]) by Gilbert Ryle - Are there propositions? 'Objections' |
| 14150 | Plato's 'Parmenides' is perhaps the best collection of antinomies ever made [Russell on Plato] |
| Full Idea: Plato's 'Parmenides' is perhaps the best collection of antinomies ever made. | |
| From: comment on Plato (Parmenides [c.364 BCE]) by Bertrand Russell - The Principles of Mathematics §337 |
| 16150 | One is, so numbers exist, so endless numbers exist, and each one must partake of being [Plato] |
| Full Idea: If one is, there must also necessarily be number - Necessarily - But if there is number, there would be many, and an unlimited multitude of beings. ..So if all partakes of being, each part of number would also partake of it. | |
| From: Plato (Parmenides [c.364 BCE], 144a) | |
| A reaction: This seems to commit to numbers having being, then to too many numbers, and hence to too much being - but without backing down and wondering whether numbers had being after all. Aristotle disagreed. |
| 229 | The one was and is and will be and was becoming and is becoming and will become [Plato] |
| Full Idea: The one was and is and will be and was becoming and is becoming and will become. | |
| From: Plato (Parmenides [c.364 BCE], 155d) |
| 21821 | Plato's Parmenides has a three-part theory, of Primal One, a One-Many, and a One-and-Many [Plato, by Plotinus] |
| Full Idea: The Platonic Parmenides is more exact [than Parmenides himself]; the distinction is made between the Primal One, a strictly pure Unity, and a secondary One which is a One-Many, and a third which is a One-and-Many. | |
| From: report of Plato (Parmenides [c.364 BCE]) by Plotinus - The Enneads 5.1.08 | |
| A reaction: Plotinus approves of this three-part theory. Parmenides has the problem that the highest Being contains no movement. By placing the One outside Being you can give it powers which an existent thing cannot have. Cf the concept of God. |
| 2063 | How can beauty have identity if it changes? [Plato] |
| Full Idea: If beauty never stays the same, how can it be something? | |
| From: Plato (Cratylus [c.377 BCE], 439e) |
| 221 | Absolute ideas, such as the Good and the Beautiful, cannot be known by us [Plato] |
| Full Idea: The absolute good and the beautiful and all which we conceive to be absolute ideas are unknown to us. | |
| From: Plato (Parmenides [c.364 BCE], 134c) |
| 13775 | We only succeed in cutting if we use appropriate tools, not if we approach it randomly [Plato] |
| Full Idea: If we undertake to cut something and make the cut in whatever way we choose and with whatever tool we choose, we will not succeed. If we cut according to the nature of cutting and being cut, and with the natural tool, we'll succeed and cut correctly. | |
| From: Plato (Cratylus [c.377 BCE], 387a) | |
| A reaction: I take this passage to be the creed for realists about the physical world - a commitment not merely to the existence of an external world, but to the existence of facts about it, which we may or may not be able to discover. |
| 227 | You must always mean the same thing when you utter the same name [Plato] |
| Full Idea: You must always mean the same thing when you utter the same name. | |
| From: Plato (Parmenides [c.364 BCE], 147d) |
| 223 | If you deny that each thing always stays the same, you destroy the possibility of discussion [Plato] |
| Full Idea: If a person denies that the idea of each thing is always the same, he will utterly destroy the power of carrying on discussion. | |
| From: Plato (Parmenides [c.364 BCE], 135c) |
| 210 | It would be absurd to think there were abstract Forms for vile things like hair, mud and dirt [Plato] |
| Full Idea: Are there abstract ideas for such things as hair, mud and dirt, which are particularly vile and worthless? That would be quite absurd. | |
| From: Plato (Parmenides [c.364 BCE], 130d) |
| 220 | The concept of a master includes the concept of a slave [Plato] |
| Full Idea: Mastership in the abstract is mastership of slavery in the abstract. | |
| From: Plato (Parmenides [c.364 BCE], 133e) |
| 211 | If admirable things have Forms, maybe everything else does as well [Plato] |
| Full Idea: It is troubling that if admirable things have abstract ideas, then perhaps everything else must have ideas as well. | |
| From: Plato (Parmenides [c.364 BCE], 130d) |
| 219 | If absolute ideas existed in us, they would cease to be absolute [Plato] |
| Full Idea: None of the absolute ideas exists in us, because then it would no longer be absolute. | |
| From: Plato (Parmenides [c.364 BCE], 133c) |
| 228 | Greatness and smallness must exist, to be opposed to one another, and come into being in things [Plato] |
| Full Idea: These two ideas, greatness and smallness, exist, do they not? For if they did not exist, they could not be opposites of one another, and could not come into being in things. | |
| From: Plato (Parmenides [c.364 BCE], 149e) |
| 16151 | Plato moves from Forms to a theory of genera and principles in his later work [Plato, by Frede,M] |
| Full Idea: It seems to me that Plato in the later dialogues, beginning with the second half of 'Parmenides', wants to substitute a theory of genera and theory of principles that constitute these genera for the earlier theory of forms. | |
| From: report of Plato (Parmenides [c.364 BCE]) by Michael Frede - Title, Unity, Authenticity of the 'Categories' V | |
| A reaction: My theory is that the later Plato came under the influence of the brilliant young Aristotle, and this idea is a symptom of it. The theory of 'principles' sounds like hylomorphism to me. |
| 213 | Each idea is in all its participants at once, just as daytime is a unity but in many separate places at once [Plato] |
| Full Idea: Just as day is in many places at once, but not separated from itself, so each idea might be in all its participants at once. | |
| From: Plato (Parmenides [c.364 BCE], 131b) |
| 216 | If things are made alike by participating in something, that thing will be the absolute idea [Plato] |
| Full Idea: That by participation in which like things are made like, will be the absolute idea, will it not? | |
| From: Plato (Parmenides [c.364 BCE], 132e) |
| 218 | Participation is not by means of similarity, so we are looking for some other method of participation [Plato] |
| Full Idea: Participation is not by means of likeness, so we must seek some other method of participation. | |
| From: Plato (Parmenides [c.364 BCE], 133a) |
| 212 | The whole idea of each Form must be found in each thing which participates in it [Plato] |
| Full Idea: The whole idea of each form (of beauty, justice etc) must be found in each thing which participates in it. | |
| From: Plato (Parmenides [c.364 BCE], 131a) |
| 215 | If things partake of ideas, this implies either that everything thinks, or that everything actually is thought [Plato] |
| Full Idea: If all things partake of ideas, must either everything be made of thoughts and everything thinks, or everything is thought, and so can't think? | |
| From: Plato (Parmenides [c.364 BCE], 132c) |
| 217 | Nothing can be like an absolute idea, because a third idea intervenes to make them alike (leading to a regress) [Plato] |
| Full Idea: It is impossible for anything to be like an absolute idea, because a third idea will appear to make them alike, and if that is like anything, it will lead to another idea, and so on. | |
| From: Plato (Parmenides [c.364 BCE], 133a) |
| 214 | If absolute greatness and great things are seen as the same, another thing appears which makes them seem great [Plato] |
| Full Idea: If you regard the absolute great and the many great things in the same way, will not another appear beyond, by which all these must appear to be great? | |
| From: Plato (Parmenides [c.364 BCE], 132a) |
| 13787 | Doesn't each thing have an essence, just as it has other qualities? [Plato] |
| Full Idea: Don't you think that just as each thing has a colour or some of those other qualities we mentioned, it also has a being or essence? | |
| From: Plato (Cratylus [c.377 BCE], 423e) | |
| A reaction: The Greek here seems to be 'ousia', which I increasingly think should be translated as 'distinct identity', rather than as 'existence' or as 'essence'. Maybe the philosophical term 'haecceity' captures it best. |
| 15851 | Parts must belong to a created thing with a distinct form [Plato] |
| Full Idea: The part would not be the part of many things or all, but of some one character ['ideas'] and of some one thing, which we call a 'whole', since it has come to be one complete [perfected] thing composed [created] of all. | |
| From: Plato (Parmenides [c.364 BCE], 157d) | |
| A reaction: A serious shot by Plato at what identity is. Harte quotes it (125) and shows that 'character' is Gk 'idea', and 'composed' will translate as 'created'. 'Form' links this Platonic passage to Aristotle's hylomorphism. |
| 15846 | In Parmenides, if composition is identity, a whole is nothing more than its parts [Plato, by Harte,V] |
| Full Idea: At the heart of the 'Parmenides' puzzles about composition is the thesis that composition is identity. Considered thus, a whole adds nothing to an ontology that already includes its parts | |
| From: report of Plato (Parmenides [c.364 BCE]) by Verity Harte - Plato on Parts and Wholes 2.5 | |
| A reaction: There has to be more to a unified identity that mere proximity of the parts. When do parts come together, and when do they actually 'compose' something? |
| 15849 | Plato says only a one has parts, and a many does not [Plato, by Harte,V] |
| Full Idea: In 'Parmenides' it is argued that a part cannot be part of a many, but must be part of something one. | |
| From: report of Plato (Parmenides [c.364 BCE], 157c) by Verity Harte - Plato on Parts and Wholes 3.2 | |
| A reaction: This looks like the right way to go with the term 'part'. We presuppose a unity before we even talk of its parts, so we can't get into contradictions and paradoxes about their relationships. |
| 15850 | Anything which has parts must be one thing, and parts are of a one, not of a many [Plato] |
| Full Idea: The whole of which the parts are parts must be one thing composed of many; for each of the parts must be part, not of a many, but of a whole. | |
| From: Plato (Parmenides [c.364 BCE], 157c) | |
| A reaction: This is a key move of metaphysics, and we should hang on to it. The other way madness lies. |
| 13259 | It seems that the One must be composed of parts, which contradicts its being one [Plato] |
| Full Idea: The One must be composed of parts, both being a whole and having parts. So on both grounds the One would thus be many and not one. But it must be not many, but one. So if the One will be one, it will neither be a whole, nor have parts. | |
| From: Plato (Parmenides [c.364 BCE], 137c09), quoted by Kathrin Koslicki - The Structure of Objects 5.2 | |
| A reaction: This is the starting point for Plato's metaphysical discussion of objects. It seems to begin a line of thought which is completed by Aristotle, surmising that only an essential structure can bestow identity on a bunch of parts. |
| 13774 | Things don't have every attribute, and essence isn't private, so each thing has an essence [Plato] |
| Full Idea: If Euthydemus is wrong that everything always has every attribute simultaneously, or that being or essence is private for each person, then it is clear that things have some fixed being or essence of their own. | |
| From: Plato (Cratylus [c.377 BCE], 386d) | |
| A reaction: I'm not sure what 'being or essence' translates. If it translates 'ousia' then I wouldn't make too much of this remark from an essentialist point of view. |
| 13772 | Is the being or essence of each thing private to each person? [Plato] |
| Full Idea: Is the being or essence of each of the things that are something private to each person, as Protagoras tells us? | |
| From: Plato (Cratylus [c.377 BCE], 385e) | |
| A reaction: This kind of drastic personal relativism about essences doesn't sound very plausible, but the idea that essences are private to each culture, or to each language, must certainly be taken seriously. |
| 15847 | Two things relate either as same or different, or part of a whole, or the whole of the part [Plato] |
| Full Idea: Everything is surely related to everything as follows: either it is the same or different; or, if it is not the same or different, it would be related as part to whole or as whole to part. | |
| From: Plato (Parmenides [c.364 BCE], 146b) | |
| A reaction: This strikes me as a really helpful first step in trying to analyse the nature of identity. Two things are either two or (actually) one, or related mereologically. |
| 13788 | If we made a perfect duplicate of Cratylus, there would be two Cratyluses [Plato] |
| Full Idea: Soc: Suppose we made a duplicate of everything you have and put it beside you; would there then be two Cratyluses, or Cratylus and an image of Cratylus? Crat: It seems to me, Socrates, that there would be two Cratyluses. | |
| From: Plato (Cratylus [c.377 BCE], 432c) | |
| A reaction: Don't think that science fiction examples are a modern development in philosophy. Plato has just invented the Startrek transporter. The two Cratyluses are the two spheres in Max Black's famous example. |
| 13792 | There can't be any knowledge if things are constantly changing [Plato] |
| Full Idea: It isn't even reasonable to say that there is such a thing as knowledge, Cratylus, if all things are passing on and none remain. | |
| From: Plato (Cratylus [c.377 BCE], 440a) | |
| A reaction: This encapsulates Plato's horror at Heraclitus scepticism about the stable identity of things. It leads to the essentialism of Aristotle and Leibniz, who fear that there is no knowledge if we can't pin down individual identities. Know processes? |
| 13781 | Soul causes the body to live, and gives it power to breathe and to be revitalized [Plato] |
| Full Idea: Those who named the soul thought that when the soul is present in the body, it causes it to live and gives it the power to breathe the air and be revitalized [anapsuchon]. | |
| From: Plato (Cratylus [c.377 BCE], 399d) | |
| A reaction: I quote this to emphasis that Greek psuché is very different from the consciousness which is largely discussed in modern philosophy of mind. I find it helpful to make a real effort to grasp the Greek concept. The feeling of life within you. |
| 8122 | True works of art transmit completely new feelings [Tolstoy] |
| Full Idea: Only that is a true work of art which transmits fresh feelings not previously experienced by man. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.9) | |
| A reaction: I think a great composer will probably not have any new feelings at all, but will discover new expressions which contain feelings by which even they are surprised (e.g. the Tristan chord). |
| 8121 | Art is when one man uses external signs to hand on his feelings to another man [Tolstoy] |
| Full Idea: Art is a human activity in which one man consciously by means of external signs, hands on to others feelings he has lived through, and other are infected by those feelings, and also experience them. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.5) | |
| A reaction: Such definitions always work better for some art forms than for others. This may fit 'Anna Karenin' quite well, but probably not Bach's 'Art of Fugue'. Writing obscenities on someone's front door would fit this definition. |
| 8124 | The highest feelings of mankind can only be transmitted by art [Tolstoy] |
| Full Idea: The highest feelings to which mankind has attained can only be transmitted from man to man by art. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.17) | |
| A reaction: We are much more nervous these days of talking about 'highest' feelings. Tolstoy obviously considers religion to be an ingredient of the highest feelings, but that prevents us from judging them purely as feelings. Music is the place to rank feelings. |
| 8123 | The purpose of art is to help mankind to evolve better, more socially beneficial feelings [Tolstoy] |
| Full Idea: The evolution of feeling proceeds by means of art - feelings less kind and less necessary for the well-being of mankind being replaced by others kinder and more needful for that end. That is the purpose of art. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.16) | |
| A reaction: Underneath his superficially expressivist view of art, Tolstoy is really an old-fashioned moralist about it, like Dr Johnson. This is the moralism of the great age of the nineteenth century novel (which was, er, the greatest age of the novel!). |
| 22710 | People estimate art according to their moral values [Tolstoy] |
| Full Idea: The estimation of the value of art …depends on men's perception of the meaning of life; depends on what they hold to be the good and evil of life. | |
| From: Leo Tolstoy (What is Art? [1898]), quoted by Iris Murdoch - The Sublime and the Good p.206 | |
| A reaction: [No ref given] This is put to the test by the insightful depiction of wickedness. We condemn the wickedness and admire the insight. Every reading of a novel is a moral journey, though I'm not sure how the true psychopath reads a novel. |
| 8125 | The upper classes put beauty first, and thus freed themselves from morality [Tolstoy] |
| Full Idea: The people of the upper class, more and more frequently encountering the contradictions between beauty and goodness, put the ideal of beauty first, thus freeing themselves from the demands of morality. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.17) | |
| A reaction: The rich are a great deal freer to pursue the demands of beauty than are the poor. They also have a tradition of 'immorality' (such as duels and adultery) which was in place long before they discovered art. |
| 8064 | We separate the concept of beauty from goodness, unlike the ancients [Tolstoy] |
| Full Idea: The ancients had not that conception of beauty separated from goodness which forms the basis and aim of aesthetics in our time. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.3) | |
| A reaction: This is written at around the time of the Aesthetic Movement, but Tolstoy's own novels are intensely moral. This separation makes abstract painting possible. |
| 13785 | 'Arete' signifies lack of complexity and a free-flowing soul [Plato] |
| Full Idea: 'Areté' signifies lack of perplexity [euporia, ease of movement], and that the flow of a good soul is unimpeded. | |
| From: Plato (Cratylus [c.377 BCE], 415d) | |
| A reaction: Some highly dubious etymology going on here, and throughout 'Cratylus', but it gives a nice feeling for the way Socrates and Plato saw virtue. |
| 222 | Only a great person can understand the essence of things, and an even greater person can teach it [Plato] |
| Full Idea: Only a man of very great natural gifts will be able to understand that everything has a class and absolute essence, and an even more wonderful man can teach this. | |
| From: Plato (Parmenides [c.364 BCE], 135a) |
| 225 | The unlimited has no shape and is endless [Plato] |
| Full Idea: The unlimited partakes neither of the round nor of the straight, because it has no ends nor edges. | |
| From: Plato (Parmenides [c.364 BCE], 137e) |
| 233 | Some things do not partake of the One [Plato] |
| Full Idea: The others cannot partake of the one in any way; they can neither partake of it nor of the whole. | |
| From: Plato (Parmenides [c.364 BCE], 159d) | |
| A reaction: Compare Idea 231 |
| 2062 | The only movement possible for the One is in space or in alteration [Plato] |
| Full Idea: If the One moves it either moves spatially or it is altered, since these are the only motions. | |
| From: Plato (Parmenides [c.364 BCE], 138b) |
| 231 | Everything partakes of the One in some way [Plato] |
| Full Idea: The others are not altogether deprived of the one, for they partake of it in some way. | |
| From: Plato (Parmenides [c.364 BCE], 157c) | |
| A reaction: Compare Idea 233. |
| 13779 | The natural offspring of a lion is called a 'lion' (but what about the offspring of a king?) [Plato] |
| Full Idea: It seems to me that it is right to call a lion's offspring a 'lion' and a horse's offspring a 'horse' (I'm talking about natural offspring, not some monster). ...but by the same argument any offspring of a king should be called a 'king'. | |
| From: Plato (Cratylus [c.377 BCE], 393b) | |
| A reaction: The standard modern difficulty is whether all descendants of dinosaurs are still called 'dinosaur', which they are not. |
| 13783 | Even the gods love play [Plato] |
| Full Idea: Even the gods love play. | |
| From: Plato (Cratylus [c.377 BCE], 406c) |
| 234 | We couldn't discuss the non-existence of the One without knowledge of it [Plato] |
| Full Idea: There must be knowledge of the one, or else not even the meaning of the words 'if the one does not exist' would be known. | |
| From: Plato (Parmenides [c.364 BCE], 160d) |